Contemporary Wall Sculpture by Cornelia Laufer 'Pleated Mirror', 2018

French 18th century Louis XVI giltwood wall mirror or trumeau The giltwood mirror containing an old mirror plate within a moulded and beaded frame. The cresting showing a neoclass...

French 18th century Provencal Transition/Louis XVI giltwood wall mirror with ribbon decoration A giltwood frame with old mirror plate, within a mirrored border, the outset corners...

Large 19th century French Louis XVI Napoleon III giltwood wall mirror Impressive, large Louis XVI style wall mirror of rectangular shape with a "Chapeau Gendarme" top surmounted b...

19th century Dutch Louis XIV Baroque style brass Repoussé wall mirror Rectangular beveled mirror plate surrounded by a broad Baroque styl...

18th Century French Louis XV period flower still life trumeau wall mirror Of rectangular shape, the lower part of the French Green painted trumeau holding the mirror plate (26.378 in./67 cm x 25 in. /63,5 cm) within a rectangular giltwood frame with floral gesso carving and an ornamental Louis XV cresting. The upper part of the mirror holding an original 18th century painting depicting a flower basket with a lush bouquet of summer flowers within a carved giltwood Louis XV style frame of curvy outline with c-scrolls and foliate elements. Both mirror and painting are flanked by a pair of giltwood panels each holding three carved giltwood Louis XV ornamental vignettes. The trumeau is topped by a stepped giltwood cornice...

Late 19th century large empire style painted gilt wood wall mirror or trumeau Large rectangular mirror with architectural structure: the central field, consisting of a lower mirro...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Artist: Armarinhos Teixeira Nebulares series (no title) Unique piece Brazil 2018 Materials: polyester, copper and leather The sculpture is hanging on by a leather cord Dimensions Variable Exhibited - São Paulo, Brazil, Legado Arte...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

Dean & Dahl POP is a collection of signed and numbered, original art pieces by Artist and Co-Founder of Dean & Dahl, Gabriel Dean Anderson. This mo...