Canvas Wall Decorations

A set of four Italian chinoiserie painted panels, each within frames, depicting fanciful chinoiserie birds, vegetation, pagodas and figures at leisure, circa 1820. Possibly from Piem...

HENRY SCOTT R.S.A. British, 1911-2005 "Sea Battle, 'Shannon' engaging 'Chesapeake', 1st of June 1813" Oil on canvas signed lower left titled to the reverse on the stretcher bar ...

A nice large oil on canvas by Alwyn Crawshaw of a country scene with horses, signed bottom left. In a nice decorative frame. Please contact us directly for a worldwide shipping quote.

This exquisite early 18th-century Spanish Colonial oil painting, originating from Bolivia, portrays “Mary, Queen of Heaven.” With meticulous craftsmanship, it illustrates the Coronat...

Alfred Pollentine (BRITISH , 1836-1890) Venice in Spring - Oil on Canvas , signed lower right - Large Venice canal with boats and dome seen in far background.

The category Antique Paintings, Antique Portraits of Women offers a portrait of a Beautiful Young Breton Girl with typical headdress, an Oil Painting on Canvas, late 19th century. A...

Oil on canvas depicting a bouquet in a white vase on a blue covered table near the open window. The open window revealing bright light and a scrolled railing. Presented in a gilt car...

Description EDMOND LOUYOT (French 1861-1920) after FRANÇOIS BOUCHER (French 1703-1770) A GERMAN EMPIRE ROCOCO REVIVAL PAINTING, "Two Putti as Allegories of Music," LORRAINE, 1899, oi...

Rare 18th-Century Mexican Spanish Colonial Oil Painting "The Mystical Lactation of Saint Cajetan" This remarkable 18th-century Mexican Spanish Colonial oil on canvas presents a rar...

Large-scale abstract painting, American, circa 1960s. It measures an impressive 50.25" height x 42" width. This piece is currently unframed. If you prefer a black gallery frame (as s...

Louis Aime Japy, "Springtime", Oil on Canvas, Gilt Frame, Prov: Sotheby's NYC, Signed and Dated '78 A Large and Impressive work by Louis Japy with provenance from Sothebys NYC. This stunning piece is one of the largest and finest pieces done by this fine world renowned artist having set an auction record in Sotheby's in 2006, documented below. The whole set in a wonderfully finely conditioned gilt gold wooden frame. Louis-Aimé Japy was a French 19th Century painter...

Jens Ulrich Petersen (b. 1947), Danish listed artist. Oil on canvas. Men on a string. 21st century. The canvas measures: 80 x 60 cm. In ex...

Original oil on canvas painting of Interior with two women at a card table. Signed and dated Fritz Kraul 1912. Condition: One repair on the backside. Craquelure visible and minimal p...

Felix Possart (German, 1837-1928) a large oil on canvas "A Spring Alpine Journey". The elongated painting depicting a mountain scene, possibly set in the Austrian or Swiss Alps, of a young man hiking in the Alps during springtime wearing Lederhosen and carrying a bucket and a water drum...

Decorate a wall or a staircase with this colorful large antique biblical tapestry. Handwoven in Belgium, circa 1950, the colorful wall piec...

A finely executed 19th century ‘plein air’, Barbizon School inspired landscape by noted Canadian artist W.E. Atkinson. OSA. ARCA. Oil on canvas, signed & dated 1894 bottom left. ...

Impressive large pair of elegant paintings of grey shore birds having an Oriental feel in muted color palette of light green, silver greys, celadon and light terracotta. Gorgeous de...

19th century framed oil on canvas "Cows in a Pasture" by Ludvig Kabell (Danish, 1853-1902), signed L. Kabell lower right.  

This beautiful Contemporary Abstract Painting on Canvas in Red and White by Felix Bachmann was made 2024. The pieces is painted on canvas with acrylic, pencil and chalk. A unique pi...

This elegant antique painting was created in France circa 1830. Set in the original carved gilt wood frame, the hand painted canvas depicts two young beauties strolling bare foot on ...

"November Composition”, 1991 by Beatrice Findlay, oil and sand on canvas diptych. Excellent condition. Measuring: 48 inches high x 72 inches wide. Exhibited: “Introductions ‘92”, The Allrich Gallery, San Francisco. Sylvia White Contemporary Art at the Seattle Art Fair, Seattle 1992. “Figures in a Landscape” An Exhibition of Paintings by Beatrice Findlay, Fordham University...

