Dafila Scott - Pink Headed Ducks

Screenprint in black and white, 2011, on Somerset 300gsm paper, signed and dated in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghos...

Screenprint in colours, 2011, on Somerset 300gsm paper, signed and dated in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghosts of Go...

Screenprint in colours with varnish, 2011, on Somerset 300gsm paper, signed in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghosts of...

Giclee print in colours with screenprinted varnish, 2011, on Somerset 330gsm paper, initialled in green pencil, inscribed ‘AP’ (an artist’s proof aside from the edition of 125), from...

Screenprint in colours, 2011, on Somerset 300gsm paper, signed in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghosts of Gone Birds, ...

Giclee print in colours, 2011, on Somerset 330gsm paper, signed in pencil, inscribed ‘A/P’ (an artist’s proof aside from the edition of 125), from the portfolio Ghosts of Gone Birds,...

A reclaimed vintage pink Hippo Head. Handcrafted from fiberglass.  

Beautiful painting by Jane chidsey Education The Pennsylvania Academy of the Fine Arts Graphic The Pennsylvania Academy of the Fine Arts MFAPainting 1999 - 2002 3 semesters of...

Offering One Of Our Recent Palm Beach Estate Fine Art Acquisitions Of A Monumental Mid-Century Modern Abstract Painting Sculpture by SCOTT HILE Consists o...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...