THE TOP SHELF by BEN SACK

Arum (As Old as Time) Benjamin Sack Leesburg, VA; 2022 Ink and acrylic, gold leaf paint on toned paper 12 x 12 inches As part of our 'modern masters' series, OLD WORLD WONDERS...

A framed Rococo melodramatic European drawing of a Woman with her Back Turned by Nicolas Lancret Nicolas Lancret Paris, France; first-half of the 18th century Black crayon on paper ...

Antique framed Academic Chalk Drawing of a Greek Intellectual on Sepia toned and textured paper Anonymous Italy; 19th century White and Dark Grey Chalk on Sepia Paper; narrow wooden...

A framed Baroque pencil study for a Diana and Endymion composition attributed to Giovanni Battista Cipriani Attributed to Giovanni Battista Cipriani Probably London, England; third ...

An impressive early 17th century wood relief carving of the Three Divine Virtues After Jan Pietersz Saenredam and Hendrik Goltzius First quarter of the 17th century; Northern Netherlands Approximate size: 35.5 x 50 cm (without frame); 53 x 67 cm (with frame) The present carving, of Flemish origin and from the first quarter of the 17th century, was executed during the Golden Age of Dutch art. The relief depicts the figures of Pietas, Caritas and Fides: the divine virtues of Hope, Charity and Faith. Each of the Virtues is articulated with exceptional care and the skill of a talented hand. The composition is bursting with energy, emphasized by the active putti surrounding its central protagonist and the emergence of the figures in the foreground, silhouetted against a cityscape with the upper horizon framed by clouds and rays-of-glory. The relief’s design is indebted to late 16th century Mannerist influences shown in the expressive postures of the figures and the billowing hair of Charity. Other Flemish artists approached this theme like the painters, Maarten de Vos, Maarten van Heemskerck, et al. However, our particular carving is an amalgam of three individual compositions engraved by Jan Pietersz Saenredam in 1601, and based on the designs of his mentor and long-time collaborator, Hendrik Goltizius (presumably following inspired Latin prose conceived by the Haarlem Humanist, Cornelis Schonaeus). The relief is set in an elaborate checkered, wood-inlaid frame but its scale and shape suggest it probably once formed part of an elaborate Beeldenkast or impressive Dutch oak cupboard...

Distinctive Oriental Wool Area Rug by Rex & Rex inspired by the Rococo Singerie genre Rex and Rex 21st cent.; designed in Palm Beach, FL; handmade in China Wool Approximate size: ...

The cluster of knotty male nudes depicted in this high-energy drawing by Ben Messick illustrates his mastery of mural painting and animation. He worked as a sketch artist at the Disn...

Beautiful drawing by the important American 'Fauve'. Item will be shipped rolled in a 6" sono tube.

Władysław Zakrzewski - In the years 1922-1924 he studied at the Academy of Fine Arts in Kraków under the supervision of Władysław Jarocki and Józef Pankiewicz, and in the years 1926-...

Florentine or Flemish school 17th century study of the Medici Lion by Flaminio Vacca. Measures: Sheet 31.7 x 48.8 cm. (12.5 x 19.2 in.) Framed under Museum glass in a flemish 1...

This very fine drawing from the early Baroque period is in Sanguine on laid paper. this Italian drawing in a rich brown-red is framed in a fine old gilded frame...

Coveted portfolio containing 24 original lithographs by Ben Shahn in one of an edition of 950 with the one being numbered 234, see pics. Signed by the artist at front as shown in pics attached. Copyright 1968. Portfolio is complete with nothing missing and still in very good condition - see pics. Accompanied by the poet Ranier Maria Rilke - see pics. Ben Shahn (American, September 12, 1898 - March 14, 1969) was a painter, lithographer, and photographer best known for his left-wing political leanings, works of social realism, and The Shape of Content, a publication of his lectures. Shahn was born in Kovno, Lithuania, when the country was still occupied by the Russian Empire. In 1902, Shahn's father, Joshua Hessel, was exiled to Siberia. Shahn then moved to Vilkomir, Lithuania, with his mother, Gittel, and his two siblings. Their family moved to the United States in 1906 to join their father who had fled from exile. After settling in Brooklyn, NY, Shahn began to train in lithography and graphic design, and his favorite medium was egg tempera. In 1919, Shahn enrolled in New York University to study Biology before entering the City College in 1921 to study Art. He also studied Art at the National Academy of Design. In the 1920s, Shahn and his wife traveled around Africa and Europe to study the works of renowned artists such as Pablo Picasso (Spanish, 1881- 1973) and Raoul Dufy (French, 1877-1953). In 1933, Shahn worked as an assistant of Diego Rivera (Mexican, 1886 - 1957); at this time, Rivera was working on the mural at the Rockefeller Center in New York. Two years later, Shahn was recommended by Walker Evans (American, 1903 - 1975) to join the Farm Security Administration photographic group. One of the artist’s most famous works is the fresco mural he did for the Jersey Homesteads' community center. Shahn also worked on murals for the state on the Federal Security Building and the Bronx Central Annex Post Office. During the Second World War, Shahn made a series of paintings laced...