Wiliam Wegman C-Print "Locked Box, " 1988

Christo (1935, USA) and Jeanne-Claude (1935-2009, USA), Documenta de Kassel, 1968, Ultra-chrome print, 60 x 50 cm, N°4/12, signed by Christo, Jeanne-Claude and the photographer Wolfang Volz. On the occasion of the Documenta IV in 1968, in Kassel, Germany, Christo and Jeanne...

Isamu Noguchi (1904-1988), Akari Suspension Model 33N, Washi paper, Edition Ozeki & Co, Ltd. With its original box, United States, circa 1970. Measures: 158 x 40 x 40 cm. Isamu Noguchi was born on November 17, 1904, in Los Angeles. His Japanese father was a poet and his American mother a writer. In 1906, the family moved to Japan. He was sent to Indiana for schooling in 1918, and in 1922 he apprenticed to the sculptor Gutzon Borglum in Connecticut. For the next two years, he was a premedical student at Columbia University, New York, and took sculpture classes at the Leonardo da Vinci Art School, also in New York. Noguchi decided to become an artist and left Columbia in 1925. A John Simon Guggenheim Memorial Foundation Fellowship in 1927 enabled him to go to Paris, where he worked as Constantin Brancusi’s studio assistant. In Paris, he became friendly with Alexander Calder, Stuart Davis, and Jules Pascin. Noguchi returned to New York in 1928 and the following year showed abstract sculpture in his first solo show at the Eugene Schoen Gallery. In 1930, Noguchi traveled in Europe and Asia, studying calligraphy in China and pottery in Japan. In New York during the early 1930s, he associated with Arshile Gorky, John Graham, Chaim Gross, and Moses and Raphael Soyer, and introduced social content into his work. He began to design playgrounds, furniture, and theater decor, executing the first of numerous sets for Martha Graham. During World War II, Noguchi became a political activist and voluntarily spent seven months in 1941–42 at a Japanese-American relocation camp in Arizona. In 1949, he was given a solo show at the Egan Gallery, New York. In Japan in 1950–51, he designed gardens, bridges, and monuments and developed his akari (paper lanterns). He showed at the Stable Gallery, New York, in 1954 and 1959. Noguchi’s first solo show in Paris was held at the Galerie Claude Bernard in 1964. The Whitney Museum of American Art, New York, honored him with a major retrospective in 1968. Throughout the 1970s, Noguchi continued to make large outdoor sculpture and fountains...

Piero Forna, wall mirror, wooden support covered with screen prints with neo-classical decoration of flowers and mythological scenes, circa 1960, Italy. Height 85 cm, width 64 cm, de...

Large round dish, Glazed terracotta with central winding decoration, Biot stamp on the back, circa 1960, France. Measures : Diameter 48 cm.

Marcel Ramond (1935), Metal floor lamp, prototype, Phillips edition, Circa 1980, France. Height: 190 cm, width: 60 cm depth: 18 cm.

Sculpture, Egyptian porphyry bust in the shape of a Commedia Dell'Arte character, In the style of the Grand Tour, France, circa 1970. Measures:...

William Wegman (American, b. 1943), "Spaniels", Color Photograph, 2005, featuring two dogs in matching red and blue sweaters, signed and dated "'05" lower right, wood frame. Image: 2...

William Wegman (American, b. 1943), "Spaniels", Color Photograph, 2005, featuring two dogs in matching patchwork handkerchiefs, signed and dated "'05" lower right, wood frame. Image:...

Signals of the Twenties. Modena, Happy Books, 1988 Measures: 12" x 8"5. Small book hard cover about signals.  

Capture the timeless beauty of Tuscany with this exquisite 1988 photograph of a cortile at an Italian residence. Signed by the renowned photographer Paul Huf, this captivating image ...

Black and White Photography of Mark Rothko's Harvard Murals, by Arthur M. Sackler Museum. In original condition, with minor wear consistent with age and use, preserving a beautifu...

Roland Beaufre France, 1988 Photograph taken in the home and studio of Claude and Francois-Xavier Lalanne in Ury near Fontainebleau. Signed and numbered from an edition of 5. Mea...