Johan Adam Linneballe, Sommer I haven III, Mixed Media on Paper, 1993, Framed

Rosario Calì, Cromatismo Ermetico, 1960s Mixed technique The work is signed by the artist Work dimensions 52/38 The work is framed Rosario Calì was born in 1943. He's an Italian art...

Rosario Calì, Cromatismo Ermetico, 1970s Mixed technique The work is signed by the artist Work dimensions 52/37 The work is framed Rosario Calì was born in 1943. He's an Italian art...

Margareta Treutiger, Vattenblom, 1965 Mixed technique on board The work is signed by the artist's monogram, date and title Work dimensions 35/50 Unframed work Ebba Margareta Treutig...

Margareta Treutiger, Vattenväxt, 1965 Mixed technique on board The work is signed by the artist's monogram, date and title Work dimensions 50/35 Unframed work Ebba Margareta Treutig...

Author unknown, Composition Color lithograph on Fabriano paper Number 9/49 The work is signed by the artist and has an individual number Work dimensions...

Maurizio Bini, 1960s Etching on paper Number II/X The work is signed by the artist and individually numbered (pencil) Work dimensions 72/52 The work is framed Maurizio Bini was born...

Hans Osswald (1919-1983), Swedish artist. Mixed media on paper. Fish. Mid-20th century. Visible dimensions: 42 x 34 cm. Total dimensions: 51 x 45 cm. ...

Framed Abstract mixed media art Dimensions. 34 1/4 W ; 48 H ; 1 D.

Mid-Century Modern Mixed Media Paper Cut Art encased with a Glass and Chrome Frame. Numbered on the back. Art Size measures: 8.25 x 10 inches. Great Gift...

"Elaborately framed gilded / gold leaf giclee print of “Eternal Separation” by Manuel Nunez in 2000, pencil signed and numbered 15/75. The art shows a female figure in a long white gown with a golden halo behind her head, standing in a colonnade, under an arch of flowering branches, framed on either side with panels of gold leaf. “Manuel Nunez Spanish Artist: b. 1956. ""My images are of strong women,"" Nunez says. ""Beautiful, but not exploited. Women who are sensual and virtuous; wrestling with the underlying conflict of what life is versus what it should be."" Nunez describes the symbolism in his work in the words of a biblical scholar. Not firebrand, but a gentle imparting of the tenets of his belief. Almost every stroke is alive with the artist's own faith and the objects which serve to keep that spirit always in his sight. Manuel Nunez was born in 1956, into a family versed in the arts and Latino culture. His father, Manuel Nunez Sr., was a well known singer and song writer who recorded nine Spanish-language albums in the 1950's. ""I listen to his music all of the time, but it's only now that I really appreciate his music and what he was doing with it."" It could be said that in this atmosphere, the spirituality which shaped his creativity was upon the artist from his first breath. As he grew, it was then only a short leap of logic to jump from an exploration of his creative spirit to his human spirituality. It was a larger leap to then explore his way back from his religious roots to his art. Yet in that very transcendence is the brilliance in which the art of Nuñez resides. The use of his trademark - a hand-applied 23-karat gold leaf - is indicative of the spiritual roots of the artist and its interpolation into his work. ""The gold itself is a dichotomy,"" he explains. ""Gold can, at the same time, symbolize decadence or indulgence and the righteous purity shown in Russian icon art...

Vintage Signed framed Mixed Media Art Dimensions. 36 1/4 W ; 28 1/2 H ; 1 1/2 D.

Mixed media on paper and wood behind aryl glass Mimmo Paladino, Italy 2009 (2/20) Mimmo Paladino found art inspired by his uncle, a painter who introduced him to traditional techniques at an early age. After attending the 1964 Venice Biennale, he made the decision to become an artist. He studied painting at the Liceo Artistico in Benevento from 1964 to 1968 and, influenced by Max Ernst and Paul Klee, experimented with collages, frottages and non-objective paintings. In 1968 he finished his academic training with a diploma and began to paint freely. In the early to Mid-1970s, the artist dealt almost exclusively with mythological themes, such as the Icarus myth, which he translated into drawings. In the process, Paladino developed his own fresco-like technique, significant for his later work, in which he painted large-scale walls with pastel colors. Paladino had his first exhibition in 1977 at the "Galerie Lucio Amelio" in Naples. Several trips to Milan as well as contact with the art critic Tommaso Trini and the gallery owner Franco Toselli soon made Paladino known nationwide. In Toselli's gallery he presented his murals for the first time in 1978. That same year he traveled to New York, where he met Sandro Chia and Francesco Clemente. Several trips to Brazil followed. In 1980 Mimmo Paladino, together with the publisher Emilio Mazzoli, published a book with texts by Achille Bonito Oliva. The art critic Oliva had introduced the term Transavanguardia at the end of the 1970s for the style of the new movement, mainly characterized by young Italian artists such as Chia, Clemente, Enzo Cucchi and Paladino, who found parallels in Germany with the Neue Wilde. In the same year Paladino participated in the Aperto 80 Biennale in Venice and in 1982 in the Biennale of Sydney. In the following years Paladino had exhibitions at the Kunstmuseum in Basel and at the Galleria d'Arte Moderna di Bologna. In 1999 he had an extensive retrospective at the Lenbachhaus in Munich and in the same year he became an honorary member of the Royal Academy of Arts in London. The Centro per l'arte contemporanea Luigi Pecci in Prato dedicated an extensive retrospective to him in 2002/2003.[1] Works by Mimmo Paladino can be found in the collections of the Tate Gallery in London, the Irish Museum of Modern Art (IMMA) in Dublin, the Metropolitan Museum of Art and the Museum of Modern Art in New York. The artist lives and works in Milan and Benevento, Italy. PLANT Mimmo Paladino's works are often mixed media on paper or wood pre-sketched with drawing pencil, using all traditional means. His oeuvre includes watercolor, oil painting, and tempera, as well as collage, frottage, engraving, drypoint, or woodcut. Paladino's paintings are often untitled. Examples 1987: The Perfect Room 1992: hortus conclusus, horse sculpture in Benevento, Chiostro di San Domenico 1993: montagna bianca 2002: Le chien 2004: ciclismo 2008: Porta di Lampedusa - Porta d'Europa, iron sculpture covered with ceramic plates on the beach of Lampedusa in memory of the migrants who lost their lives at sea EXHIBITIONS 1979: Transavanguardia, Turin 1980: Venice Biennale, Venice 1982: documenta 7, Kassel 1982: Biennale of Sydney, Sydney 1984: Merianpark, Basel, sculpture in the 20th century...