Michelle Weinberg Gouache on Marbleized Paper

Intricate and elegant stair-stepped 1980's Enrique Garces tessellated bone coffee table, professionally restored to a rich, creamy matte finish. Beautiful condition ...  

Simple and chic 1970s American ceramic lamps glazed in warm grey and 24-karat gold.

Timeless pair of black leather, lucite, and chrome swivel bar stools by Leon Frost for Lion in Frost. Expand your exiting collection or add to a small bar/ eating area.

1980's Tessellated bone game table by Enrique Garces with gorgeous deep green goatskin top is a stunner! Base has one drawer for game chips or cards.

Original vintage pair of chrome framed Tucroma chairs with deep brown soft leather cushions, designed by Guido Faleschini in 1975 for the Pace Collection...

Sublimely simple and modern 36-light chandelier by Gaetano Sciolari, circa 1968. Black spokes radiating from the center support 18 polished aluminum vertical rods with sockets at bot...

Beautiful abstract framed Gouache and watercolor on paper piece entitled Splash 2007.10 2007, USA. Framed measurement: 57" x 45". About the artist. “My objective is to mak...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...

In 2020, Caroline Rennequin painted 350 flowers. Including a series of 301 gouaches on handmade Indian paper, in a work that narrates the aesthetics of the feminine and its relationship with nature, which she endlessly colors with a living palette. Flowers with rounded and feminine contours, influenced by the 1970s. She uses gouache, an impulsive and immediate technique. A sometimes childish vocabulary in the gesture, without being regressive. Her artistic work revolves around her relationship to nature, whether real or fictitious. This work has been shown for the first time in October 2021 at Galeria Tambien...

Modern abstract, oil on canvas painting, titled “Summertime III” by Michelle Hénault, a conceptual fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approximate 30" H x 36" W x 1.5” D. Gallery wrapped, finished sides, dated circa 2019. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture and photography, she dedicated herself to oil painting. She has exhibited in numerous solo and group shows over the last fifteen years. In 2010, she moved to Scotland with her partner for two years. Since returning to Montreal, she has devoted her time to oil painting and her work has flourished. Inspired by her many travels, her work explores landscapes as a contemplative territory. The desire to revisit past voyages through painting and to recapture the sentiments she experienced in various places was her primary motivation for producing these landscapes. "For the last fifteen years I have explored the reconstruction of landscapes in my painting. My practice is concerned with our relation to land as the memory of place. A land can be occupied, shared, transformed and dreamed, idealized. The land, as homeland or an idyllic land to travel to, where the memory is presupposed. Through my art, I explore that memory of travel, the journeys I made and the ones I dreamed. When contemplating a landscape and experiencing the change of light or atmosphere we realize the passage of time. As explorers from bygone eras, seeking unknown lands, my work proposes a return to the essential…that the French call ‘le bapteme de la solitude’. It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heat beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one...

Olga Rozanova "Abstract Geometrics" watercolor on paper (Russian, 1886-1918) Rozanova was born on June 22, 1886, in the small town of Melenki near Vladimir, Russia. After finishing at the Vladimir Women’s Gymnasium in 1904, she studied painting in Moscow. Dissatisfied with the “wretched system of instruction” at the state-run Stroganov Academy of Arts and Industry, she transferred to Konstantin Yuon’s private school, where she met Liubov Popova...

Modern abstract, oil on canvas painting, titled “Summertime III” by Michelle Hénault, a conceptual Fine artist. Signed on front bottom right, also, signed, dated and titled on back; measuring approximate 30" H x 36" W x 1.5” D. Gallery wrapped, finished sides, dated circa 2019. Michelle Hénault is a Conceptual Fine Artist, born in Lachute, Quebec, living and working in Montreal since 1991. She completed a Bachelor degree in Fine Arts at UQAM in 1998. After exploring sculpture and photography, she dedicated herself to oil painting. She has exhibited in numerous solo and group shows over the last fifteen years. In 2010, she moved to Scotland with her partner for two years. Since returning to Montreal, she has devoted her time to oil painting and her work has flourished. Inspired by her many travels, her work explores landscapes as a contemplative territory. The desire to revisit past voyages through painting and to recapture the sentiments she experienced in various places was her primary motivation for producing these landscapes. "For the last fifteen years I have explored the reconstruction of landscapes in my painting. My practice is concerned with our relation to land as the memory of place. A land can be occupied, shared, transformed and dreamed, idealized. The land, as homeland or an idyllic land to travel to, where the memory is presupposed. Through my art, I explore that memory of travel, the journeys I made and the ones I dreamed. When contemplating a landscape and experiencing the change of light or atmosphere we realize the passage of time. As explorers from bygone eras, seeking unknown lands, my work proposes a return to the essential…that the French call ‘le bapteme de la solitude’. It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here, in this wholly mineral landscape lighted by stars like flares, even memory disappears; nothing is left but your own breathing and the sound of your heat beating. A strange, and by no means pleasant, process of reintegration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one...