We present you this magnificent oil painting on canvas endearingly the Virgin Mary gently caressing the head of Christ Child asleep on his Mother's lap. This artwork has been expertly fit with new canvas and encased in an exquisite gilded wooden frame. It is representative of the Tuscan School...

Period First Empire portrait of the Sisters Julie and Desiree Clary, Future Queens of Spain and Sweden by Robert Jacques Francois Lefevre (1755...

Ivy Lysdal, b 1937. Danish ceramist and painter. Acrylic on canvas. Abstract modernist painting. Colorful palette. Dated 2013. Signed. Canvas measures: 50 x 40 cm. Provenance: ...

Beautiful large oi/acrylic painting titled "Geranium" by American artist Rebecca Ruoff, 2021.

Large oil painting on canvas still life in original wood frame, signed Lentz.

Richard Vilhelm Petersen (born 1914), Danish artist. Oil on canvas. Abstract composition. Title: ”Vraggods” (wreckage). Approximately from the 1970s. Signed: Rich. P. Perfect condit...

Giuseppe Gambarini (Bologna, 17 March 1680 - Casalecchio di Reno, 11 September 1725) Loth and the daughters Oil on canvas; Measurements: cm H 73 x W 93; frame H 88 x W 108 x D 5,5 The painting, of beautiful pictorial quality, depicts the biblical scene of Lot and his daughters, with Sodom set on fire in the background, and is stylistically attributable to the italian painter Giuseppe Gambarini (Italy, Bologna, 17 March 1680 - Casalecchio di Reno, 11 September 1725). The canvas shows in the center Lot sitting and already drunk, depicted according to traditional iconography, old, gray and with long gray boat. With his left hand he grabs the wine flask that one of his daughters offers him. She is depicted kneeling and resting on large boulders of stone, described as an architectural base, dressed in a voluminous deep blue mantle, her hair covered with a humble headdress made of a knotted cloth; look at the viewer, as if to want to involve him directly in the scene. The other daughter is described on the left, from the back to the observer, with a bare back and dark hair gathered by a red ribbon. She too is intent on serving her father a cup in which to pour the wine. Around them a duck placed on a cloth, some bread and another wine flask enrich the composition describing a banquet in progress. The scene is set outdoors, where only a large tent supported by branches arranged in a hut serves as a shelter to the figures. In the background a forest landscape blends chromatically with the blue sky. To the right in the distance, is described the city of Sodom, already destroyed and on fire. Lot’s wife...

A large and sweeping abstract by New York based artist Francine Tint. Ms. Tint has works in the permanent collections of the Portland Art Museum and the Krannert Art Museum as well a...

Colorful abstract painting of a modern urban landscape apparently at night. Fast and moving is the theme. Actual painting size is 24 x 30. Can be parcel posted. In excellent vintage ...

18th century, large Italian neoclassical oil on canvas four panels screen with Trompe L’œil These large screen is composed of four panels in oil on canvas painted. Neoclassical, dating to the second half of the 18th century. Each panel represents a trompe l'oeil, with a classical architecture with square section marble columns and large clogging. Inside the pink space of the first and third panels are painted, as inserted in a niche with bronze frame, ancient busts...

This is a wonderful screenprint on canvas with hand embellishment by Steve Kaufman. Once Andy Warhol's assistant, Steve Kaufman was a prominent pop artist in the 1980s-2000s. This Be...

A very interesting and unusual Cornwall Iron Banks Original Oil Painting by artist J. Earle Pfoutz. The painting is produced on canvas and comes complete with what appears to be an original artist decorated/painted frame with later touch ups. The Cornwall Iron Banks Original Oil Painting is signed on the front by the artist and appears to be dated 1948 on the rear. Known for his unusual subjects Pfoutz outdid himself with this effort, capturing the workings of one of the largest iron ore mines in the eastern United States, located in Cornwall PA. This mine and others in the area that came before it, played a crucial role in the development of the United States of America from the Revolutionary War, through the industrial revolution up until the 1970’s when the mine was flooded during Hurricane Agnes and closed operations. Overall frame Size approximately 26″ wide x 2″ deep x 30″ high J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART Earle Pfoutz Born: 1891 – Lancaster, Pennsylvania Died: 1957 Known for: Landscape, figure, still life painting An image of J Earle Pfoutz Biography from the Archives of askART J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957) “A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life. A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes. In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.” In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively. A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck. Other pictures include Autumn Prelude, Miners Village, painted at Cornwall, PA; Humid Day, Saint Peters Kierch, at Middletown, PA; Lady Pfoutz, inspired by the painter’s wife; Sun Flowers, Sentimental Journey, Gyne, Luzon Woman, Old Bridge, The Cow Path. Lemures, based on Roman mythology, and Ethiopian, painted from an ebony wood carving...

