Georgian Decorative Art

Fine English or American mahogany scalloped wall hanging salt box, having large penny mounting plate over sloped lid, the box with deeply scalloped body and molded base, good old sur...

George Edwards Set of Twelve Parrot Engravings with chinoiserie Frames, Natural History of Birds, Engraved by Georg Dionysius Ehret, Mid-18th cent...

18th Century Dutch Delft Manganese Tiles Pictures of Rearing Horses, Rotterdam, Circa 1780 The pair of framed manganese six-tile pictures each depict a...

Large Picture containing Six Different Engravings of Grouping of Birds, Histoire Naturelle, Ornithologie by Georges-Louis Leclerc, Comte de Buffon,...

Beautiful English Porcelain Botanical Plaque, Attributed to Derby, Circa 1825 The upright rectangular porcelain plaque is painted with a finely painted grouping...

Antique engraving of a Tucano Mangiapepe, by Saverio Manetti Circa 1776 A fine hand colored engraving of a Tuscan Magpie by the Italian artist Saverio Manetti. Manetti drew his work predominantly from real specimens. The work was one of the largest ornithology undertakings to that point in time. Dimensions: 25 inches high x 22 inches wide x 1 1/4 inches deep. (frame); (63.5cm high x 55.88cm). 18 x 14 in. (sheet) Reference: Wikipedia Manetti was born in Brozzi to Giovanni Bernardo and Maria Teresa Nesiscolt of Prague. His early studies were in Florence and later at Pisa where he studied botany under Pier Antonio Micheli. He graduated in medicine in 1745 and worked in Florence. In 1758 he joined the National Medical College where he studied anatomy under Antonio Cocchi (1695–1758), conducting the autopsy of Cocchi. Manetti was Professor of Botany of the "Società Botanica Fiorentina", a member of the German Academy of Sciences Leopoldina, a Fellow of the Royal Society, learned societies in Göttingen and Montpellier, an Accademico dell'Istituto di Bologna and he maintained scientific contacts with the Swedish botanist Carl Linnaeus and with the main scientific circles of the second half of the 18th century. He was supervisor of the Orto Botanico di Firenze in Florence from 1749 to 1782 succeeding to Giovanni Targioni Tozzetti and Secretary of the Accademia dei Georgofili. With remarkable organizational effort, he secured the publication of Storia naturale degli uccelli, Natural History of the birds, a monumental work in five volumes illustrated with 600 hand-coloured engravings based on watercolor paintings. The book was commissioned by Maria Luisa, Grand duchess of Tuscany and the first volume was dedicated to Grand Duke Pietro Leopoldo. The third volume was dedicated to Ferdinando di Brobone and the fourth to Giorgio Nassau Clavering. The engravings were made by Tuscan abbot and engraver Lorenzo Lorenzi and Violante Vanni who had studied under British engraver Robert Strange...

George Edwards engravings of a bird, Woodpecker, Picus Bengalensis, #82, 1745 A George Edwards hand-colored engraving of a Woodpecker in a d...

English Porcelain porcelain botanical plaque, Probably Derby Porcelain The framed porcelain square plaque is beautifully painted with a bouquet of flowers including roses, crocu...

Dutch Delft shaped Chinoiserie Polychrome plaque, Circa 1730-40 The shaped plaque has a raised molded border decorated with a series of alternating painted panels of flowers and Chinese auspicious objects. The central scene is painted with a slightly off-center table with a vase filled with flowers and a large parrot perched on the branches. Several flying bugs can be seen around the flowers. To the left is a gardener with two watering pots at his feet. The whole in a puce, yellow and green palette. The top is surmounted with a blue shell pierced with a suspension hole. The exterior rim of the plaque in blue. Dimensions: 8 7/8 inches high x 9 3/4 inches x 1/2 inch depth. Provenance: B.F. Edwards Collection...

English Georgian style (19th century) cast iron coat of arms wall plaque / fireplace back with rounded top.

This charming enamel painting shows a gentleman, centrally positioned, being led by two women, one on each arm. The woman on his left has a troubled expression, her hair is grey, and she wears a dark red shawl and green costume, with a knife stored under her belt. She points up to the sky with her left hand. By comparison, the woman on the gentleman’s right looks cheerful, she has youthful blond hair, and is clad in a pink and white dress...

Johann Weinmann engravings of grapes, Set of Four, Circa 1740 Johann Weinmann engravings of grapes, each engraved by Seuter (S to the lower ri...

18th Century Engravings of Fish by Marcus Bloch, A pair, circa 1780. A fine pair of prints of fish by Marcus Bloch with decoupage frame. Dimensions: 13 3/4 inches x 20 inches wide....

Charming Framed group of bird engravings, Histoire Naturelle, Ornithologie by Georges-Louis Leclerc, Circa 1780 The beautiful ornithological engravings are from Histoire Naturel...

Makkum, 20th century. The six tile picture depicts a cat seated on its hind-quarters with its tail curled through its legs looking forward. In the bac...

Madam Knipp engraving of pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Paris France, 1809-1811. A remarkable large engraving of a pigeon- The Colombe Ramier or Columba Cenea or Wood Pigeon floating within a gilt frame and white matte and with UV Tru-view Clear UV Glass. From a large collection of framed...

An George I English needlework picture depicting musicians, maidens, dogs and ducks in the grounds of an estate with detailed renderings of flora an...

George Brookshaw Print of Pears from Natural History Art, Botanical, Fruit, Brookshaw, Pomona Britannica, Plate LXXXV, Dated 1807 The publ...

George Brookshaw print of two varieties of raspberries, one yellow and one red. Plate IV, from Natural History Art, Botanical, Fruit, Brookshaw, Po...

Large framed etching of a massive urn by Francesco Piranesi in the style of his father, Giovanni Battista Piranesi, plate 549 #43, signed lower left on plate Cavalier Piranesi Delin,...

Francois Nicholas Martinet bird engraving, circa 1770. The framed Francois Martinet engraving is from Buffon's Historie Naturelle des Oiseaux displa...

Wax portrait of Queen Charlotte of Great Britain, Attributed to John Flaxman, Late 18th century. A large and rare portrait of Queen Charlotte, i...

Framed copperplate engravings of sea shells, Niccolo` Gualtieri (editor). Giuseppe Menabuoni (1708-after 1745) (after). Plates 30 and 31 from Index testarum conchyliorum quae ad...

Superb large English silk and wool portrait, A Mother and Her Four Children, after John Hoppner R.A., circa 1810-20, Within gilt frame. Silk over linen fabric ground, silk floss, worsted wool yarn, Merino wool yarn and oil paint. A remarkable silk picture with painted sky background and each figure with a painted face and hands with the remaining portions of the picture finished in wool. The design comes from a mezzotint after John Hoppner made in the 1790s. John Hoppner specialized in painting mothers and children. The picture depicts a large standing female figure dressed in a white dress and wearing a turban. She stands by two classical columns with her four children in front of her. The youngest child is sitting on the ground playing with her red shoe in her hands with a tambourine by her side. Her elder sister stands behind her. Both girls are dressed in Empire-style muslin dresses...