Elizabeth Taylor as CLEOPATRA 1962-1995

Two (of four) designed and handmade frames by Dana Nicholson at Altura Studio in New York. Solid Mahogany and rosewood assembled in a heavy torsion box method. Custom cast brass fitt...

The table was in part influenced by Armand Albert Rateau and Eileen Gray. Their influence is evident in this complex piece of many art processes. Sketched while listening to Bjork’s song “Bachelorette”, (which has absolutely nothing to do with the show or dating), the table is dark and pays homage to the cephalopods of the deep and the corals near the surface, while octopus’ suckers or coral polyps break the surface. Comprised of custom cast and blacken bronze of great weight supporting an ultra-thin and hollow surface of a moonlit blue...

French, late 1940’s Jacques Adnet stool in Cerused white oak purchased from Miguel Saco Inc. in New York City. Upholstered in Ashbury calf hide leather in a warm off white with sligh...

Inspired by the clever fox and the fascinating bat, the cast bronze lectern sculpture is one of three such designs by designer/artist Dana Nicholson. Sculpturally it stands on its own but it also elegantly supports art books or small drawings and paintings. It is one of a kind. The wings fold out for larger works. Treated with a rich tobacco brown patina and buffed with wax for an authentic, and historical bronze finish. Silver leaf has been applied to the raised portion of the body plate to accentuate the Celtic like design pattern. A perfect understory for that rare collector batman comic...

Perhaps lost to antiquity is “The Floating World”. Ancient Persia, China and Egypt, all supported the idea of intoxicating tranquility and relaxation through the boundless beauty of ...

A pair of oak stained and painted occasional tables. The upper surface and lower shelf are in a painted finish easy to alter in a color of your choice if blue/gray is not ideal. The ...

Fraser Taylor, Bulk Green 2008 Oil on canvas.

This wall sculpture balances the strength and delicacy of its materiality through the texture of the broken and whole ceramic links. These works are assembled from the collected ruin...

Abstract painting using acrylic on paper by contemporary British Artist John Taylor. Framed in a vintage frame. Signed by the artist. From a collection of four pieces. John Tay...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

London born artist TORIE BEGG was a renowned minimalist painter during the 90’s & 00’s. Best known for her ‘Apparently..’ series of paintings, pictured above. Organic pigment on can...

Contemporary abstract lithograph by Swedish artist Leif Knudsen (1928-1975). Signed and dated. Framed under glass.

Framed Size: 28 1/4"W ...