Untitled Oil on Waxed Paper by James Nares

Unique oil paint and wax on paper by James Nares ( British, b. 1953 ). Untitled. circa 2008. Archivally framed in a 12-karat white gold frame.

"Untitled" by Robert Motherwell was printed as part of "9", a portfolio with works of 9 other abstract expressionist artists including Willem de Kooning, Sam Francis, Ellsworth Kelly...

Untitled silkscreen by Dutch American abstract expressionist artist Willem de Kooning (1904-1997). Signed and numbered 42/75.

"Untitled" Lithograph by Robert Motherwell on Arches Paper. Signed and numbered 198/225 in pencil. Printed by Irwin Hollander, New York, with artist...

A complete portfolio of "Image Stone: Moon Side" by James Turrell. Lithograph, gravure and aquatint. Made in 1999 each signed and numbered 30/40. Now each framed in black gallery fra...

Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...

James Carlin Listed American Artist (1906-2005) bar scene oil on canvas in a wood Frame. Measures: 30 x 40.

A rare gem of a piece. Untitled by Allen Atwell, creator of the Psychedelic Temple in 1964. His works become available few and far between. Measure: 10 x 16 in., 11 1/2 x 17 1/2 in. ...

Donovan Davis is a Canadian based artist currently residing in Toronto. He has over two decades dedicated to deconstructing and reconstructing photo based images. His stunning photo...

Radford's compulsion to record the scale and pace of urban life is both vibrant and sombre - with an innovative use of color and paint - he first paints people's silhouettes - and moves over the canvases in huge swathes to 'wipe away' any individual identities within the masses. This particular work of art depicts a bar scene. For it is the mystery and complexity of urban life that fascinates Radford, and pulses throughout his paintings - acting as a metaphor for the shifting sands of one's lifetime. Many of Radford's recent works tread a thin line between the figurative and abstraction, evoking a darkness where the non-subject areas of a London scene spell both a paradoxical void and spatial freedom, and the subjects are swathed in veils. Perhaps Radford presents these more abstract images as gateways for seeing other things - the duality of the spiritual world and physical world which he believes can never be experienced separately. Like stills from a film noir, his images are alluring but shrouded in mystery. Having been fascinated with crowds since childhood, Radford's enigmatic paintings and monotypes are a set in his city - a 'deep pool of individual solitudes' - an anonymous passage of personal exploration through social constraint. Acquired by both institutions and private collectors alike, Matthew Radford...

Sean Scherer (b. 1968): Malady & Diffident Oil and wax on canvas, 1991, signed 's. Scherer', titled and dated on the reverse, with label from Stux Galler...

Unsigned oil and watercolor drip technique on fine art paper. Framed in simple wood frame. Photographed with Knoll chair for scale.