"On Reflection" Patrick Hughes 1976 Signed Limited Edition Screenprint #49/100

About The Pluma is a subtle black and ecru herringbone throw with a fine pluma fringe. Luxuriously soft and versatile. Made purely from one of the rarest, softest, most luxurious f...

ABOUT The Pluma is a subtle herringbone throw with a fine pluma fringe. Luxuriously soft and versatile. Made purely from one of the rarest, softest, most luxurious fibers in the world – Peruvian Royal Baby...

ABOUT Contact us for more shipping options: S16 Home San Francisco. Hand Knotted. 100% Cruelty-Free Merino in Breath and Ink in 5x7 size. CREATOR Courtney Trump (designer) Fel...

About Contact us for more shipping options: S16 Home San Francisco. Hand Woven & Hand Knotted Inspired by the heavy knits of Scandinavian sweaters the Lyxx is a hand woven rug wi...

About The Luft throw by Fells Andes is designed in San Francisco and handmade in the Andes, supporting local culture and craft. Made from 100% Royal Baby Alpaca, one of the finest,...

About A fresh dual sided woven throw with blended tassel detail. The Kontrast throw by Fells Andes is designed in San Francisco and handmade in the Andes, supporting local culture...

Large oil on canvas signed Thompson Hughes, 1970. Stunning large framed oil on canvas titled "Aquarium." This decorative painting is artist-signed, Th...

This artwork is an original color lithograph on Arches paper by French artist Marcel (le Mime) Marceau, 1923-2007. His signature is signed in pencil on the bottom right, artwork is numbered. The print depicts a massive crowd standing about observing different various events or things. Look closely there are images of Charlie Chaplin, Laurel and Hardy, a ship sinking...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...

Tribute to the Impressionists Painted in Oil on Canvas 1976 Signed Measurements with frame: 30x41x4cm.

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

Leopard by Mark King. Expressionist serigraph on paper, signed lower right. Limited edition. Mark King, British (1931) Mark King was born in Bombay, India to British parents in 1931. King’s childhood was one of exotic experience and privileged education. After graduating from La Martiniére College in Calcutta, the sixteen-year-old King sailed to England to attend Bournemouth College of Art. There he studied painting, sculpture, architecture and theatre design. Subsequently, he spent seven years as the resident scenic designer at the Oxford Playhouse Theatre. In 1961, he decided to concentrate on painting, and he moved to Paris, where he studied at the École des Beaux-Arts and the Louvre. It was there that he developed his impressionistic style, influenced by the wealth of examples of European masters. Mark King describes his approach to painting as ninety percent preparation. “It takes a great deal of time for me but once I begin, I work with great impetus, with immense bursts of energy. It is not until the last ten or fifteen minutes before completion that I am able to see where the painting is going and to catch the mood of the moment.” Change has played an important role in both King’s art and life. “I have a need, artistically, for exposure to new ideas and images,” he says, and it was this need that brought him to America in 1968, a move that prompted a shift in his working methods. A landscape painter in France, King began to expand his subject matter to include sports. With his work as a sports artist King found the camera an indispensable tool, and began to work from photographs. Since coming to America...