Italian 70's Pix from "Stadio dei Marmi" in Rome

Octagonal 70s swinging style table in chromed steel and brass with smoked glass top. Have we left anything out? Only that it's original.

Gesso statue small size of the arm of Michelangelo's David. Scale 1:1 Crafted from an Art School in Rome, Italy, circa 1970s.

Beautiful Vintage set of 5 of Tablemat made in italy 1970s with brass details.

Another sexy Sergio stainless mirror...

The 1st EDITION Large Rosa dei Venti table, designed by the renowned artist Mario Ceroli in the 1970s and crafted by Poltronova, is a truly remarkable piece of art and furniture. Thi...

Italian 70's Steel Circular Ring With Black Marble Base And Square Top. Surreal space like spheres on marble-molto chic.

Contemporary artist Bonnie Edelman's "Forte dei Marmi, Italy" was photographed in 2010 and is part of the Land Scapes Series. As her most recognized co...

Jim Dine (1935) "Throat, from Pop Artist's Volume II" Gallery Mikro 36 Screen-print in colors, 1965, signed in pencil, numbered 'XXXI' sheet, 30" x 24 in. Framed size: Height...

ntroducing a captivating original vintage gelatin silver print from the 1950s, featuring the iconic Chrysler Building in New York, as captured by the acclaimed photographer Barbara M...

Vintage chromogenic photographic print by Franco Fontana with original dedication on the back. Signed and dated by the author at the base Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...

Photographic print - chromogenic - vintage - “Adriatico” by Italian artist Franco Fontana, 1975. Signed and dated by the author at the base. Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. 2775/5000 He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...

Contemporary artist Bonnie Edelman's "Pisello, Italy" was photographed in 2010 and is part of the Land Scapes Series. As her most recognized collection "Scapes" consists of landscapes, seascapes and skyscapes whose specific forms have been blurred in order to direct viewers’ focus toward colors and compositions. Sublime and abstract, the photographs capture grain fields, sea horizons, and sunsets from around the world. This photograph is being offered as a C-print face-mounted onto 1/8” non glare plexi with a custom maple floating frame (1/2" face x 2" deep with 3/8" gap). It will ship directly from the artist's printmaking studio with a signed certificate of authenticity. About the artist: Bonnie Edelman was born in New York City. She earned her Bachelor of Arts degree from Connecticut College on an academic and athletic scholarship. Having been raised in a family of artists and architects, Bonnie was always creating. Whether it was sculpture, painting, jewelry making and interior design, she has always had an intense need to express herself through creativity. Fashion was an all encompassing self expression so it was because of this idea of materializing thoughts, desires and inspirations that she decided to devote her career to the editorial side of the fashion industry. After an internship at Rolling Stone Magazine and then formally starting her career as the assistant to the Fashion Director at Seventeen Magazine, Bonnie moved through the ranks at Glamour Magazine and MTV. She then settled into the position of Travel Editor at Sports Illustrated, where she navigated the world producing exotic and inspiring photo shoots for the magazine’s annual Swimsuit Issue. It was during this time spent in The Islands of the Maldives, Ecuador, Venezuela and Kenya, to mention a few, while working closely with photographers like Sante D’Orazio, Russell James...