Mountain Lake I by Anne Raymond

This rare and beautiful 2-panel mono-print is signed, numbered and hand-titled by the artist. Anne Raymond's work is in the permanent collections of major museums including the Mu...

Modern Oil Painting on Canvas 'AG' by Anne Raymond, U.S. 2000 AG by Anne Raymond oil on canvas circa 2000. AG (Silver) oil painting on canvas by Southhampton, NY artist Anne Raymond....

Donald Raymond David. American, 1906-2006. Abstract. Oil on canvas 30 by 24 in. Donald Raymond David was born in Springbrook, Oregon in 1906. He attended Fresno State College in 1927 and studied with Alexandra Bradshaw. By the 1930s Don David was in Los Angeles, where he studied with Barse Miller and attended the Chouinard Art Institute and the Art Center School. From the mid-1930s to the early 1940s he lived in Sacramento and exhibited at Sacramento’s Kingsley Art Club from 1934 to 1943. Throughout the 1940s David also exhibited at the San Francisco Museum of Art, the Oakland Art Gallery, the Glendale and Laguna Beach Art Associations, and the California Water Color Society. David had a solo exhibition at Los Angeles’ Francis Webb Galleries in 1946, and exhibited with Milford Zornes...

Raymond Pettibon "Getting me out the Door" Measures: 18" x 22 1/2" No frame.  

This abstract work by Chicago artist Patrick Fitzgerald is one of a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculpture...

This abstract work by Chicago artist Patrick Fitzgerald belongs to a series of “track paintings” that materialize the imagined tracks navigated by his miniature soap-box car sculptures. Inspired by slot-car racetracks, each painting depicts a meandering, yet cyclical path that twists and turns upon itself in an endless loop. Isolated from time and place, the painting achieves a sense of timelessness and draws a through line linking the past, the present, and the future. Entitled "Superior," this track painting is one of five compositions inspired by the Great Lakes. Like all of Fitzgerald's works, the paintings are deeply responsive to his surroundings and encapsulate the unique industrial histories and geologic wonders of the American midwest. Fitzgerald describes his Great Lakes series as "a contemplation of these wondrous bodies of water that have impressed and mystified me beyond words since childhood. My desire within each work is to create the timeless quality of a relic imbued with nostalgia and emotive power." The focal point of "Superior" is a meandering loop of thin, colorful stripes, contrasted by a dark blue-black field that recalls the deep waters of Lake Superior. Like beams of light cutting through darkness, the rainbow track twists and turns to fill the surface, surrounded by round forms reminiscent of floating air bubbles. At once bright and colorful yet dark and mysterious, "Superior" evokes the sensation of being underwater, painted to resemble "a track that is submerged or beneath a surface, but illuminated and glowing." Fitzgerald's inspiration for this work comes from his formative memory of the sinking of the SS Edmund Fitzgerald...