Rubdish Ramen

The Kebab is made from rest over waste ingredients found alongside a highway in Rotterdam. Rubdish is a conceptual visualization of waste finding it’sway back onto your plate. It is ...

Photograph on C print. The Cake is made from rest over waste ingredients found on the shore in the harbor in Rotterdam. Rubdish is a conceptual visualization of waste finding it’swa...

The Christmas dish is made from rest over waste ingredients found alongside a highway in Rotterdam. Rubdish is a conceptual visualization of waste findi...

Photograph on C print. The Pastry is made from rest over waste ingredients found on a demolition site of an old school in Rotterdam. Rubdish is a conceptual visualization of waste f...

Photograph on C print. The High tea is made from rest over waste ingredients found in the harbor of Rotterdam. Rubdish is a conceptual visualization of waste finding it’sway back onto your plate. It is the transformation of rubbish into an appetizing rub-dish. The image has an alienating effect. From far it is perceived as a composition of food in a modern still life. Moving closer closer you discover that it is something else. An art piece that can be a great addition for a modern kitchen environment or dining area. The Rubdish project is a co-creation by self appointed rubdish chef artist-designer Diederik Schneemann...

Photograph on C print. The cheese platter is made from rest over waste ingredients found in on a building site in Rotterdam. Rubdish is a conceptual vi...

For sale a fabulous Limited Edition signed print of "Bowie's Eye" by the legendary photographer RANKIN. Photographed in 1995 for "The Changing Faces of David Bowie" feature for Dazed & Confused Magazine, Issue 14. Edition 33/500. The print is framed and comes with a signed, numbered & stamped Certificate of Authenticity from Rankin, together with a signed, numbered & stamped sticky label which can be affixed to either the back of the print or the back of the frame. Description: “The chorus of “No Control”, one of the outstanding tracks for the new album Outside, co-produced by Brian Eno, echoes around the sparse, hangar-sized photographic studio. Heavy, black curtains...

Edward McHugh Powells Garden Diptych Framed Digital Print 66 x 100 in.

Photography “family portrait III: Nikolaus, Antonius, Cristina, Soraya, Heman, Miguel…” Eduardo sourrouille 2012. Edition 1/3 Eduardo Sourrouille. Basauri (Bizkaia), 1970. Bachel...

Diptych «Situ Acciones II» & «Situ Acciones III» by Dionisio González, 2001 Photography silicone / methacrylate Dionisio González (Born in Gijón, Spain, 1965) works as lecturer at the Faculty of Fine Arts (University of Seville) where he teaches the subject “De la Idea Artística a las Políticas de lo Social” by the master Máster Universitario en Arte: Idea y Producción. Doctor of Fine Arts with the thesis The Aesthetics of Horror and renowned artist, he has received numerous awards including the Prize Pilar Juncosa y Sotheby´s or the Fundació Pilar i Joan Miró Award. His work has been exhibited in the most recognized institutions and museums from all over the world, like the Museum of Contemporary Art of Cleveland, the CAPC (Musée d’Art Contemporain de Bordeaux), the MNCARS (Museo Nacional Centro de Arte Reina Sofía) of Madrid, the Museum of Contemporary Photography of Chicago, the MAMBO (Museum of Modern Art of Bogota) the Museum Folkwang of Essen, el MASP (Art Museum of São Paulo), or the MOCCA (Museum of Contemporary Art) of Toronto. He has taken part in different Art Biennals and Festivalas, like the Venice Biennale, The International Biennale of Contemporary Art of Seville, the Busan Biennale (South Korea), the Miami Biennale, the Biennale of Contemporary Art of Le Havre, or the Gwangju Biennale (South Korea). His work can be found in different Museums and Collections like the MNCARS of Madrid, the ING’s Art Collection of Amsterdam, the Museum of Contemporary Photography of Chicago, the Centre national d’art et de culture Georges-Pompidou of Paris, the Margulies Collection at the Warehouse of Miami, the Caldic Collection of Rotterdam, the Neuflize Vie Fondation of Paris, or the Williams College...

Photographic print - chromogenic - vintage - “Adriatico” by Italian artist Franco Fontana, 1975. Signed and dated by the author at the base. Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. 2775/5000 He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...

Vintage chromogenic photographic print by Franco Fontana with original dedication on the back. Signed and dated by the author at the base Franco Fontana: (Modena, Italy - December 9, 1933) is an Italian photographer, photojournalist and writer. He began photographing in 1961. A frequent photographer at the "Fotoclub", his activity is mainly amateur, even though he carries out aesthetic research on various themes. Very important will be those dedicated to the abstract expression of color, carried out in a period in which abstract art in photography was to be found exclusively in black and white. In 1963 he exhibited at the Third International Biennial of Color in Vienna; the year after Popular Photography publishes, for the first time, a portfolio with text by Piero Racanicchi. He held his first solo exhibitions in 1965 in Turin (Subalpina photographic society) and in 1968 in Modena (Galleria della Sala di Cultura). The exhibition in his hometown marks a turning point in his research. Its complex activity and the international importance of its production can be summarized in some figures. Over 70 books have been dedicated to him, published by Italian, French, German, Swiss, Spanish, American and Japanese publishers; he has exhibited in public museums and private galleries around the world - over 400 personal and group exhibitions he has held so far. His works are preserved in over fifty museums around the world, including: International Museum of Photography, Rochester; Museum of Modern Art, New York; Museum of Fine Arts, San Francisco; Museum Ludwig, Cologne; Musée d'Art Moderne de la Ville de Paris; Victoria and Albert Museum, London; Stedelijk Museum, Amsterdam; Kunsthaus Zurich; Civic Gallery of Modern and Contemporary Art, Turin; The Photographic Museum, Helsinki; Puskin State Museum of Fine Arts, Moscow; The University of Texas, Austin; Museum of Modern Art, Norman, Oklahoma; San Paolo Art Museum; Israel Museum, Jerusalem; Metropolitan Museum, Tokyo; Beijing National Gallery; The Australian National Gallery, Melbourne; The Art Gallery of New South Wales, Sydney - and private. He has received important awards and prizes, in Italy and abroad. He has collaborated and collaborated with magazines and newspapers: Time-Life, Vogue USA, Vogue France, Il Venerdì di Repubblica, Sette, Panorama, Epoca, Class, Frankfurter Allgemeine, New York Times. Among the many advertising campaigns signed...