Flemming Brylle Post-Modern Abstract Wall Art, 1993

Ceramic wall plaque handmade by Danish artist Jørgen Finn Petersen in the 1960s. Square bowl shape making the item usable as a decorative dish or centerpiece as well as an art piece ...

Unique handmade indigo blue ceramic plate for wall or table decoration. Pastel blue, rose and yellow dots placed along white lines resembling flora...

Vintage handmade fully glazed Swedich midcentury modern wall platter / centrepiece with organic, floral decor depicting a gazelle with a direct gaze surrounded by vegetation in brown, ochre, green, white and bright pink colors on a striped dark blue background created with the experimental sgraffito technique that Tilgmans became famous for. Designed and handpainted in the late 1950s by Eivor Lang and manufactured by German/Finnish Paul Harald Tilgman in his workshop in the small town of Kortedala close to Gothenburg, Sweden. Milky white glaze on the base and sides with curved, muted green decor framing the image along the edge. Three holes for hanging - two in use with metal wire. Signed under base. An handpainted piece in beautiful condition. Paul Harald “Harry” Tilgmann was born in Dresden, Germany in 1904 and emigrated to Sweden during WWII where he started Tilgmans Keramik (= Ceramics) in 1948 in the small town of Utbynäs close to Gothenburg. Tilgman had 16 employees working for him and when he hired the Polish refugee Marian Zawadzki (1912-1978) as artistic director in 1953, Tilgman Keramik started experimenting with the distinct sgraffito technique. The sgraffito technique consists of carving fine lines into the background of a design through a light colored glaze down to a dark grey clay slip. This created a unique textured ground which has become a style associated with Tilgmans Keramik in particular. The decorative elements also appear to be outlined with a carved line and then hand painted with overglazes where birds, fish, flowers, butterflies and other animals were a common theme. This type of work was the most popular in midcentury Sweden alongside Tilgmans small animal figurines...

Exceptional Danish Mid-Century Modern piece of ceramic artistry. Handmade wall plaque made of six glazed tiles (each 15x15 cm) in white, dark pine and forest green colors, all handpa...

Highly decorative artisanal folk art Mexican tree of life inspired ceramic wall decoration. Shiny mustard ochre colored organic plant shaped base ...

Handmade Mid-Century Modern ceramic wall platter by Swedish Tilgmans in 1957. Hand painted floral decor in white, yellow, orange, rose, light blue and green colors on black base. Lig...

Abstract wall relief / art by Swedish artist Ing-Marie Linder. The folded leather creates warmth and depth. A unique, hand-made decorative work of art. Signed and dated -86. Addi...

A reclaimed mid century modern abstract wall art. This abstract modernist artwork piece creates an impact with its intricate, handcrafted design and unusual geometric shapes worked i...

"Vintage original handstitched textile art by Ohio quilt artist Linda Fowler, showing a bold pink spiral over an abstract backdrop resembling a landscape in...

Mid-Century Modern abstract graphic textile wall art.

Beautiful and graphic oval glass art bowl by Rosenthal. This beautiful piece from the late 90s is graphic and detailed. It shares yellow and amber tones along with a smoke purple ton...

A pair of large, vintage, circa 1992, signed and titled post modern style geometric abstract paintings by contemporary American artist Gregg Robinson (born 1948). In the artist's own words regarding his work, "The media before you is the result of many years of experimentation that came to its current form in early 1992. I work with dry pigment over a plaster surface. My tools are broad knives, sponges, rags and masking. The finish is a high gloss alkyd resin." Each painting is on canvas attached to a wood support and stretcher. They are currently wired to hand vertically, but could also be hung horizontally. From the Gunnar Nordstrom Gallery website, "Born in Seattle, Washington in 1948, Gregg Robinson attended Simon Fraser University and the University of Washington before studying at the Brooks Art Institute in California. Robinson’s precise, geometric style is most reminiscent of the classic modernism noted in the Bauhaus of the 1920’s. Robinson’s intent is to create strong, high contrast images dominated by black-on-light pattern and saturated primary colour. Robinson successfully blends the classic hard-edged abstraction of Mondrian with a romantic soft...