Framed Limited Edition Mixed-Media on Paper Lithograph 'Green Dream'

Peter Max (German/American, B.1937) signed limited edition color serigraph, "Brown Lady with Vase," female figure on a patterned background in pastel tones....

Landscape depicting houses in the snow. Pencil signed Kensuke Wakeshima (Japanese, B. 1937) lower right. Titled snow scape lower centre. Limited edition of 22/25 lower left. Sigh...

From the Gould monograph "The Family of Humming-birds", London, 1849-1861. With texts on the backs. Full paper 21 1/4 x 14 1/4" mounted on white linen in museum quality black and ...

A set of 6 antique botanical fruit lithographs by Walter Muller. "Lith Ansi v Walter Muller Gera" lower right. "Nach der Natur van Muller Gera lowe...

John Gould (UK, 1804-1881) and William Mathew Hart (UK, 1830-1908) for Gould's "Monograph of the Trochilidae, of Family Of Humming-Birds", London, 1849-1861). Hart was specifically c...

A meticulously custom framed and highly decorative group of Six Butterfly Prints with extraordinary color. Each a different colorful species with speci...

A striking limited edition 'Two Golden Mona Lisas' lithograph by Andy Warhol, printed by the Andy Warhol Foundation for the Visual Arts, ...

In this silkscreen by Arthur Secunda, the landscape artist has developed his own iconography in representing nature, the land and its forms, as well as corresponding inner landscapes. Signed on the bottom right with an AP annotation and title on the bottom left. A beautiful color gradation and blending of forms in many media. His work tends to oscillate between the serene--striated colors in landscapes--to the expressive, as in many of his oil paintings. Dimensions: 19.25"w x 1"d x 43.25"h (framed). In very good vintage condition. Arthur Secunda (1927- ) is an internationally renowned artist whose career has spanned eight decades. His one man shows have been seen worldwide in numerous galleries and museums in France, Sweden, Belgium, Holland, Spain, Israel, and Japan. In the United States, he is represented in most major museums of the country, including the National Gallery of Art and the Smithsonian Museum in Washington D.C., the Museum of Modern Art in New York, the UCLA Museum, the Detroit Art...

"Elaborately framed gilded / gold leaf giclee print of “Eternal Separation” by Manuel Nunez in 2000, pencil signed and numbered 15/75. The art shows a female figure in a long white gown with a golden halo behind her head, standing in a colonnade, under an arch of flowering branches, framed on either side with panels of gold leaf. “Manuel Nunez Spanish Artist: b. 1956. ""My images are of strong women,"" Nunez says. ""Beautiful, but not exploited. Women who are sensual and virtuous; wrestling with the underlying conflict of what life is versus what it should be."" Nunez describes the symbolism in his work in the words of a biblical scholar. Not firebrand, but a gentle imparting of the tenets of his belief. Almost every stroke is alive with the artist's own faith and the objects which serve to keep that spirit always in his sight. Manuel Nunez was born in 1956, into a family versed in the arts and Latino culture. His father, Manuel Nunez Sr., was a well known singer and song writer who recorded nine Spanish-language albums in the 1950's. ""I listen to his music all of the time, but it's only now that I really appreciate his music and what he was doing with it."" It could be said that in this atmosphere, the spirituality which shaped his creativity was upon the artist from his first breath. As he grew, it was then only a short leap of logic to jump from an exploration of his creative spirit to his human spirituality. It was a larger leap to then explore his way back from his religious roots to his art. Yet in that very transcendence is the brilliance in which the art of Nuñez resides. The use of his trademark - a hand-applied 23-karat gold leaf - is indicative of the spiritual roots of the artist and its interpolation into his work. ""The gold itself is a dichotomy,"" he explains. ""Gold can, at the same time, symbolize decadence or indulgence and the righteous purity shown in Russian icon art...

Robert Rauschenberg: Untitled "Harp." 1989 framed lithograph. Published by Dallas Cares / The American Foundation for AIDS Research Edition: 53/500 Robert Rauschenberg (October 22, 1925–May 12, 2008) was an American painter and graphic artist whose early works anticipated the pop art movement. Rauschenberg is well known for his "Combines" of the 1950s, in which non-traditional materials and objects were employed in innovative combinations. Rauschenberg was both a painter and a sculptor and the Combines are a combination of both, but he also worked with photography, printmaking, paper making...

An intriguing mixed-media drawing and collage on paper titled "Monseigneur Monet" by Greek-American artist Georg Vihos. Hand signed in pencil on the bottom right with a 2004 date. Titled on the bottom left. A unique composition with 3-Dimensional floating cloud over an image of the famous artist Monet. From a private collection. Dimensions: 41"w x 1.5"d x 33"h (framed). In very good condition. Georg Vihos (1937-2013) is a post-Modern artist known for his monumental abstract expressionism style often with collage elements. He began his artistic career with the prestigious U.S. Fulbright–Hays fellowship study in Florence, Italy (1969-1970). Vihos exhibited in countless galleries and museums across the United States and abroad, including the Detroit Institute of Arts and the Art Institute of Chicago. The artist was a contemporary with the world-famous modern architect Irving Tobocman. The iconic Tobocman style homes built in the 1970s-1990s were often adorned with a Vihos painting. Vihos artworks placed within timeless modern designed spaces are the perfect synergy. Today, his works can be found in several public institutions and private collections. Per the artist, "As a post-Modern artist, I am fascinated with the relationship of Time: the past, present, and future. I discover forms and images from different art historical sources and transpose the subjects directly into my work, celebrating an artistic bridge. The collage elements serve me in the tradition of Duchamp's Readymades, arriving at a different level of authenticity in my work. When I pluck human figures from art postcards and set them into a new context of line, shape, and color, I give a new meaning to a new whole. Each college defines its own integrity. I am taking from and giving back to Art the very things I savor. Artists play with personal gifts in themselves. When we create, sometimes a meeting with unnatural circumstances may turn out. In these heightened moments, images appear, develop, and reappear. Usually it feels like a physical energy. The Muse and the Artist fill each other's active imaginations with images. One needs the other like earth needs air. When called upon, this creative spirit energy will always come ready to collaborate in a creation. I sometimes feel another being near me...

Signed and numbered abstract of child and woman in great condition by Keith Bruce Finch. He was born in Holyoke, Colorado on October 9, 1919. Finch was most active in Los Angeles i...