Important old-master painting, 18th century. Measurements: With frame: H. 65 W. 57 D. 5 cm Without frame : H. 48 W. 42 cm With frame: H. 25.5 W. ...

Oil on canvas by Henri Hecht MAÏK (1922-1993) “Tiger and Clown with a Flower” sign and date lower right “MAÏK 66” Natural oak frame from the 60s. Canv...

Joyce Swanljung (1910-1977), Sweden. Oil on canvas. Modernist composition with fish. Dated 1966. The canvas measures: 42 x 32.5 cm. The frame measures: 7 cm. In excellent conditi...

Large Mid Century abstract geometric painting. African tribal vibes and colors. Brown with an off-white creamy blush/mauve background. This item can parcel ship for $55

A fantastic, large, decorative painting by Robert Moskowitz, titled "The Family", circa 1977. It is signed and dated on the back. Robert Moskowitz (born 1935 in Brooklyn, New York) i...

Oil Painting by Oliver Clare (1852-1927) Still Life of Fruit, Circa 19th Century. Signed lower right. The frame is original to the painting. Provenance: Born in 1853, he was the so...

Erik Hoppe 1897-1968. Oil on canvas. Double-sided painting. Painted back-to-back on a single piece of canvas. 1: Scene from Søndermarken (Copenhagen, De...

Oil on canvas, portrait of an aristocratic lady. The woman is sitting in a red armchair with a quiet gaze wearing embroidered trim dress with white lace...

JOSEPH JANSEN German, 1829-1905 "A Dutch Homestead" (1884) Oil on canvas signed lower right "J. Jos. Jansen 1884" Frost & Reed label verso with title Item # 308EPG23Z An exceeding...

Hand-picked by buyers at Ann-Morris Inc.

Oil on canvas interchangeable triptych painting by Pablo Szmulewicz, 2001 Dimensions: 55" H x 118" W This triptych painting is special not only for its bright colors and vivid fi...

K. Westerberg, also known as Knud Horup, listed Danish artist. Oil on canvas. Landscape with figure on road. 1970s. Signed. In perfect condition. Dimensions: Width 70.0 cm, Height 6...

This lovely antique oil scene at dusk would make such a lovely addition to your home or office. The antique gold frame is original and features many beautiful and ornate details.

This beautiful 19th Century Portrait Oil Painting of Giuliano de Medici in a big black frame was painted 1885. The canvas was at some point cut and glued onto a hardboard. A unique p...

Delightful painting of the Holy Family from the late 1800. Let's not forget that there were two world wars in europe, therefore we can acce...

Offered is a large vintage modern abstract oil painting on board. Features textured paint with a 3-D appearance in hues of red. It...

Striking Haitian acrylic painting on canvas depicting a colorful healthy array of fruits and vegetables executed in a distinctive naive style. Signed Paulo in the lower right and pre...

Flowers artwork, oil painting on canvas, floral vase painting which represents yellow Daiseis, placed in two vases. In the background were painted the so-called "Pope's Medallions...

