Tate Modern, View Three 'Tanks'

#1 of 5 in a closed edition. Archival pigments on bamboo rag linen paper. Signed and embossed artist stamp on verso Signed Giclée Print on Archival Bamboo Linen 16 x 20 inches pap...

#1 of 5 in a closed edition. Archival pigments on bamboo rag linen paper. Signed and embossed artist stamp on verso Signed Giclée Print on Archival Bamboo Linen 20 x 16 inches pap...

#1 of 5 in a closed edition. Archival pigments on bamboo rag linen paper. Signed and embossed artist stamp on verso Signed Giclée Print on Archival Bamboo Linen 20 x 16 inches pap...

Stamped, signed and numbered on verso (#2/3 + 2AP in a closed edition). Archival pigments and bamboo rag linen paper. Unframed, but comes mounted on 5mm acid free foam board. Part of...

Framed, signed and numbered on verso (#1 of 5 in a closed edition). Originally appeared as part of GarthIvan's first solo show at the Glasgow Art Club & Gallery in 2021. Archival pig...

Stamped, signed and numbered on verso (#2/3 + 2AP in a closed edition). Archival pigments and bamboo rag linen paper. Unframed, but comes mounted on 5mm acid free foam board. Part of...

'PANORAMIC VIEW', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with burgundy undercoat, the glazing is clarit...

This early original photography by the late Brian McKee (1977-2018) of a war-torn Castle in Northern Afghanistan. This is a chromogenic print mounted on aluminum - Series 1 of 5, from 2002. Provenance: This amazing piece was purchased at Art Basel (Switzerland) in 2002 from Galerie Ernst Hilger (Vienna). Paperwork to be provided at time of purchase. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR MIAMI, FLORIDA SHOWROOM. Biography Brian McKee was born in 1977 in Excelsior Springs, Missouri and attended the Interlochen Arts Academy and Bard College. While at Bard College he studied photography with Stephen Shore, Larry Fink and Barbara Ess as well as writing under John Ashbery whose assistant he was for more than three years. For five years he was the assistant to the photographer Lynn Davis. He lived and worked in New York City/USA, Vienna/Austria and Istanbul/Turkey. Brian McKee called himself “a visual historian” who ventured to “convey a unique and important view of select aspects of World History” with his photographs. “Within architecture and landscapes I find my true subject, the detritus of civilization, and seek to explore the way we define and relate to its existence. Although creating precisely composed and executed images I carefully chose projects that have a conceptual meaning and importance beyond their visual interest or beauty.” For the past 15 years McKee had focused on examining and visualizing a body of work that explored both the current and past social and political atmospheres of countries around the world. Photographing with an 8x10 inch Deardorff plate camera he composed poetic images, which conveyed a complex untold narrative embedded in an immaculate concept, which didn’t only exist for aesthetic purposes. He was fond of ”the idea that houses, buildings, towns and cities provide us with a true understanding of the cultures that inhabited those spaces. At the same time they are a reflection of the social, political and personal atmosphere that created them.” His signature subject of the rise and fall began 1999 when he photographed Soviet military...

Six Provincetown photographs, each titled and signed in pencil on the matting; "One of Provincetown’s most colorful and creative artists was photographer John W. Gregory. Born in New York City, he grew up as the son of the city editor for the New York Tribune. After studying with John Sloane...

A heartwarming collection of three framed photographs depicting pairs of American soldiers, some in uniform and some flexing their muscles, but all charmi...

'THREE PEAKS', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clarity...

Three charming perspectives of sail boat Zest, each signed Beken and Sons of Cowes, sepia toned gelatin silverprints, float mounted in box frames. English, 1950s H28 cm x W 23 cms ...