"Rhythm Album" Serigraph by Stephen Buckley

Silkscreen print on paper and plexiglass by Italian artist Alberto Biasi. The work belongs to the artist's characteristic kinetic artistic production, which through his art implement...

Charming decorative large scale acrylic painting by noted Canadian artist Stephen Kaye. The paints depicts stylized birds in branches, on an abstract textured paint surface. Signed l...

George Littlechild (Native Canadian, 1958-) Peggy Bull, Colored Serigraph; Signed, Titled, Numbered 01/50 and Dated 1993 in Pencil. The piece com...

Serigraph by Lars-Gunnar Nordström.

1978 yes yesyears signed by members of the band record and sleeve, original frame, signatures on front and back by Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman, and Alan Whit...

The Velvet Underground & Nico The Velvet Underground & Nico Produced by Andy Warhol, Unripened, 2007 Vinyl, LP Label: Not On Label (The Velvet Underground) Country: Sweden Cover art designed by Andy Warhol Dimensions: 12 x 12 inches (30.48 x 30.48). Both the record and cover are in very good overall vintage condition. Well suited for framing. Though The Velvet Underground existed for less than three years with its original members, it is considered to be not just the ‘ultimate New York band’ but also the most influential group ever. Artists who have acknowledged such influence include David Bowie, The Sex Pistols, Patti Smith, Joy Division and Nirvana. Witts places the band and its genesis in the cultural context of Manhattan’s beatnik bohemianism, its radical artistic environment, and the city’s negative reaction to California’s ‘Hippie’ counterculture. Lou Reed’s song factory background is also considered, while his Primitives (1964-5) and Velvet Underground songs (1965-70) are examined within the stylistic context of rock music. The band’s sound world is likewise considered in this light. John Cale’s experimental contribution is assessed, especially his work for LaMonte Young (The Theatre of Eternal Music) and what he carried from that experience into the Velvet’s sound. The visual artist Andy Warhol became the band’s manager and producer in 1965. He placed his ‘superstar’ Nico in the line-up (which already included a female drummer). The radical nature of the group’s Warhol period performances are examined, together with those aspects related to issues of gender, sexuality and drugs culture...