A large and striking aboriginal painting by celebrated Australian artist Yannima Tommy Watson (1935s-2017; Pitjantjatjara people from Australia's central western desert). Stretched and ready to display (no frame). Medium: Acrylic on canvas Year of Creation: 2013 Title: Wati Kutjara An important aboriginal dreamtime story from the Western Australia (the song line is also known as Two Men Dreaming), the narrative is about two young lizard-men travelling all over the Western Desert. They covered a vast landscape from Kimberley in the north to Southern Australia. The two brothers often took the form of wind and left songs in their epic journey to enlighten the people they encountered with rituals and knowledge. As magical ancestral beings, they destroyed evil spirits and created sacred objects across all over the Western Dessert. Provenance: Agathon Galleries, Melbourne 2013 Art Yarramunua, Melbourne (accompanied by a certificate of authenticity) Private Collection, Melbourne 2017 About the artist (courtesy of Kate Owen and Japingka Gallery) Yannima Tommy Watson was a celebrated Pitjantjatara artist, born around 1935 in the desert west of Irrunytju in Western Australia. Tommy was a Law man of Karima skin group, and his traditional names were Yannima and Pikarli relate to specific sites near his birthplace at Anumarapiti, west of Irrunytju. As a young man Tommy learned the bush skills of hunting and gathering, living off the land. In these years his physical and spiritual knowledge of the land was deeply embedded in his life. Tommy Watson first met white people at Ernabella Mission in the 1940s. He then spent decades working as a stockman and laborer on cattle stations. Not until 2001 when he was in his mid 60s, did Tommy Watson pick up a paint brush and painted his first picture at Irrunytju art center established by a small group of artists. Watson's work became quickly recognized for his powerful use of colors and his mesmerizing creation of energetic movement. He exhibited in Alice Springs at Desert Mob and as a finalist at the Telstra NATSIAA Art Awards in Darwin. With his work becoming highly collectable, Tommy soon entered into an exclusive representation agreement with Jon Ioannou of Agathon Gallery. This arrangement marked the start of a second phase of Tommy's career and saw the creation of a large body of outstanding artworks which were to further propel Tommy into the upper echelons of Australian indigenous artists. This painting was created toward the end of that phase. In 2005, Tommy was commissioned, along with Ningura Napurrula, Lena Nyadbi, Michael Riley, Judy Watson, John Mawurndjul, Paddy Bedford...

Large blue abstract Venetian plaster painting, Carol L.Post, 2019. In this soft blue textured painting by artist Carol Post subtle strokes of plaster blend with the background and gracefully dance...

A superb and exceptionally high quality Continental 19th century oil on canvas painting in its original frame. The painting depicts a beautiful young lady dressed in an elegant gown...

Impressionist New York City, an evening at the Guggenheim. Tourist and locals alike flock to the Solomon R. Guggenheim Museum on the upper east side. Lights show off the famous build...

A beautiful oil on canvas rendering of a stag hunt, presented in a fluted giltwood frame with a bundled husk border and large, parted leaves in the corners. The painting is signed in the lower right corner by the artist, “H. de Forges”, a member of the Barbizon French school of the late 1800s, who specialized in animal hunt scenes. The vibrancy of de Forges’ painting has not diminished over time; the colors seem to pop right off the canvas. A blue sky with some low-lying white clouds hangs above trees mainly bereft of leaves, indicating it is late autumn. Slender grass, ranging from green to brown, surrounds a watering hole in the middle of a clearing, with a single stag near the water’s edge. Eight white hunting dogs with black and tan markings surround the deer on one side of the pond. Behind the pack is a brown horse ridden by a huntsman dressed in red and black, preparing to sound the hunting horn. Two more riders in red, black, and white, also on brown horses, are emerging from a small hill behind the deer. Hunting, always a very important pastime in France, became one of the more popular genres in 19th century art, along with with quality pastoral and landscape paintings. Realism was a defining feature of the Barbizon School, as artists were attracted to spending more time living and painting in the natural world. Our hunt scene depicts the surrounding of prey, or pre-hunt revelry. The beautifully colored oil on canvas stag hunt painting...

A LARGE OIL ON CANVAS OF 'DON GASPAR DE GUZMAN COUNT-DUKE OF OLIVARES, MID-20TH CENTURY, originally painted by Diego Valazquez ( 1599-1660), Provenance: Painting has been used in the Three Musketeers film and was purchased from...

Ronald Smoothey Mid Century "Presence" Oil on Board Painting This painting measures: 22.75 wide x 1 deep x 31 inches high We take our photos in a controlled lighting studio to show...

Interesting 19th century Folk Art painting of a young girl holding a bible. Oil on canvas with a treed landscape and blue sky. Set in a deep carved giltwood frame with repeating bord...

A large and captivating unsigned painting featuring sinuous abstract leafy vine- like interlaced organic elements in orange, red and black on a soft mottled green and cream ground. U...