Claudius Linossier "Étoile Rayonnante" Dinanderie Copper Charger

This French Art Deco charger, by Claudius Linossier, was created using the technique known as dinanderie, which involved decorating hammering out co...

This French Art Deco Charger, by Claudius Linossier, was created using the technique known as dinanderie, which involved decorating hammering out copper vessels to produce subtle but beautiful gradations of color. The charger features a Maenad, a female follower of Dionysus. During the orgiastic rites of Dionysus, maenads roamed the mountains possessed by the god, performing frenzied, ecstatic dances. These Maenads were often depicted on attic pottery...

This rare French Art Deco vase, by Claudius Linossier was created using the complex technique known as dinanderie, which involved decorating hand-ra...

This copper, brass, and silver French Art Deco vase by Claudius Linossier utilizes the dinanderie technique. Using dinanderie, the artist hand-hammers thin sheets of alternating meta...

This painted plaster plaque, titled "Allegory of Wine," was created by French Art Nouveau artist François-Rupert Carabin, who worked across many mediums. The plaque, which is painted...

A French Art Nouveau round ceramic decorative plate by Clément Massier, depicting a Byzantine Head in iridescent enamel glazes, circa 1900s. Signed,...

The undulating bumpy-textured octopus tentacle gracefully curling along and over the bowl’s folded rim is balanced by the rigid tension of the spider crab. The orange-red copper surf...

Decorate a wine cellar with this elegant pair of antique wall plaques. Created in France, circa 1880, and octagonal in shape, each charger...

Vintage Copper Relief Figural Mexican Aztec Warrior Large Wall Plaque Charger Tray. Circa Mid 20th Century. Measurements: 25" H x 25" W x 2" D.

Recognized for his technically superior and beautiful metal patinations for tableware, Munich born Ludwig Vierthaler’s designs and metalwork caught the attention of Tiffany & Co., NY, for whom he worked in the mid-1890s. 1906 proved to be a decisive year in his career. Though Vierthaler had left his position as the Director of Design at J. Winhart & Co. earlier that year, examples of his work for Winhart were shown along with collaborative work with Eugen Ehrenbock at the Bayerishe Jubilaums-Landers-Ausstellung in Nuremburg - for which he received a gold medal - and at the Deutsche Kunstgewerbe-Ausstellung in Dresden -for which he received a silver medal. He and Ehrenbock formalized their partnership in 1907. Vierthaler later expanded his metalwork output to include jewelry and lighting design as well as figural and ornamental building decoration design. A member of the Deutscher Werkbund...

Circular with a copper luster. Signed on reverse with the Cantagalli rooster in blue. Cantagalli was a pottery producer in Florence of high quality collected throughout the world.

Ceramic charger with bird and sun design embossed into lower front of the plate. Signed and stamped on the backside.