Alphonse Mucha Sarah Bernhardt Lefèvre-Utile 1903

A very rare Art Nouveau Daum Nancy pate de verre 'Noisettes' vide poche in orange, reds, greens and yellows. Daum in Nancy was integral is ori...

These vases are hidden gems in the art glass world as they are never signed. Made by Earnest Baptiste Leveille in collaboration with Eugene Rousseau in...

This Tiffany Studios table lamp has a very large and beautiful gold and silver Damascene shade. The Damascene design is set against a cream colored background and the silver - gold i...

Emile Galle wheel carved and acid etched cameo glass vase. This particular case has killer colors and outstanding workmanship. The pink and green combination on the cream background ...

Emile Galle (French 1846-1904) A lovely two color cameo vase with a yellow background featuring a lake scene with boats, trees and birds. The detail and fineness of the acid etchi...

Loetz Art Nouveau circa 1900 art glass vases with floral and decorative scroll Silver Overlay. (Pair) Larger: Corset form in iridescent gold glass decorated with scrolling silver overlay and a blank cartouche. Height: 5.25 X 2.75 Diameter Condition: Mint. Smaller: Bulbous smoke stack form in iridescent green-gold decorated with scrolling silver overlay flowers. Marked: Alvin pat 67 Height: 4.25 X 2,65 Diameter Condition: Mint AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic and called Klášterský Mlýn. His heirs sold the glassworks to Martin Schmid in 1849, and two years later Schmid sold it to Frank Gerstner, attorney-at-law, and his wife Susanne. Susanne was the widow (‘Witwe’ in German) of Johann Loetz, a glassmaker about whom we know very little. Gerstner transferred sole ownership to Susanne shortly before his death in 1855, and she successfully led and expanded the company during the subsequent 20 years, manufacturing mainly crystal, overlay and painted glass. In 1879, Susanne transferred the company – now called ‘Johann Loetz Witwe’ – to Maximilian von Spaun, the son of her daughter Karoline. One year later, von Spaun hired Eduard Prochaska and the two of them modernized the factory and introduced new, patented techniques and processes. The first fruits of this collaboration were exciting innovations in Historicism glass, including Intarsia and Octopus glass and the very popular marbled (‘marmorisierte’) glass which imitated semi-precious stones like red chalcedony, onyx and malachite. Success at exhibitions in Brussels, Munich and Vienna were crowned by awards at the Paris World’s Exposition in 1889. In 1897, von Spaun first saw Tiffany Favrile glass exhibited in Bohemia and Vienna, and this convinced him that the art nouveau style was also the way to go for Loetz Witwe. The next eight years were to be the most artistically significant and profitable period in the entire history of the company. The Art Nouveau Period –The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The zenith of Loetz art nouveau glass was epitomized by the so-called Phänomen series of designs, much of it designed by Hofstötter, which won a Grand Prix (alongside Tiffany, Gallé, Daum and Lobmeyr) at the Paris World’s Exposition in 1900. The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

A pair of French "Byzantine Heads" lithographs by Alphonse Mucha. The mastery evident in creating two archetypes of the female form against a decorative...

Alphonse Mucha 1898 JOB poster. Excellent condition with beautiful frame under plexiglass ready to hang. Poster for 'Job' cigarette paper (1898) 'JOB' is a ...

A pair of rare art nouveau advertising panels in the style of Alphonse Mucha. Each panel with a centre illustration of a woman portrayed in Mucha's classic style. Mucha's female im...

Original Art Nouveau Vintage Poster dating from 1898 by Alphonse Mucha. Artist: Alphonse Mucha (1860-1939) Title: Waverley Cycles Date: 1898 Size (w x h): 33.9 x 42.9 in / 86 x 109 cm Printer: F. Champenois, 66 Bd St Michel, Paris. Materials and Techniques: Colour lithograph on paper Linen backing: Yes Condition: A (Designates a poster in very good condition. The colours are fresh and there are no or very few paper losses. If there are imperfections they are marginal and imperceptible). Additional Details: « Harry Reynaud, Directeur Général pour la France...

Original Art Nouveau Vintage Poster dating from 1896 by Alphonse Mucha for Job, Cigarette paper. Artist: Alphonse Mucha (1860-1939) Tit...

Original Art Nouveau Vintage Poster dating from 1896 by Alphonse Mucha. Poster for the 20th edition of the Salon des Cent in March-April 1...