Yuri Gusev 'Russian, Young Standing Male Nude, Signed and Dated '55

Offered for sale is this fabulous Louis Icart (1888-1950) Etching of two women overlooking Paris. It has been signed. In very good condition. It has been re-framed. A larger than no...

This iconic poster was printed to advertise the first retrospective exhibition in Russia granted to a living British artist since the Russian Revolution, an event that provoked passi...

Erte - A limited edition screen print after the Love and Tennis suite Numbered ,signed, mounted, glazed and framed. Image size: 20 x 24 inches , Sheet size: 24 x 32 inches Medium s...

Poster for Joan Miro Exhibition at Galerie Maeght Lithograph printed in colours for an exhibition of Miro's work in Paris from November 1978 to January 1979 signed in pencil from an edition of 75. This one numbered 37/75 on wove paper Printed by Arte Adrien Maeght, Paris in 1978 and Published by Maeght Editeur, Paris Full sheet printed to the edges with Dimensions: 78.1 x 57.2 cm Condition: Very Good Joan Miro I Ferra (20 April 1893 – 25Decemer 1983) known in the art world as Joan Miro was a Spanish painter, sculptor and ceramicist born in Barcelona into a family of a goldsmith and a watchmaker in the Barri Gotic neighbourhood. He studied at the Cerce Artistic de Sant Lluc and had his first solo show in 1918 at the Galeries Dalmau, where his work was ridiculed and defaced. Inspired by Fauve and Cubist exhibitions in Barcelona and abroad, Miro was drawn towards the arts community that was gathering in Montparnasse and moved to Paris in 1920, but continued to spend his Summers in his native Catalonia. In Paris, under the influence of poets and writers, he developed his unique style: organic forms and flattened picture-planes drawn with a sharp line. Generally thought of as a Surrealist because of his interest in automatism and the use of sexual symbols, Miro’s style...

Rare Olympic Games Munich 1972 Limited Edition 'Poster entitled 'Five Black Athletes in a Relay Race' signed by Jacob Lawrence Dimension: Sheet Size: Length 109.5 × 69.5 cm Image Size: Length: 87 × 64 cm Edition Size: 200 Edition Number: 24 marked in pencil by Jacob Lawrence Signed: Jacob Lawrence 71 in pencil by Jacob Lawrence Serigraph – Screenprint Printed words on the left hand corner of the sheet read as follows: © Edition Olympia 1972 Gmbh 1971 Dietz Officin Lengmoos Bold colours fresh and vibrant as when originally issued Slight ruffling of the paper in a small section of the bottom of the sheet and two minor spots of foxing at the bottom border of the sheet. Overall condition: Very good for age Jacob Lawrence was one of a number of artists who were invited to design posters for the 1972 Olympic Games held in Munich. He created an image to commemorate the involvement of black athletes in the Olympic Games, as track was a field in which they had traditionally excelled. This iconic poster depicts five black runners with grimacing faces take giant strides around a large, curving track as they head toward the finish line. They hold batons in their hands to show that they are competing in relay race. Each athlete is shown with his arms, legs, and head in a slightly different position, one has his head back and his right leg stretched forward, almost straight. Lawrence used bold colours to depict the runners' stylised faces and legs as well as the repeated shapes of the track. Lawrence combined the flat, simplified shapes and empty spaces of modernism with silhouetted figures and the rhythmic patterns and colours of Harlem scenes. He labelled his pictorial style 'dynamic cubism'. Lawrence's poster embraces several themes: a) the intensity of competition in a relay race with invariably dramatic endings; b) memories of the African American athlete, Jesse Owens' four gold medals, including one as a member of the 400-metre relay team, won at the 1936 Olympics in Berlin in the face of Nazi claims of racial superiority; and c) the determination of African Americans to compete on the world stage after centuries of discrimination in their home-country. Biographical Details of the Artist Jacob Lawrence was born in Atlanta City, New Jersey, in 1917 as his family travelled north, part of the Great Migration of people from the South. After his parents split up, his mother moved the family to Harlem where a movement known as the Harlem Renaissance was flourishing. Lawrence studied painting the Harlem Art Workshop and received much encouragement from African American artists, Augusta Savage and Charles Alston and art critic, Alain Locke. He received national recognition at the age of twenty-three with The Migration of the Negro, an exhibition of sixty paintings about the Great Migration. This series was so admired that both the Museum of Modern Art, New York, and the Phillips Collection, Washington, D.C., wanted to buy them. Eventually, it was divided between the two museums. During World War II, Lawrence was drafted into the U.S. Coast Guard, where he served on the first integrated ship and was promoted to a rank higher than the steward's mate. After the war, his career included commissions for murals and a Time magazine cover; teaching positions at Pratt Institute in Brooklyn and the University of Washington in Seattle. Among the awards Lawrence received in his distinguished are the following: Spingarn Medal (1970), the Us National Medal of Arts (1990), Algur H Meadows Award for Excellence (1996) and The Washington Medal of Art (1998) The 1972 Munich poster...

Rare Munich 1972 Olympic Games Limited Edition 'Spirale' Emblem Official Poster designed by Otl Aicher, Coordt von Mannstein and Victor Vasarely and signed...

Vintage Nude Portrait Study of a Man. Appears to be Pastel or Charcoal on Paper. Signed JP Gaston as Pictured. Wear and Condition Consistent with Age. Dimensions. 26 W ; 1/8 D ; 20 H

Vintage Nude Portrait Study of a Sitting Man.Appears to be Pastel on Paper.Signed JP Gaston as Pictured. Wear and Tear Consistent with Age. Dimensions. 26 W ; 20 H

This ethereal drawing by Dunbar Beck demonstrates his mastery of the human figure, with antecedents in Renaissance and Pre-Raphaelite paintings. Beck was one of America's most accomp...

Powerfully expressed, with the angular stylization characteristic of Art Deco decorative art, this pencil drawing was executed in 1937 by William Littlefield. The artist was fascina...

19th Century French academic charcoal drawing of nude male figure standing in the traditional contrapposto pose. With exceptional attention to tonal modeling, the piece has a feeling...

Marcel Delmotte (1901-1984) "Nude Couché", drawing signed M. Delmotte and dated 1937.