Isabel Field, 1985

Color woodcut on somerset satin paper, edition of 20 printed by Santa Monica Editions #1, 1990. Dimension: 100" x 52". Framed. Günther Förg (born 5 Dec...

A work of art made by collage of hand-painted vellum applied in a collage format with original Sonnabend Gallery label to the reverse.

A unique painting made of pieced and sewn canvas creating a ruffled edge and painted in stripes in the manner of Elsworth Kelly or Robert Ryman.

A large fine pastel drawing of an abstract figure from the Cordier and Ekstrom Gallery, Madison Avenue, New York by Gillian Bradshaw-Smith.

Number 24, edition of 25. Number 2 of this smaller edition of Artist's Proofs can be found in the Smithsonian Museum of American Art. Signed, dated 1971 and numbered (in Roman Num...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Printed in 1981 for the art magazine "Derriere le Miroir" #246. The painter paints himself in a Paris setting with the Eiffel Tower and Notre Dame. Musicians, an angel, flowers and a...

Roseline Koener oil on canvas 1985 About the artist: My adventurous journey as an artist has been focused on accessing the magic POOL of vibrant colors and life forces deep within me. I marvel at the infinite richness and divine beauty of colors, sounds, patterns, textures, and fragrances of Mother Nature. I am inspired and amazed by the powerful and dynamic cycles of life, which generate newness and oneness. The circular movements of planets and every cell, the miraculous growth of plants and mountains, the morning’s eclosion of roses, and the buoyancy of ocean waves fascinate me. Artists and musicians like Klee, Matisse, Tombly, Motherwell, Frankenthaler, Anatsui, Bach, Hafiz, Rumi, Hildegard von Bingen...

A palatial micro mosaic tile wall plaque of a seated woman holding a goblet in an antiquated wood frame. The wood frame is beautifully carved and the tile alignments of the tiles are...

An eye catching classic Hermes silk scarf shown in an elegant custom gilt wood frame. Makes a graphic luxurious piece of art. The scarf is...

Celestial I is a unique aqua, grey & clear glass wall-mounted artwork, by the British artist Wayne Charmer. Taken inspiration from the moment that a mass of rock is literally crac...

Scagliola art panel decoration in relief realised on a wooden support and with a white wooden frame. "Preposition with which the Heraclitis express the eternal becoming of reality, comparing the latter to a river that only apparently remains one and identical, but which in fact continually renews itself and transforms itself, so that it is not given to dive into it more than once, because the second time strictly speaking it is not the same river as the first one. This conception constitutes the antithesis of that of the absolute eternal unity and immutability of being. In one fragment Heraclitus emphasizes that man can never experience twice as much, since every entity, in its apparent reality, is subjected to the inexorable law of change Artistical Technique: Scagliola art on wood panel...