”Summer Flowers” Abstract Expressionist Photo Collage by Peter Astrom

"Untitled 1", abstract expressionist photo collage print by Swedish artist Peter Astrom. Signed Astrom at bottom right margin, and New York 2010 bottom le...

"Bird In a Tree", abstract expressionist photo collage print by Swedish artist Peter Astrom. Signed Astrom at bottom right margin, and New York 2010 botto...

"Breakfast By The Pool In Miami", abstract expressionist photo collage print by Swedish artist Peter Astrom. Signed Astrom at bottom right margin, and New...

"Summer Flowers In The Catskills", photo collage print by Swedish abstract expressionist artist Peter Astrom. This is the only print that was made by th...

"Fruit Bowl" acrylic on canvas, by Swedish abstract expressionist painter Peter Astrom, b. 1946. The monumental painting measures 5' x 5' , canvas is str...

"Midsummer Blue", Swedish abstract expressionist watercolour collage painting on paper. Framed in white lacquered wood frame, measuring 41" length x 29.25" width x 1.25" depth. Painting measures 35.25" length x 24" width, unframed. Signed Peter Astrom...

Metraquilat framed photo by the artist Gonzalo Botet, "follow the star". Measurements with frame: 118 x 180 x 5 cm. The Ica desert is an area of the Peruvian coast that is located on a strip of the central South American Pacific coastal...

Metraquilat Framed Photo by the Artist Gonzalo Botet, "To the Moon and Back". Measurements with frame: 122 x 180 x 5cm Diego Soares (in Portuguese) was a navigator who visited the current Antsiranama Bay in 1543. This was the reason for the city to bear its official name until 1975. In the year 1880, the bay was coveted by France, wich sought to use it as a coaling station for steamships. On september 17, 1885, Queen Ranavalona III signed a treaty whereaby she gave France a protectorat that included the bay and the surrounding territory. The administration of the colony became included within that of Madagascar in 1896. Diego Suárez was one of the points where the invasion of Madagascar by British forces began in 1942 during World War II, wresting from the Vichy French...

Photographic print - chromogenic - vintage - “Adriatico” by Italian artist Franco Fontana, 1975. Signed and dated by the author at the base. Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. 2775/5000 He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...

Contemporary New York artist Elena Lyakir's Diptych, Indian Summer and Learning To Dream, were photographed in 2017 and are part of her Aves Series. It's an ongoing exploration of ho...

Andy Warhol Factory portrait taken in 1968 by master photographer and printer Philippe Halsman (1906- 1979) and in 1989 an edition of 100 portfolio...

A large format Polaroid of Naomi Campbell for the Vivienne Westwood Active Resistance limited edition book produced by Opus. Signed by Naomi Campbell and photographer Zenon Texeira in marker pen. Taken for the Vivienne Westwood Active Resistance Opus Limited Edition Book, which features 97 life size reproductions of these original photos. The photos were shown in various venues on a world wide tour to promote the book. One of them being the Serpantine Gallery in London. This is the actual one off Large Format Polaroid Photo taken on one of three of these camera in existence which are soon to be obsolete because no more of the photographic paper can be made. Polaroids Each Opus is characterised by a gallery section of stunning portraits taken on the rare Polaroid 20 x 24 Studio camera. The camera was brought from Prague to Paris and London for three separate photo shoots for The Official Vivienne Westwood Opus. Featuring Vivienne Westwood’s family and friends wearing clothes from her stunning collections, 97 selected Polaroids, shot by Zenon Texeira in black-and-white, colour and sepia, are displayed full-size in the Opus. At Serpentine’s Manifesto Marathon in 2008, Westwood presented her 22-page manifesto Active Resistance to Propaganda. Read by a multitude of characters, the manifesto is a meditation on the relationship between art and climate change and a critique of consumption and capitalism. “Dear friends. We all love art, and some of you claim to be artists…’ But, she wouldn’t have written the manifesto today,” she says. “I wrote it a couple of years ago. A few months ago it hit me. We absolutely must save the rainforests. Have we really got time to be art lovers?” Manifesto Marathon, the third in the Serpentine Gallery’s acclaimed series of Marathon events, took place in the closing weekend of the Serpentine Gallery Pavilion 2008, designed by Frank Gehry. The Manifesto Marathon came at a time when artists had begun to work less in formal groups and defined artistic movements. It showcased a new generation of artists alongside practitioners from the worlds of literature, design, science, philosophy, music and film who were returning to the historical notion of the manifesto. The Manifesto Marathon drew on the Serpentine Gallery’s close proximity to Speakers’ Corner in Hyde Park, which has been used as a platform by Karl Marx, Vladimir Lenin, George Orwell and William Morris, among many others. Participants of the Manifesto Marathon included: Vivienne Westwood, Pier Vittorio Aureli, Hilary Koob-Sassen, Ingo Niermann & Zak Kyes, Rasheed Araeen, Peter Cook, Richard Wentworth, Gilbert & George, Ben Vautier, Jonas Mekas, Jean-Jacques Lebel, Tom Mccarthy, Mark Wallinger, Yoko Ono, Barbara Steveni, Ekaterina Degot, Raqs media collective, Nathaniel Mellors, Lee Scrivner, Andrea Branzi, Henry Flynt, Marina Abramovic, Agnès Varda, Susan Hefuna, Stephen Willats, Falke Pisano, Adam Pendleton, Jimmie Durham...