Canvas Wall Decorations

Italian painting of the late 19th century. Work oil on canvas, on the first canvas, depicting a wooded view with river in impressionist style. Pleasantly furnished and bright framewo...

A blue-red, vintage French Mid-Century modern abstract interior oil on canvas painting of a color field, painted by Daniel Clesse in good condition. Singed on the lower left. Wear co...

Wolf Kahn School Tonal Winter Landscape, Circa 1980s Unsigned 48" W x 36" H Whitewashed 1/4" Wood Frame A serene and evocative winter landscape in the style of Wolf Kahn, this unsi...

This exceptional antique oil painting, sourced from the historic Alsace region of France, dates back to the late 19th or early 20th century. The artwork showcases the skill of an unk...

A striking and theatrical 18th-century French School oil painting on canvas, this large-scale work depicts Mars and Venus, the Roman gods of war and love, surrounded by an ensemble o...

A cohesive and decorative group of five Italian still-life paintings from the Neapolitan school, dating to the second half of the 19th century. This painting belongs to a cohesive gr...

Monica Perez "Yes" Original Charcoal on Canvas, 2023. W 80" x H 48" Monica Perez’s works are expressions of emotion—impulsive, spontaneous gestures of h...

This important antique still life painting, executed circa 1880, is the work of Pierre Bourgogne, a recognized French painter documented in Bénézit. The composition depicts a luxuria...

Sophisticated and fascinating original painting by Japanese artist Yoshio Minomura having abstract composition with hieroglyphic like scribbles. Minomura gained his diploma from t...

This vintage abstract expressionist oil painting on canvas captures the raw energy and gestural spontaneity that defined mid-20th century modern art. Bold strokes of vivid pink, blac...

This striking original abstract oil painting is a masterclass in textural depth and organic expressionism. The artist employs a rich, tactile impasto technique, layering swirling ges...

Antique Oil Painting After Nicolas Poussin, Summer, Ruth, and Boaz Large antique oil on canvas depicting Summer, or Ruth and Boaz, after Nicolas Poussin’s composition from The Four ...

Marzio Masturzo, attributed (Active in Italy - in Naples and Rome- in the second half of the 17th century) "Battle between cavalry and vessels with fortified city on the left" ...

This continental large size turn of the century (19th-20th) oil painting on canvas is set in an antique giltwood frame. The scene is placed in w...

Italian painting from 1992. First oil on canvas work depicting landscape entitled La Vigna in Druento by good painterly hand. Painting of beautiful size and pleasing decor adorned wi...

Vintage Oil Painting of Taufkirchen, Bavaria, Alexander Michael 1975 A framed oil painting depicting the view to the winterly bavarian village Taufkirchen near Munich. The artwork i...

Mid-Century oil on canvas landscape painting depicting a path through a forest leading to an open field with mountains in the far distance in a black and gold beveled rectangular woo...

Large 17th-century religious painting. Oil on canvas artwork depicting a splendid Holy Family in a domestic interior. The Madonna is seated in the center, holding a book, absorbed in...

Oil on canvas painting of a Mid-Century French landscape scene, signed, circa 1950's-1960's. A very lifelike rendering of a French village. This 20th Century oil painting features a...

An atmospheric early 20th-century oil on canvas depicting three elegantly dressed women resting in a quiet rural landscape. Signed “Arther D. Jones” at the lower left, the composition has a wonderfully intimate quality, with the figures emerging from deep woodland tones and soft passages of meadow green. The painting is presented in a substantial carved giltwood frame ornamented with scrolling foliate motifs. Its aged gilding and restrained palette give the piece the layered character associated with English country houses and European interiors assembled over generations. It would be especially compelling above a small chest, beside a library bookcase, or incorporated into a salon-style arrangement of antique paintings and prints...

Great Italian painting from the mid-20th century. Work oil on canvas, first canvas, depicting still life with flowers and fruit of good pictorial quality. Very bright painting comple...

A richly colored and highly decorative floral still life executed in the manner of the celebrated Florentine painter Bartolomeo Bimbi, whose grand botanical compositions remain among...

Painting "Garden", Orlov Nikolai, Russia (Russian Empire), 1897 Additional Information: Materials: Stretched canvas, canvas, oil Vintage from the 19th century Artist/Maker: Orl...

Max Finné (German, c.1880-c.1960) A Portrait of the Hanseatic merchant Georg Giese, copied from the original of Hans Holbein the Younger by Max Finné, 1922-23. signed lower left: M...

This early 20th century painting from Belgium is an oil on canvas. Its form follows honest, well-proportioned lines typical of well-made pieces from its era and region. As a painting...

This oil on canvas is signed -R. CHR.- lower left and depicts a Danish fjord landscape, painted by Rasmus Christiansen. A herd of black-and-white cattle grazes and rests in the foreg...

17th century, Pair of paintings depicting Architectural Caprices with Bacchanal and Sacrifice Scene, Alberto Carlieri (Rome 1672-1720) Oil on canvas; Dimensions: canvas cm H 73.5 x W...

France / 1926 / Oil Painting / canvas, wood / Antique A captivating early 20th century French oil painting, signed and dated Paris, 1926. This beautifully composed landscape capture...

Charming still life depicting a bouquet of white roses in a glass vase, placed on a table, with a few petals delicately scattered nearby. The composition is elegant, with a beautifu...

