Tom Holland “Pond #65” Abstract Expressionist Mixed-Media Piece

A mid-century modern expressionist acrylic and oil painting on canvas of moored sailboats by important northern California artist Daniel “Danny” Garcia (b. 1929–2012). Monterey-born, Carmel-by-the-Sea-based artist and gallery owner Danny Garcia was a prolific painter and influential sculptor whose work embodied California coastal themes. This particular work is defined by a somewhat ominous black, white, and red color palette, with thickly applied paint adding textural depth and complexity. Signed “Garcia...

A large 1980s abstract mixed-media wood sculpture titled “Martyr’s Shield” by notable Northern California artist Carol Setterlund. Hand-carved from a single piece of solid redwood w...

A large 1970s Brutalist metal wall sculpture by Bruce and William Friedle, signed. Abstract, torch cut, perforated brass and copper leaf-like sheet metal elements with varying pat...

A large and impactful Brutalist etched copper work of wall art by Bernhard Rohne for Metallic Design Studio, signed, numbered, and dated. German-born, Vancouver-based artist and d...

Offered here is a large abstract art work "Uptown Blue" by Gregg Robinson, signed top left. Gregg Robinson is an American Postwar & Contempo...

An early 2010s untitled nude figure study impressionist painting on art board by well-known Pakistani artist Mahnoor Shah. Sensitively depicted fem...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...

In the series “Heavenly,” Toyoharu Kii honors the fullness of life and its continual rebirth. In some works, white tesserae assume abstract profiles. In others, irregular shapes cont...