Vintage Graphic, Cactaceae, Blackversion, Engraving, Framed

Author unknown, Composition Color lithograph Number 56/65 The work is signed by the artist and individually numbered (pencil) Work dimensions 67/52 The work is framed Work in origin...

Vide Jansson, Träsnitt Graphics Work with the artist's signature and title (in pencil) Working dimensions 53/73 The work is framed Vide Jansson was born in 1924, died in 2007. He was a Swedish graphic artist, painter and sculptor. Jansson studied at the Otte Sköld painting school in Stockholm. He continued his education in Spain and France. In 1958 he founded Grödingegruppen, which included himself, Rune Pettersson and Nalle Werner...

Author unknown, Black and red composition Color lithograph The work is signed by the artist Work dimensions 70/79 The work is framed Work in original vintage condition. It has a sig...

Eduardo Chillida Lithograph on cardboard Number T 169/1000 The work is signed by the artist and individually numbered (pencil) Work dimensions 47/34 The work is framed Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...

Frideborg Bryth, 1950s Watercolor Work signed by the artist Dimensions 60/73 Framed work Frideborg Bryth (1910 - 2007). She was born in Huskvarna. She was married to the artist Lenn...

Author unknown Mixed technique, oil on canvas Working dimensions 39/39 This work is framed Work dated to the second half of the 20th century. Original vintage condition.

Georges-Louis Leclerc, Count of Buffon (1707-1788) was a French naturalist, mathematician, and cosmologist. Buffon published thirty-six quarto volumes of his most well-known work, Hi...

Twenty framed steel engravings of English monarchs and rulers from Illustrations of English & Scottish History, by Thomas Archer. Published 1880 in Lo...

Georges-Louis Leclerc, Count of Buffon (1707-1788) was a French naturalist, mathematician, and cosmologist. Buffon published thirty-six quarto volumes of his most well-known work, Hi...

A set of 40 framed German art plate engravings. These came from a two volume set of Meisterwerke of German Art by Carl Thonet Jutsum published by George Barrie (Boston, New York and ...

Botanical hand-colored engraving after original oil on canvas by botanist Basilius Besler (German, 1561-1626), "Fructus Artischochi", pl. 25 from "Hortus Eystettensis...

Vibrant custom framed 19th century floral botanical engravings from Prof. Dr. Otto Wilhelm Thome's "Flora von Deutschland", published in 188...