Color Lithograph by Jörgen Fogelqvist, Composition with figures, 1977

Jörgen Fogelqvist, Composition Color lithography Number 255/260 This work is signed by the artist and has an individual number (pencil) Working dimensions 66/86 The work is fra...

Jörgen Fogelqvist Lithography on Van Gelder Zonen paper Number 88/150 This work is signed by the artist and has an individual number Working dimensions ...

Eskil Hansson, Composition, 1976 Color lithography Number 38/400 This work is signed by the artist and has an individual number (pencil) Work dimensions 64/49 Unframed Eskil...

Lars Sjögren, Komposition Color lithograph Number 52/70 The work is signed by the artist and individually numbered (pencil) Work dimensions 25/30 The work is framed Lars Sjögren (19...

Dagmar Glemme, Composition with fish and faces Color lithography Work signed by the artist Work dimensions 50/38 Framed work Dagmar Glemme was born in 1942 in Poland. After the war,...

Author unknown, Composition Color lithograph Number 56/65 The work is signed by the artist and individually numbered (pencil) Work dimensions 67/52 The work is framed Work in origin...

A lithograph by Pierre Olofsson, dated 1995. This particular lithograph is part of Olofsson's own edition EA (épreuve d'artiste), which constitutes approximately 10% of the original ...

A lithograph by Pierre Olofsson, dated 1995. This particular lithograph is part of Olofsson's own edition EA (épreuve d'artiste), which constitutes approximately 10% of the original ...

A lithograph by Pierre Olofsson, dated 1995. This particular lithograph is part of Olofsson's own edition EA (épreuve d'artiste), which constitutes approximately 10% of the original ...

A lithograph by Pierre Olofsson, dated 1995. This particular lithograph is part of Olofsson's own edition EA (épreuve d'artiste), which constitutes approximately 10% of the original ...

Original limited edition lithograph of three forward facing figures by Jean Jansem.

Gaston Sebire French, 1920-2002 Landscape with figures Oil on canvas 31 by 41 ½ in. With frame 38 by 48 ½ in. Signed lower right Gaston Sebire (1920 – 2002) Gaston Sebire, was one of Europe’s leading landscapists, was born in the village of Saint-Samson in Normandy in 1920. A self taught artist, he began to paint seriously at the age of eighteen. For eight years he worked as a postal clerk in the Rouen, sorting letters at night in order to support his career as a painter. In 1952 Gaston Sebire had his first exhibition at the Galerie Gosselin in Paris. The following years he enjoyed the double triumph of winning both the coveted Prix de la Critique and the Prix Casa Velasquez. The Latter award made it possible for him to spend a year and a half in Spain. Of this formative period he said, “They were my first, wonderful years without worry. For fifteen years I had never known what the next day would bring.” The year 1957 marked another important stage in his career. His painting “La Dinde” won the Greenshields Prize in a field of 136 competitors, making it possible for him to paint for another two years without the worry of finances. Winning the awards naturally drew public attention to the artist from Normandy, and his works were presented in highly successful one-man shows in Paris. Sebire was a Norman, a man strongly attached to the soil, and after his exhibitions in Paris, he returned to Rouen to his large house overlooking the town and once again plunged into painting the countryside. Gaston Sebire was a strongly built man with square hands and a rather heavy walk. He had immense vitality, and used that to his advantage.  As he said of himself, “When the snow falls, I can’t stay indoors. I set out with my paint box. I paint outdoors from nine in the morning until five at night. If it were only a question of money, one could just as well paint in one’s own room.” But Sebire went into the countryside, or into the village, and sets up his easel. When there is a café into which people are going; there is a fence, a telegraph pole, a few buildings in the background. The scene takes on life, vivid life, with a sense of some event about to take place in the scene. Like many artists, and like a typical Norman, Sebire was silent and solitary by nature, with a personality as strong and Frank as his paintings. A painting, he says, “must have an element of mystery, show an effort to look beyond the aura surface of things.” Sebire’s early paintings were somber with much use of black and white tones. In 1970 he turned to colour. The subtle light of the Normandy skies; the shifting light and color along the seacoast; the magnificent blues of the Rouen pottery...