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'Vertigo' R2019 Italian Due Fogli Film Poster

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    By Renato Casaro
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    Original 1982 Italian due fogli poster by Renato Casaro for the film Tenebrae (Tenebre) directed by Dario Argento with Anthony Franciosa / Christian Borr...
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  • Badlands 1976 Italian Due Fogli Film Poster
    Located in New York, NY
    Original 1976 Italian due fogli poster for the 1973 film Badlands directed by Terrence Malick with Martin Sheen / Sissy Spacek / Warren Oates / Ramon B...
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  • Harakiri 1963 Italian Due Fogli Film Poster
    By Averardo Ciriello
    Located in New York, NY
    Original 1963 Italian due fogli poster by Averardo Ciriello for the film Harakiri (Seppuku) directed by Masaki Kobayashi with Tatsuya Nakadai / Akira Ishihama / Shima Iwashita / Tets...
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  • "Blow-Up" 1970s Italian Due Fogli Film Poster
    Located in New York, NY
    Original 1970s re-release Italian due fogli poster for the 1966 film “Blow-Up” (Blow Up) directed by Michelangelo Antonioni with Vanessa Redgrave and Sarah Miles. Fine condition, lin...
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    Vintage 1970s Italian Posters

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  • Human Desire 1954 Italian Due Fogli Film Poster
    By Anselmo Ballester
    Located in New York, NY
    Original 1954 Italian due fogli poster by Anselmo Ballester for the film Human Desire directed by Fritz Lang with Glenn Ford / Gloria Grahame / Brode...
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    Vintage 1950s Italian Posters

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  • Talk to Her 2002 Italian Due Fogli Film Poster
    Located in New York, NY
    Original 2002 Italian due fogli poster by Juan Gatti for the film Talk to Her (Hable con ella) directed by Pedro Almodovar with Javier Camara / Dario Grandi...
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    The legendary Alfred Hitcock's all-time classic "Vertigo" was released in 1958, based on the 1954 novel by Boileau-Narceiac. Regularly ranked as one of the greatest and most influe...
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    Original US film poster. Saul Bass was born in New York. Bass was a rotund, jovial character. After studying at the Art Students League and graduating from Brooklyn College, he moved west at the age of 26, and is credited with introducing an East Coast sensibility to marketing. He saw advertising as a means for funding his passion for the movies, and after 6 years working with a number of agencies, he finally had the funds to establish his own. All this time, he was forging ever-closer links with the film industry, and in 1954 this led to a commission from Otto Preminger to design the poster for Carmen Jones. The following year the director invited the artist to work on The Man With The Golden Arm...
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