William Alexander Drake (Am., 1891-1979) Oil On Artist Board, Pink Floral Still

Signed, labeled and dated August, 1973 on verso. A sunny summer day featuring the garden of the artist in golden tones with flowers planted along a fence along with two trees. A thic...

Signed and dated 2/75 lower right. A fine winter landscape of a forest in the snow with a sinuous stream running through it. Its water is illuminated by the sun, dappled in yellow, g...

Unsigned, from the estate of the artist. A rustic landscape with a snowfall on a snow covered lake and purple hills in the background. Two pine trees frame the scene in the foregrou...

Oil on masonite depicting a charming country landscape in summer. Signed and dated 1938 lower left. The pale green and brown colored fields of a farmstead are separated by fences wi...

William Alexander Drake (Am., 1891-1979) Oil On Masonite, Moving Logs At An Old Lumber Mill, NJ. Signed and dated 2/73 lower right with loose ...

Unsigned, from the estate of the artist. A gray misty day with a house near a stream in the forest. It is illuminated by the sun streaking through the mist and onto the stream. Flowering foliage carpets the forest floor. art 20 x 24...

Italian hand painted oil on board still depicting centered floral urn with flanking parrots resting on decorative floral painted border. Early 19th Century.

Fruit still life on board signed Timmons. Attributed to William Federick Timmons(1915-1985) . Rich colors of blue, red and pink make up this fruit still life composition. The composition consists of fruit in a pedestal bowl and the detailed drapes in the background. Custom framed. This item can parcel ship for $45. William Frederick Timmins was born May 23, 1915 in Chicago, Illinois. His father, Harry L. Timmins (1887-1963), was a celebrated magazine illustrator and co-owner with Frank H. Young (1888-1964) of a successful Chicago advertising agency called Young & Timmins Advertising Illustration Studios. In 1923 Timmins and Young co-founded the American Academy of Art in Chicago. His father's impressive career brought the family a prosperous and privileged lifestyle, which included pleasure trips to Paris and London. In 1934 he began to commute by Metro North train to New York City, where he studied at the Art Students League on West 57th Street. He also took classes at the National Academy of Design on Fifth Avenue near 89th Street. In 1935 he began to study at the Grand Central School of Art, located on the sky-lit top floor of Grand Central Station Terminal. This was the same station he used for his daily commute. In 1935 he began to sell pen and ink story illustrations as well as painted covers to NYC publishers of pulp magazines. During the second half of the 1930s his work appeared in Western Story, Dime Sports, Clues Detective Stories, Thrilling Western, and All Aces Magazine. He and his wife moved to a home on Spectacle Lane in Wilton, CT. This area of Connecticut had become a popular artist community. He socialized with several artist neighbors, such as Benjamin Kimberly Prins (1902-1980), Tom Lovell (1909-1997), Richard Lyon (1913-2002), Al Parker (1906-1985), Rolf Klep (1904-1981), R. G. Harris (1911-2007). During the 1940s his cover illustrations appeared on pulp magazines, such as The Shadow, Clues Detective Stories, Wild West Weekly, and Astounding Science Fiction. All these were published by Street & Smith. In 1944 the family moved to Darien, CT. At first the artist worked in a rented studio in nearby Norwalk, CT, but after a while he converted a vacant family room into an art studio and worked at home. After the war he drew story illustrations for Family Circle and Liberty Magazine. In 1948 his father, Harry L. Timmins, and his brother, Harry L. Timmins, Jr., moved to California to open a lithography business in Hollywood. During the 1950s he illustrated several books for children that were published by Rand McNally, such as Cowboys, Davy Crockett...

An exceptionally fine quality example of a pair of framed Still Life of fruits Oil Paintings on Artists board by well documented English Artist William Hughes, third quarter of the Nineteenth Century. Complete with good giltwood frames, one is signed lower left W. Hughes and dated 1863  Both paintings with similar views depicting Still Life of fruits to include Apples, Pears and Black Grapes  Condition: Good condition recently professionally cleaned and ready to hang. Old trade label CHAS H WEST Framemakers in Primrose Hill, London.  Height: (entire including frame) 13.75" (35cm). Width: (entire including frame) 17.5” (44.5cm).   Location: Dublin City, Ireland.  Affordable fixed charge Worldwide Store to door shipping offered.  Provenance: Burling Paintings Art Gallery, Burlington Gardens, Mayfair, London.   William Hughes (1842-1901) was a still life painter, father of Sir Herbert Hughes-Stanton. He was a pupil of George Lance and W.H. Hunt.  Hughes exhibited at the Royal Academy between 1866 and 1901 as well as at the British Institute, Suffolk Street and the Grosvenor Gallery.   Titles at the R.A. include “The Baron’s Dessert” and “For the Feast of the Tournament”. A major work, a set of large bird paintings...

An excellent and very stylish impasto oil on board of Ranunculus flowers in an urn vase. The expressionist impasto paint application is fascinating. Clearly the work of a competent colourist. It really evokes the texture of Ranunculas flowers, their weight and the vibrancy of their colour. Unsigned, dating from the 1960s. The style is Expressionist. It reminds us of the work of William Dobell...

Georges Spiro, 1909-1994. Surrealist /still life painting of the well known Polish/French artist, oil on board, signed., actual size of art work, is 13 x...

Oil on board painting by artist Roger Hayward (1899-1979), depicting the entrance to a Victorian-style home as seen from the street below. With a wonderf...