'Untitled' Saltwork

Project surface service sees the sensory manipulation of interior design objects like benches and shelves, and the automated value inscription embedded in everyday objects. The surfa...

Made for the Danish Primeministers representational house in 2018.

MATERIAL: CONCRETE, WOOD, FABRIC SEAT, FOAM MATTRESS Ipé and maple available Available in large and x-large

Made for the Danish Primeministers representational House Marienborg. Comes in 3 versions.

Made for the Danish Prime ministers representational house Marienborg.

Danish artist FOS (1971) has a unique ability to make the complicated understandable while playing and challenging himself, the audience and the art worl...

Oil on canvas, painting by Hans Speidel (1895-1976): Germany, Signed. Speidel, opposed the Hitlerian racial laws, and was a proponent of the German mo...

Screenprint in colors, on wove paper, signed in pencil, dated and numbered 24/70, published by Marlborough Graphics, Ltd., London, with the blind stamp of the printer Kelpra Studio, ...

Jack Roth, Untitled, acrylic on paper, 1981. Signed lower right "Roth." Measures: Sheet 30" H x 22" W. Framed. Jack Roth (American/New York, 1927-2004). Abstract Expressioni...

"Untitled" Lithograph by Robert Motherwell on Arches Paper. Signed and numbered 198/225 in pencil. Printed by Irwin Hollander, New York, with artist...

Radford's compulsion to record the scale and pace of urban life is both vibrant and sombre - with an innovative use of color and paint - he first paints people's silhouettes - and moves over the canvases in huge swathes to 'wipe away' any individual identities within the masses. This particular work of art depicts a bar scene. For it is the mystery and complexity of urban life that fascinates Radford, and pulses throughout his paintings - acting as a metaphor for the shifting sands of one's lifetime. Many of Radford's recent works tread a thin line between the figurative and abstraction, evoking a darkness where the non-subject areas of a London scene spell both a paradoxical void and spatial freedom, and the subjects are swathed in veils. Perhaps Radford presents these more abstract images as gateways for seeing other things - the duality of the spiritual world and physical world which he believes can never be experienced separately. Like stills from a film noir, his images are alluring but shrouded in mystery. Having been fascinated with crowds since childhood, Radford's enigmatic paintings and monotypes are a set in his city - a 'deep pool of individual solitudes' - an anonymous passage of personal exploration through social constraint. Acquired by both institutions and private collectors alike, Matthew Radford...

Landscape painting by Hungarian Painter, Ofkja. Goache on cardboard. References: Modern and Contemporary Art, Fauvism, Color Theory.