19th Century British Sailor's Woolwork of Riverscape

British Sailor's Woolwork, Signed W. Kingston, Circa 1870 The charming and unusual sailor's woolwork, known as woolies, is within a maple frame, and depicts a portside view of a thr...

British Sailor's large woolwork of HMS Brunswick, Circa 1865 The large sailor's woolwork depicts an image of a Royal Navy Second Rate Battleship. By repute she is the HMS Brunswick ...

British sailor's woolwork woolie of HMS Victoria, Berlin wool on linen (Duck), circa 1865 The large sailor's woolwork or woolie depicts HMS Victoria, named below on a banner, wi...

British sailor's woolwork of three royal navy ships Circa 1885 The British sailor woolwork depicts an unusual scene of three different types of Royal Navy Ships which are all flying the White...

Large British Sailor's Woolwork of the Barque Polly, Named "Polly", Circa 1885-95 A large sailor's woolie or woolwork of a port side view of a ship named "Polly" under full sail. The ship is rigged as a barque. The name "Polly" can be seen on a banner flying from the mainmast and on the front of the bow and the shiop was named after the owner's wife Marian Poyy Woodside. (see below). The sails are trapunto, creating a three-dimensional look of the sails full of wind. The sea is depicted is rippling bands of green and white. Dimensions: Frame: 26 1/4 inches high x 31 inches wide x 2 inches Reference: The ship was built in Belfast, Northern Ireland, in 1885, and launched by Marian "Polly" Woodside, the wife of the owner, tossing flowers across the bow. (Champagne being too precious). The ship made several voyages primarily between South America and the UK before being repositioned in the Pacific. A barque has three or four masts. The fore and mainmast are square-rigged, and the mizzen fore-and-aft, usually gaff-rigged. Carries a mainsail on each mast, but the mainsail shape differs per mast (square or gaff). Barques were built with up to five masts. Four-masted barques were quite common. Barques were a good alternative to full-rigged ships because they require a lot fewer sailors. But they were also slower. Very popular rig for ocean crossings, so a great rig for merchants who travel long distances and don't want 30 - 50 sailors to run their ship. A label on the reverse states that the wool was on The Antiques Road...

British Sailor's Woolwork with Five Ships in a Bay, Circa 1875 The large sailor's woolwork depicts two large merchant sailing ships sailing in opposite directions to each other in a...

19th Century Sailor's woolwork of a British Frigate at Anchor, circa 1880, adorned with an array of British ensigns and a full rig of signal flags strung along the stays. The hull has the unusual touch of having glass beads mounted in each gunport, and a metaliic gilt thread highlighting the strakes above and below the two rows of gunports, and on the sterncastle. Mercantile silk threads were used for the flag halyards. The ship is moored off a lighthouse at the foot of a large green haystack headland. The woolwork is mounted in its original Victorian carved, ebonized and parcel gilt oak frame...

Antique Sailor's elaborate woolwork, circa 1855, with a photograph of the sailor held in a woolwork frame set on the British flag on a cruciform reserve; with the "Honi Soit Qui Mal ...

Antique Sailor's Woolwork Embroidery Picture of two sailing ships and sailors in rowing boats. One of the ships is steam powered, with smoke coming out of the chimney/smokestack. Dra...

Charming group of three 19th century games comprising a dartboard, star ring toss and bagatelle boards, all in original paint and possessing both whimsy and good graphic design. S...

Richard Beavis (British, 1824-1896) Near Arles on the Rhone Initialed and titled lower left. Ink and watercolor on paper/board. With an old attribution to Bonnington. Sight size: 6 x 13 in. The dimension given otherwise includes the frame. Framed in a charming late 19th century frame. Best known for his rural landscapes, the British painter Richard Beavis populated his scenes with picturesque grazing cattle and people hard at work as well illustrated in our watercolor. Provenance: The estate of Sir Edwin A.G. Manton (1909-2005) a driving force in the creation of the American International Group (AIG), a collector of paintings by John Constable...

19th century British School "Mountain Landscape", watercolor, framed, unsigned, inscribed in pencil: verso, illegibly.