Ciborowski "Four Horsemen" Chromogenic Print, 2011

Raymond Ciborowski (American, b. 1970) "Four Horsemen" archival ink-jet print on paper, numbered "1/100", signed to verso, circa 2014, unframed. This wor...

Raymond Ciborowski (American, b. 1970) "A Better Tomorrow" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2011, housed in a white lacquered wood fra...

Raymond Ciborowski, "Blue Sugar", chromogenic print, 2011, ed 1/25, Measures :20" H x 30" W. Dealer: S138XX.

Raymond Ciborowski (American, b. 1970) "Tamarack" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2010, together with a certificate of authenticity. ...

Raymond Ciborowski (American, b. 1970) "Avenue of Thought" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2011, housed in a white lacquered wood fra...

Raymond Ciborowski (American, b. 1970) "Cradle to the Grave" chromogenic print mounted on plexiglass, signed to verso, numbered "1/25", circa 2011, housed in a white lacquered wood f...

Antique costume print titled 'Cavaliers Egyptiens'. Original antique print of Egyptian horsemen. This print originates from 'Moeurs, usages et costumes...

Antique print titled 'Postur eines guten Reüters - L'Assiette du bel homme de Cheval'. This print originates from 'Neue Reit-Kunst' by J.E. Ridinger.

A chromogenic color print depicting a quaint shoe shine stand in Mendoza, Argentina with three wooden armchairs with small side tables, flanked by cab...

Possibility of laminated on dibond, with metal structure, on request. Depth 3 cm for lamination otherwise photograph sent in roll - Printing in seven copies. CEDRIC ROULLIAT...

"Two 1992 chromogenic (c-prints) from Robert Flack’s series “Love Mind,” edition #1/3, feature ""fire circle"" and ""sword circles"". Robert Flack (1957-1993) was born in Guelph, Ontario and moved to Toronto to study at York University. After graduating in 1980 he began working at Art Metropole and as a layout artist on many General Idea-related projects including FILE Megazine. During the 80's he exhibited extensively in Canada at numerous artist-run centres and public galleries, the Cold City Gallery artist collective and the S.L. Simpson Gallery (a complete exhibition history is available on our web site). By 1990 he was exhibiting internationally, in Paris, Barcelona and Amsterdam, and was represented in New York at Feature Inc. and in Toronto at Garnet Press. His work was included in the touring group exhibition Corpus Part II curated by Bruce Grenville in 1993 for the Mendel Art Gallery in Saskatoon. A survey exhibition was curated by Nancy Campbell at the MacDonald Stewart Art Centre, with catalogue, in 1993. In 1997 Philip Monk included Flack's work in Rococco Tattoo: The Ornamental Impulse in Toronto Art at the Power Plant in 1997. In 1999 the National Gallery of Canada celebrated Flack's work to commemorate A Day Without Art, December 1999 - January 2000. ""From the beginning, Flack's work expressed an ""otherworldliness"" - a quality that focused sharply with his HIV sero-conversion in 1988. From that point forward, Flack's vision rocketed almost exclusively into the internalized realms of psychic energy, the chakras and the etheric body."" Andrew Zealley, Art Metropole, Halos: David Buchan and Robert Flack 2005. Amongst the work's many distinctions is Flack's use of pre-digital or analogue production techniques. Flack painted in enamel on clear acetate and overlaid his photographs with these painted layers before re-photographing the work, producing an ""iconic, sensual mapping of the body and dazzling use of colour and pattern"" (NGC web site). During this period he was sharing studio space in Toronto with Stephen Andrews...

Four Vasarely prints, Oeuvres Profondes. Four different original midcentury op art prints by Victor Vasarely, from his 'Oeuvres Profondes' series. Ed...