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French Midcentury Painting, "La Danse" on Large Ceramic Panels by Vallauris

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  • Large French Midcentury Oval Red Ceramic Serving Platter by Voltz, Vallauris
    By Vallauris AM
    Located in New York, NY
    Very large French Mid-Century Modern oval red ceramic serving tray or platter, handmade by Voltz, Vallauris, France circa 1950-1960. Signed on the...
    Category

    Mid-20th Century French Mid-Century Modern Ceramics

    Materials

    Ceramic, Clay

  • Large French Midcentury Rectangular Red Ceramic Serving Platter Voltz, Vallauris
    By Vallauris AM
    Located in New York, NY
    Very large French Mid-Century Modern rectangular, red ceramic serving platter or tray handmade by Voltz, Vallauris. Signed on reverse, Voltz, Vallauris, France. A large oval red c...
    Category

    Mid-20th Century French Mid-Century Modern Ceramics

    Materials

    Ceramic, Clay

  • 2 Large French Organic Modern Sculptural Ceramic Vases / Urns by Marius Musara
    By Marius Musara
    Located in New York, NY
    Two of the most elegant and important ceramic works of Vallauris artist, Marius Musara (France, 1910-1991). These French Mid-century Organic Modern sculptures or vases are beautiful, handmade, objects transposing dramatic size with a pure, sober, timeless form. In 1988, Musara was the winner of the International Biennale of contemporary ceramics, the top pottery prize in the world. The pieces are priced and sold as individual pieces. Sizes are: H 31.5 x D 8 and H 23.25 x D 10. Signed on bottom "Marius Musarra...
    Category

    Vintage 1960s French Mid-Century Modern Vases

    Materials

    Pottery, Stoneware

  • French Mid-Century Modern / Art Deco Ceramic Amphora/ Vase /Pitcher, 1930 Signed
    Located in New York, NY
    Elegant French Mid-Century Modernist / Art Deco ceramic amphora / pitcher / vase. Signed on bottom.
    Category

    Mid-20th Century French Mid-Century Modern Ceramics

    Materials

    Ceramic

  • Ceramic Plate Visage Gris 'Grey Face' A.R. 206 by Pablo Picasso & Madoura, 1953
    By Pablo Picasso, Madoura
    Located in New York, NY
    The engraved and brush painted ceramic plate, Visage Gris (Grey Face) is one the most iconic pieces created by Pablo Picasso (1881 - 1973) at the Madoura workshop in Vallauris, France. It is said "all portraits are self portraits". In this work, we see Picasso's wistfulness, vulnerability and humor set within a beautiful image representing both the sun and the moon, the masculine and the feminine. Picasso mastery of form, image, composition and subtle color is evident in a work that resonates transcendence. Created in 1953, Pablo Picasso ceramic Visage Gris (Grey Face), 1953 A.R. 206 is a Madoura white earthenware clay, knife engraved under partial brushed glaze with decoration in engobes (green, black, white) from the edition of 500. This work is stamped with the 'Madoura PLEIN FEU' and ‘EMPREINTE ORIGINALE DE PICASSO’ pottery stamps on the reverse. Dimensions: 12 3/8 x 15 1/8 x 1 5/8in (31.4 x 38.3 x 4.1cm). Madoura was an artisan workshop created by Georges and Suzanne Ramie which collaborated with Picasso in the fabrication and hand painting of the works. Pablo Picasso designed 633 different ceramic editions between 1947 and 1971 at the Madoura workshop, with a number of variants and unique pieces resulting from these initial works. He began by creating simple, utilitarian objects such as plates and bowls, but later produced more complex forms, including pitchers and vases — their handles occasionally shaped to form facial features, or anatomical parts of his animal subjects. Picasso remains one of the highest-grossing artists at auction today, and the range of his ceramics means it's possible to find both a good investment and a beautiful object. Visage Gris is among the most important. A Short Biography follows: Pablo Picasso revolutionized the art world and to many is THE artist of the 20th century. He is famous for his role in pioneering Cubism with Georges Braque and for his melancholy Blue Period pieces. Original signed Picasso lithographs and prints are a sure investment. Madoura Picasso ceramics are highly collectible in their own right. As one of the most influential Modern artists of the 20th century, Pablo Picasso is renowned as a legendary artistic master to this day. Born on October 25, 1881 in Malaga, Spain, Pablo Picasso was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture. Picasso was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Edouard Manet, Gustave Courbet, and Henri de Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain – all in the years 1899 to 1904. Before he struck upon Cubism, Picasso went through a prodigious number of styles – realism, caricature, the Blue Period, and the Rose Period. These distinguished styles are apparent in the unique original works as well as Picasso ceramics, lithographs, linocuts, and etchings that he created later in his life. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and focuses on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style, La Vie (1903), currently located in Cleveland’s Museum of Art, was created in memory of his childhood friend, the Spanish poet Carlos Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso’s features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. The Rose Period began around 1904 when Picasso’s palette brightened and is dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is Family of Saltimbanques (1905), currently in Washington, D.C. at the National Gallery, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space. In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and female figures seen frontally or in distinct profile, as in early Greek art. One of the best examples of this style is in the Albright-Knox Gallery in Buffalo, NY, La Toilette (1906). Several pieces in this new, classical style were purchased by Gertrude Stein (the art patron and writer) and her brother, Leo Stein. With his groundbreaking 1907 painting Les Demoiselles d’Avignon...
    Category

    Mid-20th Century French Mid-Century Modern Figurative Sculptures

    Materials

    Earthenware

  • Large French Provincial Pottery Urn / Vase / Pitcher, 18th Century
    Located in New York, NY
    A timeless, Classic French 18th century provincial pottery / ceramic urn or pitcher with beautiful, natural time worn patina and a stunning form featuring three dramatic handles and ...
    Category

    Antique 18th Century French French Provincial Pottery

    Materials

    Pottery

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  • Large Majolica Palissy Crab Wall Platter Vallauris, circa 1950
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    Large Majolica Palissy crab wall platter Vallauris, circa 1950. A very large crab on the center on a deep blue background, few fishs and seaweeds.
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  • Madoura, Very Large Ceramic Platter Attributed to Suzanne Ramie, Vallauris
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  • Italian Ulisse Pagliari Midcentury Ceramic Panel Wall Tray 1964
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  • Ceramic Dish "Bull" Signed by Roger Capron, Vallauris 1955
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    Roger Capron (1922-2006) Roger Capron studied at Art appliqués of Paris from 1938 to 1943 before teaching drawing in the same establishment from 1945. In 1946, he settled in Vallauri...
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