Chromolithograph of an Arabian Horse

Antique print titled 'Arabisches Pferd'. Old print of an Arabian horse. Source unknown, to be determined. Published circa 1880.

Antique print titled 'Cheval Arabe'. Lithograph of an Arabian horse. This print originates from Dictionnaire Universel (..)'. Published circa 1850.

Antique print titled 'Etalon de race barbe'. Chromolithograph of a Barb or Berber horse. A Barb is a North African breed of riding horse with great hardiness and stamina. It is clos...

Set of two antique prints titled 'Arabischer Hengst. Etalon Arabe' and 'Arabische Stute. Jument Arabe'. Two horse prints of an Arab stallion, Arab mare and Arab foal. These prints originate from 'Naturgeschichte Abbildungen der Sæugethiere' by Heinrich R. Schinz. Published 1827. This work on mammals was part of a series of volumes issued covering all aspects of natural history, including birds, fish, reptiles and mammals. The plates are lithographed by Carl Joseph Brodtmann (1787-1862) one of the most accomplished Swiss lithographers...

Antique print titled 'Goldie, High Class Arab'. Antique print of Goldie, a high class Arab. Original colour-printed lithograph by Vincent Brooks, Day & Son,...

Antique costume print titled 'Douran'. Original antique print of an Arabian man. This print originates from 'Moeurs, usages et costumes de tous les peuples...

Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...

[English Gentlemen], from Vanity Fair twelve chromolithographs, on wove papers. Printed by Vincent Brooks Day & Son., with various dates from 1875 to 1897. Eight are by Spy, two are by Ape, one by "T" and one by Lib. Professionally framed with black and gilt frames and beige silk mats, with margins, apparently in excellent condition, not examined out of the frames. Titles comprise: "Accrington", June 11, 1892, "Newcastle Upon Tyne" July 18, 1893, "A New Peer", October 5, 1878, "South Bucks", June 4, 1896, "South Kensington", September 2, 1897, "Lord Salisbury's Manners", July 13, 1893, "The Blister", August 4, 1888, "A Postmaster General", April 30, 1892, "Sir James Miller", September 6, 1890, "Sol", October 28, 1897, "A Young Man" September 11, 1875, and "A Naturalist", September 9, 1882. Vanity Fair was a weekly magazine published in London, founded & edited by Thomas Gibson Bowles. His aim was to expose to contemporary vanities of Victorian society. From 1868 to 1914, full page colour lithographs appeared in most weekly issues, frequently lampooning or lauding their subjects which included artists, athletes, royalty, politicians, scientists, authors, actors, sportsmen, lawyers, diplomats, soldiers, clergy, scholars and other celebrities of the day - mostly British, but also many other internationally significant personalities. Over 2,300 of these colour cartoons were printed, and they are considered the chief cultural legacy of the magazine, forming a pictorial record of many of the most significant public figures of the period. They are renowned throughout the world and highly collectible and recognisable. Famous artists contributed to Vanity Fair, typically under pen names. The best remembered today is Leslie Ward (1851-1922), who signed his works as "Spy", and whose caricatures account for well over half of those featured in Vanity Fair. So famous have these fabulous prints become, Vanity Fair caricatures today often are referred to simply as "Spy Cartoons...

Two framed panels measuring 48.5 x 26.5 to create one Chromolithograph by Greg Copeland signed and numbered 4/250. Asian inspired with flat coloring of yellows and browns. Behind gla...

A lovely print featuring a French "Salle de Bain", matted and finished in a gilt wood frame.

Antique German architecture print on heavy paper showing an illustration of a portion of a ceiling painting in the Uffizi Gallery, Florence, 16th centur...

Antique German architecture print on heavy paper showing an illustration of a portion of a ceiling painting in the Uffizi Gallery, Florence, 16th centur...