"The Wrong Man" Original British Film Poster

Original US film poster. Saul Bass was born in New York. Bass was a rotund, jovial character. After studying at the Art Students League and graduating from Brooklyn College, he moved west at the age of 26, and is credited with introducing an East Coast sensibility to marketing. He saw advertising as a means for funding his passion for the movies, and after 6 years working with a number of agencies, he finally had the funds to establish his own. All this time, he was forging ever-closer links with the film industry, and in 1954 this led to a commission from Otto Preminger to design the poster for Carmen Jones. The following year the director invited the artist to work on The Man With The Golden Arm...

Original British film poster for the 1960 Western The Alamo. The film was directed John Wayne and starred John Wayne, Richard Widmark, Laurence Harvey. This...

A scarce and unusual 'Weekend Mirror' style teaser quad for the British release of Stanley Kubrick's 1980 modern horror masterpiece 'The Shining,' starring Jack Nicholson and Shelley Duvall. Based on the bestselling novel by Stephen King, the seminal psychological horror initially opened to mixed reviews, before growing momentum over the summer of 1980 to become an American box-office success. With anticipation building for the October 1980 British release, Warner Bros. made the canny marketing decision to reproduce a tabloid newspaper spread from the Saturday, August 30, 1980, edition of the Daily Mirror, on "the tide...

In an early commercial commission, renowned British Pop Artist Allen Jones was asked to design the publicity poster for the 1976 US release of Barbet Schroeder’s 1973 fetish romance 'Maîtresse,' starring a young Gerard Depardieu as the small time crook who stumbles into the double-life of a dominatrix, played by Bulle Ogier. Werner Gallery, who exhibited Jones' original artwork in 2016, stated that 'despite his inability to Identify with its explicit sadomasochistic themes, Jones accepted the poster commission based on his fondness for the powerfully stylized heroine of the film.' Jones' original design, with the high-heeled, leather-clad brunette with bull whip in hand, proved too risqué for the distributor, so the figure was reworked into a blonde beauty gripping a pair of keys instead of the more provocative whip. In 2008, Jones revisited his original design and began developing it into a series of dominatrix paintings...