One of Five Peter Kogler Serigraphs, 2009

Beautiful bubble glass pendants by Staff, Germany (five identical pieces available) featuring chromed hardware and black cordwire. The glass has got a very subtle smoke effect, the c...

Olaf Nicolai (*1962) Iris Print, 2009- 2 pieces available, priced per piece, unframed Original Iris print from the exhibition Reduction & Suspense. Due to...

Beautiful set of five sconces by Bakalowits & Sohne, Austria, 1950. Priced individually, free shipping. They are in excellent condition and have been newly rewired. One bulb socket ...

One of Three Venini Curved Crystal Glass Gilt Brass Chandelier, priced per piece, discount available for multiple purchase Pristine Triete crystal glass chandelier with interlocking...

One of Seven Ettore Sottsass Greek Chairs Grey Bieffeplast, Italy, 1980. Sold and priced per piece. Very rare light grey chairs made from lacquered ...

We have a total of 3 available, sold and priced per piece. Beautiful set of 3 handcrafted sconces by Palwa, circa 1960 featuring hundreds of gilt b...

Collection of large serigraphs by Peter Max. Signed on the bottom right of the art piece. Each includes certificate of authenticity. Top left serigraph: "The Roseville Profile" #189...

"Aerie" by Helen Frankenthaler, Signed and with edition number 99/128. Sheet size is 29.5 x 38.75 inches, framed in a 12 karat white gold frame using acid free materials with UV plex...

John Luke Eastman artwork serigraph titled, "One Mind," fitted to matte board.    

Limited edition serigraph (65 of 495) "Peter Max 2017" embossed seal in lower left Colors are very vibrant and bright Hand signed "Max" in pencil in lower right hand corner Profe...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

Set of three Itzchak Tarkay serigraphs of nudes. Each By Itzchak Tarkay who was born in 1935 at the Yugoslav-Hungarian border all are finely f...