"El Jardín De Las Delicias" Art Work by Carlos Aires Gold Vinyl Edition 2010

If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...

If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague,Bologna,Amsterdam or London,among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...

"Sin ti´tulo" (1994), Luis Gordillo (1994). Serigraphy over Velin Cube Arche´s paper. Signed with pen. Numbered VII/XV. Luis Gordillo (born 1934 in Seville, Spain) is a Spanish arti...

"Nidos" 2003 Felicidad Moreno Mixed technique of acrylic, enamel, varnish and acrylic spray on canvas.

"Actual / Contemporáneo (Lacoste y Quico Rivas) IV, 2022" Un kilo de verde Miki Leal Linocut, monotype and etching. Printed on Somerset 410gr. paper. AWA...

"Geométrico romano VI, 2022" Un kilo de verde Miki Leal Linocut on Somerset 410 gr. and Hahnemühle 350 gr. paper. AWARDS 2021 International Studio & Cura...

Couleur Additive N°8, Edition Denise René 1970 153/200 by Carlos Cruz Diez

Couleur Additive, Edition Denise René 1970 38/50 by Carlos Cruz Diez

Guillaume Siméon, signed. Panel made of vinyl on which characters are painted in acrylic. Contemporary French work.

Guillaume Siméon, signed. Panel made up of vinyl records, on which characters are painted in acrylic. Contemporary french work.

Hand painted porcelain work of art by Contemporary Artist painter, signed by DECARIS, Limited Edition. Manufactured by Charles Fields Haviland....

“Florida” by Carlos Alves Size: 83” W x 88” L x 2-1/4” D 2002 “Florida” is a large ceramic tile sculpture in the shape of Florida, whimsy created wi...