Trio of Antique Shibayama Panels, Japanese Decorative Screen, Meiji Period, 1900

This is a pair of antique decorative plaques. A Japanese, bronze wall panel, dating to the early Victorian period, circa 1850. Accentuate your wall ...

This is an antique decorative panel. A Japanese, framed silk cotton embroidery, dating to the late Victorian period, circa 1900. Appealing silk work, framed...

This is an antique decorative posy vase. A Japanese, bronze Meiji period urn, dating to the late 19th century, circa 1900. Adorned with superb relief bird figures over a wonderful bulb form Displaying a desirable aged patina with minimal weathering Bronze shows appealing tonality with a warm chestnut colouration Decorated with the hallmarks of the Meiji period of Japanese history (1868-1912) Wide flared rim with a flat top edge, with an opening diameter of 10cm (4'') Decorative relief birds sit prominently around the body Large phoenix type bird to the front fascia, the ground accentuated with engraved foliate patterns Traditional character mark can be found upon the base This is a fascinating antique decorative posy vase, with classical Japanese...

This is a large antique decorative vase. A Japanese, bronze Meiji period urn, dating to the late Victorian period, circa 1900. Highly impressive antique vase with striking detail Displays a desirable aged patina by way of fine weathering Bronze shows a wonderful tonality with a light tarnish from decades of careful polish Decorated with key icons from the Meiji period of Japanese history (1868-1912) Broad, tapering rim with rolled lip, embellished by way of garland detail Panel scenes to both sides with three dimensional birds opposite crashing waves Depicting a Falcon or Hayabusa flying overhead, the wave scene redolent of Hokusai's Great Wave off Kanagawa...

This is an antique decorative twin-handled vase. A Japanese, bronze Meiji period vase, dating to the late 19th century, circa 1900. An impressive vase with striking detail Displa...

This is an antique marquetry landscape panel. An English, mahogany, oak and burr walnut decorative scene of Ben Lomond, dating to the Edwardian period, circa 1910. Fascinating woode...

19th century Meiji period charger with cockerel beautifully realised in layers of carved shell, mother of pearl and bone to stand in high relief against the black lacquered ground. P...

19th Century Shibayama Lacquered Inlay Charger, Meiji Period, Japan A decorative 19th Century Japanese charger beautifully depicting herons and pi...

On offer is a set of five Japanese textile art panels called Oshi-E circa Meiji Period (1868-1912). This usual set of panels depict various aspects of daily life in Edo time with beautiful details. Some of these panels are snapshots of the buzzling commercial activities at the marketplace, providing insight into the signages, architecture, costumes and how people interacted within a historical and pictorial context. Other panels depict daily leisure activities such as lounging in the park or visiting friends. The realistic rendering and attention to details are not short of "photographic" quality. From the signage of the shops to the motions and attires of the individual characters, from the hairstyle, small ornaments, down to the facial expression, were all recorded in great details. Each panel was signed with the artist's name Yukihana in Kanji with a red seal. These panels are unframed and await your custom touch (framing with inner gilt spacer and mat costs about 250-500 depending on the material chosen, see a framed example in the last picture of a single framed panel we have for sale). We offer them for sale individually, but it will be great for a collector to consider the whole set so that they can stay together. The Oshi-E (also known as kiritori zaiku) is a type of ornamental textile art dated back to the Muromachi period (1392-1573). It started among the elite aristocratic women in Kyoto before spreading wider in the Japanese society. Throughout Edo and Meiji period, Oshi-E were sometimes used to make offerings to the altars in the temple and in the late 19th century, it was exported to the west along with the other embroidery textile art. Oshi-E was made by using silk wadding to create a relief design. Various silk fabric swaps and sometimes wires and tassels, often recycled from older kimonos...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested ...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The auspicious composition features a group of red-crown cranes, the symbol of longevity. Three of them perch on the rock by the ocean (East Sea) an two of them are in flight. Additionally, two egrets frolic in the wave. Yuzen dying was used extensively to showcase the amazing details such as the waves and the gradual coloring effect. Embroidery was used sparsely to highlight areas such as the legs of the crane to render it more dimensional details. The piece has a red silk backing and still retains four blue tassels on corners as well as decorative stitches along the edges. Fukusa is a traditional Japanese textile...

A Japanese silk Fukusa panel circa late 19th-early 20th century of Meiji Period. The front was beautifully decorated with Yuzen-zome, a labor intensive resist-dye technique invested by an artist monk Miyazaki Yuzensai (1654 -1736) of Edo period. The front cover likely depicts a scene from the Tale of Genji, showing a nobleman and his servant pays a visit to a lady in a fenced thatch-roof house under a high peak. The details of blossom trees and pines, as well as the characters, and scenery with a gradual color are astounding. It is telling that the Yuzen dying was used such an mastery. The piece has a red silk backing and still retains two red tassels on the lower corners as well as decorative stitches along the edges. There is a patched design on the back likely a Mon symbol (family crest). Fukusa is a traditional Japanese textile...