French 1930s post impressionist oil on canvas painting of a rolling sea. Signed and dated bottom left. Signature indistinct. Painting dimensions unframed: 54 x 67 cm. Framed: 63 x ...

This is a mid century vintage modern abstract oil on canvas. This abstract oil on canvas has a heavy pallet knife impasto with deep tones of burgundy, Amber and gold On a cream backg...

A later and large execution of ‘Spring ‘ of the Four Seasons series by Francois Boucher in the Rococo taste , the originals around 1755. (and for Madame Pompadour). A Shepherd conver...

Antique 19th Century Russian Oil on Canvas Painting, Portrait of a Young Lady, by Vincent Stiepevich (1841-1910).

Late 19th Century Large Italian Oil on Canvas Painting of Ships at Port

Francois Nicholas Riss (1804-1886) Portrait of a child signed and dated center left, Riss 1829, oil on canvas, partly retouched, stretcher renewed, framed Dimensions: height 62 cm - width 50,5 cm François Nicholas Riss (1804 Moscow-1886 ibid) Born in Russia, he studied painting in Paris...

Exceptional oil painting on canvas of very intriguing subject of a man with great paint texture. Beautiful object of art for wall hanging. Fra...

Venetian school of the second half of the 18th century. Oil painting on canvas depicting an Arcadian landscape of pastoral genre. This type of pictorial representation established it...

Antique New England Seascape, “Outward Bound,” by James J. McAuliffe (1848 – 1921), an oil on canvas seascape depicting a Whale Ship passing a Pinkie Schooner on opposites tacks, the...

Italian painting from the mid-20th century. Work oil on canvas (applied on board, see photo) depicting bucolic landscape with characters and city in the background of good pictorial ...

Early 19th century Neoclassical carved and gilded wall brackets realized with a white ivory color majolica demi vase of the Italian manufacture Gi...

Alexander Michael Oil Painting of a Mountain Landscape, 1969 This expressive landscape painting from 1969 is the work of German artist Alexander Michael. It presents a vivid panoram...

A decorative oil painting on canvas by swedish artist Gideon Borje who travelled extensively in europe over his career and was known for both his modernist style and classic traditio...

Sculptural canvas relief with a 17th century Italian Florence fragment by Elena Rousseau. The sculpted canvas is molded together with fresco plaster, g...

Portrait of Augustus Schwartze, Founder of the Union Manufacturing Company, Baltimore, Maryland American School, c. 1810–1820 This striking early 19th-century American portrait depicts Augustus Schwartze (1785–1844), prominent Baltimore industrialist and founder of the Union Manufacturing Company, one of Maryland’s earliest and most important textile mills. Executed in oil on canvas and attributed to an unidentified yet accomplished hand within the American Federal portrait...

Expressive 1960s Spanish modernist matador painting rendered in a vivid palette of crimson red, burnt orange, and warm earth tones. Executed with conf...

Antique landscape with figures from the 17th century. Oil on canvas painting depicting a splendid Flemish landscape that frames a famous episode of the New Testament, the appearance ...

"Cattle at the Water's Edge" Oil on Canvas with Board Backing William Hart (American, 1823–1894) 20.25" w x 18.25" h (Frame), 10.5" w x 8.375" h (canvas) This exquisite oil painti...

Here is an impressionistic coastal painting by Helen Carmichael (1936-2024). It features a charming array of colorful beach umbrellas with a dreamy sky and water scene. The piece i...

Still Life Angling Oil Painting. A fine original Victorian oil on canvas, A Day's Catch, depicting a still life arrangement of freshwater fish displayed against a dark, subtly textur...

Charles Joseph Watelet (Belgian painter 1867-1954), Portrait of a young woman called Daisy, oil on canvas. Framed in a beautiful hand carved giltwood frame.

18th century French school, portrait of an aristocrat woman circa 1760 - 1770, oil on canvas set into a Louis XVI style frame (the frame is a 19th century production ; it is gilt wit...

Large oil on canvas painting by Danish artist Hans Øllgaard (b. 1911, d. 1969) depicting a summer landscape ca. 1950s or 60s at the time of harvesting ha...

Artwork by Enrico Baj, Italian artist, framed silkscreen print on tiled plastic Stunning framed serigraphy of Enrico Bay Enrico Baj (31 October 1924 – 16 June 2003)[1] was an Itali...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

This is a portrait artwork of a woman portrait painting, woman in black dress reading a note, end of XIX century. This is a portrait of a young woman wearing a black dress in a 19th...

Oil painting from the Danish Golden Age (c. 1840-1860) portraying a soldier engaged in conversation with a lady, with the historic Rosenborg Castle elegantly positioned in the backgr...

Early 20th century French oil painting, signed "H. Dezire".

An oil painting on canvas from the 19th century, this artwork depicts a harbor scene in the Dutch style. The painting showcases intricate details and techniques characteristic of Dut...

"Maricruz H. Covarrubias – Biography Early Life and Background: Maricruz H. Covarrubias was born in 1947 in Mexico City. Growing up in a culturally rich environment, she was deeply i...

A very decorative, vintage, landscape painting sourced in France. This oil painting on stretched canvas is signed by artist, G. Paël, in the lower right corner (see photo). The artwo...