Ciborowski "Avenue of Thought" Chromogenic Print

Raymond Ciborowski (American, b. 1970) "A Better Tomorrow" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2011, housed in a white lacquered wood fra...

Raymond Ciborowski, "Blue Sugar", chromogenic print, 2011, ed 1/25, Measures :20" H x 30" W. Dealer: S138XX.

Raymond Ciborowski (American, b. 1970) "Tamarack" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2010, together wi...

Raymond Ciborowski (American, b. 1970) "Cradle to the Grave" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2011, housed in a white lacquered wood f...

Raymond Ciborowski (American, b. 1970) "As We Decay" chromogenic print mounted on plexiglass, signed to verso, numbered "2/25", circa 2010, together with a certificate of authenticit...

Raymond Ciborowski (American, b. 1970) "Annunciation" archival ink-jet print on paper, numbered "3/100", signed to verso, circa 2014, unframed. This...

Antique print titled 'Ecuries Avenue Raphaël Paris, Mr. A. Feine Architecte'. This print depicts the design of a building in France. Originates from 'La Brique et La Terre Cuite' by ...

A chromogenic color print depicting a quaint shoe shine stand in Mendoza, Argentina with three wooden armchairs with small side tables, flanked by cab...

In over five decades of photography Elliott Erwitt (b.1928) has never lost his characteristic intrigue at the curiosities of life. His unique ability to capture beauty in the mundane as well as the famous, to find the commonplace in the exceptional and vice versa. Fifth Avenue captures the chaos of Erwitt's native city with the late afternoon sun glinting on the bonnets of traffic. One of the leading photographers of his generation, Elliott Erwitt (b.1928) has been taking pictures since the late 1940s. A member of the prestigious Magnum agency since 1954, he has photographed all-over the world and his images have been the subject of many books and exhibitions. Containing over 500 pictures, over half of which have never been published before, Elliott Erwitt Snaps is a unique and comprehensive survey of his work. From famous images such as Nikita Khrushchev...

Antique print of Avenue Paja Koembah on Sumatra, Indonesia. This print originates from 'Het Kamerlid van Berkestein in Nederlandsch-Indie.', (translation: van Berkestein, member of t...

View in Central Park, Southward from the Arsenal 5th Avenue & 64th St. June, 1858. Subscript: Lower Left: Lith. for D. T. Valentine’s Manual, for 1859; Lower Right: by Geo. Hayward...

"Two 1992 chromogenic (c-prints) from Robert Flack’s series “Love Mind,” edition #1/3, feature ""fire circle"" and ""sword circles"". Robert Flack (1957-1993) was born in Guelph, Ontario and moved to Toronto to study at York University. After graduating in 1980 he began working at Art Metropole and as a layout artist on many General Idea-related projects including FILE Megazine. During the 80's he exhibited extensively in Canada at numerous artist-run centres and public galleries, the Cold City Gallery artist collective and the S.L. Simpson Gallery (a complete exhibition history is available on our web site). By 1990 he was exhibiting internationally, in Paris, Barcelona and Amsterdam, and was represented in New York at Feature Inc. and in Toronto at Garnet Press. His work was included in the touring group exhibition Corpus Part II curated by Bruce Grenville in 1993 for the Mendel Art Gallery in Saskatoon. A survey exhibition was curated by Nancy Campbell at the MacDonald Stewart Art Centre, with catalogue, in 1993. In 1997 Philip Monk included Flack's work in Rococco Tattoo: The Ornamental Impulse in Toronto Art at the Power Plant in 1997. In 1999 the National Gallery of Canada celebrated Flack's work to commemorate A Day Without Art, December 1999 - January 2000. ""From the beginning, Flack's work expressed an ""otherworldliness"" - a quality that focused sharply with his HIV sero-conversion in 1988. From that point forward, Flack's vision rocketed almost exclusively into the internalized realms of psychic energy, the chakras and the etheric body."" Andrew Zealley, Art Metropole, Halos: David Buchan and Robert Flack 2005. Amongst the work's many distinctions is Flack's use of pre-digital or analogue production techniques. Flack painted in enamel on clear acetate and overlaid his photographs with these painted layers before re-photographing the work, producing an ""iconic, sensual mapping of the body and dazzling use of colour and pattern"" (NGC web site). During this period he was sharing studio space in Toronto with Stephen Andrews...