Alberto Korda 'Norka 58', 1958

Silver print, signed and dedicated by Alberto Korda, Paris, 1997 in the lower margin. Framed.

Wonderful 1950 occupational photograph. Simonds Saw and Steel Mill. Lockport NY. 1958. Silver gelatin photograph. In the original wood frame.

Original 1958 U.S. silver gelatin single-weight photo for the first U.S. theatrical release of the film The Seventh Seal (Det sjunde inseglet) directed by...

Original 1958 U.S. silver gelatin single-weight photo for. Fine condition. Please note: the size is stated in inches and the actual size can vary by an inch or more.           

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

The ultimate Monroe-Greene achievement. Many Monroe fans revere The Black Sitting as the finest pictures of Marilyn available. Although sexy and p...