Framed Photograph of Topless Woman by Sam Haskins

Part of the Reflections collection released by Spanish photographer Cuco de Frutos in 2019. Captured in Norway, this original photograph plays on the observer’s perception. Tunnel of...

Part of the Reflections collection released by Spanish photographer Cuco de Frutos in 2019. Once the tallest building in the world, the Eiffel Tower is the iconic symbol of Paris, Th...

Part of The Shape of Water collection released by Spanish photographer Cuco de Frutos. Through this original photograph, the artist allows us to see how...

Part of The Shape of Water collection released by Spanish photographer Cuco de Frutos. This original photograph captures the painted sky, fire sinking i...

Creation Year: 2015 Description: Part of The Shape of Water collection released by Spanish photographer Cuco de Frutos. This original photograph is a...

Part of the reflections collection released by Spanish photographer Cuco de Frutos in 2019. This original photograph captures a rare moment of stillness...

First edition, published by RotoVision SA, 1980 Known for his narrative based photographic studies of the female form, this dream-like book collects together many of Haskins graph...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

A beautiful mid century modern nude by photographerBruno Bernard aka Bruno of Hollywood. His work is very collectible and hard to find these original prints while he was still alive ...

For your consideration is a rich, vibrant, contemporary photograph depicting a Haitian elderly woman by award winning photographer Chantel James. Dimensions: 16h x 22w (framed). In excellent condition. Chantal James...

Artist: Susan Fenton (1949-2018; American) Title: Plumed helmet back and figure with pleated mask. Japan series Year of Creation: 1996 Edition: Unique pieces Medium: Toned Gelatin Si...

A great sepia toned silver gelatin photograph of a nude woman. Great composition in a new matte and frame.