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Jesu Yáñez Moratiel

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  • Self-Portrait with Salvator Rosa, Albano Alonso, Ed 1/3. 2002
    Located in Madrid, ES
    Alfonso Albano, Self-portrait with Salvator Rosa. Ed 1/3, 2002. Perforated RC paper. São Paulo, Brasil, 1964. In his photographs, installations, projections and objects, Albano Afo...
    Category

    Early 2000s Brazilian Modern Contemporary Art

    Materials

    Canvas, Paper

  • Butterfly Spin Painting 2009 Framed on 18k Gold Leaf, Damien Hirst, Artwork
    By Damien Hirst
    Located in Madrid, ES
    "Butterfly Painting" by Damien Hirst, 2009 Work in acrylic, framed in a methacrylate case with transparent sides and a wooden background in gold leaf with 18k that reveals the artis...
    Category

    21st Century and Contemporary Modern Contemporary Art

    Materials

    Gold Leaf

  • Contemporary Aluminum Blue and Orange Abstract Artwork Spanish Dario Urzay
    Located in Madrid, ES
    Darío Urzay Paisaje (Childhood) II, 2008 Mixed technique on aluminum. Dario Urzay works shows that art should operate in an open world, not limited by exclusion. A world of continuo...
    Category

    Early 2000s Spanish Modern Contemporary Art

    Materials

    Aluminum

  • Current/Contemporary (Lacoste & Quico) Linocut & Etching Technique, by Miki Leal
    Located in Madrid, ES
    "Actual / Contemporáneo (Lacoste y Quico Rivas) IV, 2022" Un kilo de verde Miki Leal Linocut, monotype and etching. Printed on Somerset 410gr. paper. AWA...
    Category

    2010s Spanish Contemporary Art

    Materials

    Paper

  • Piel De Aguja Mostaza, 2022, Fernando De Ana
    Located in Madrid, ES
    If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...
    Category

    2010s Spanish Contemporary Art

    Materials

    Glass, Resin

  • Antares, 2022, Fernando De Ana
    Located in Madrid, ES
    If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague,Bologna,Amsterdam or London,among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...
    Category

    2010s Spanish Contemporary Art

    Materials

    Glass, Resin

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    About the painting “Morning Sun” Stems from the early morning light beams of the sun that pierce the darkness and dew in the fields. About the artist: Cecilia’s is working with a...
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  • Contemporary Mixed Media Painting on Canvas by Martha Enzmann, 2002
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    Mixed media acrylic painting on canvas by Martha Enzmann, 2002. Signed on verso. Martha Enzmann's pursuits include painting, sculpture, photography, performance, video, design, en...
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    Mary Carothers – Untitled, 1997 – Vinyl on Painted Aluminum (Road Sign). Not many people have spent time in the Arctic Circle for the sake of art or have frozen a car as a statement ...
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    This mixed media, spray paint and acrylic paint, on linen/paint cloth. This graffiti art with the title "Love Picsou & Bitcoin" is an original piece of w...
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  • Abstract Representation of the Print Media on a Yellow Background, 1965
    Located in Miami, FL
    Jean Sanglar was born in France in 1926. He draws with taste and talent from an early age, however, his family will only consider this a mere hobby. After studying law, he later took...
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  • Xevi Solà Oil Painting, 2020, Spain
    Located in Girona, Spain
    Xevi Solà oil painting. Oil painting called "Yellow Room". Signed. 2020, Spain. Excellent condition. Xevi Solà is a Spanish artist. His education was Fi...
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