Tom Volkaert Contemporary Red Black Ceramic Wall-Hanging "Pomme D'amour", 2018

Wall Object 2 from "Patchworked Texture Series" Manufactured by Seung Hyun Lee. Seoul, 2023. Copper, natural lacquer, (Ottchil). Measurements 30 x 4,5 x 38h cm 11,8 x 1,8 x 1...

Wall Object 1 from "Patchworked Texture Series" Manufactured by Seung Hyun Lee. Seoul, 2023. Copper, natural lacquer, (Ottchil). Measurements 40 x 4,5 x 28h cm 15,8 x 1,8 x 1...

Chandelier model 1 Manufactured by Guillermo Santomá Edition Side Gallery Barcelona, 2018 Steel sheet, aluminium, methacrylate, light bulbs.

Morten Løbner Espersen Ceramic vase model “#1914” Manufactured by Morten Løbner Espersen Copenhagen, 2016 Stoneware and glaze Measureme...

Ceramic vase model “Cadmium Fissure” From the “Bleached” series Manufactured by Adam Knoche USA, 2022 Hand built locally foraged Texas clay, ram-pressed pulverized porcelain, gla...

Manufactured by Guillermo Santomá Edition Side Gallery Barcelona, 2018 Methacrylate, plastic, forex, metal clamp, plastic bags, spray painting, wire, light bulbs.

Contemporary French artist Yann Masseyeff creates a dramatic wall sculpture. Using ceramic / stoneware spheres of different design in an exposed shadow box made of white wood. Lighting creates...

Red Center found sheet metal 33.5 x 36 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In ...

Studio ceramic wall mural with a black lacquer steel frame. The glaze colors are lite blue, white and grey tones. Measurements: 30” Wide , 47.75” ...

Landscape sheet metal, wood, found objects 33 x 61in. Artist statement: I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made im...

Radiant Man (Crucifixion) wood, found objects 19.5 x 35 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and ma...

Silk Road sheet metal 24 x 69 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Biography: Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...