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Lithograph in Colors of Female Being by Kathrine Ærtebjerg, Denmark, 2005

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  • Female Artist Helle Thorborg Abstract Lithograph in Colors, 1960s
    Located in Esbjerg, DK
    Helle Thorborg (b. 1927). Composition, woodcut, 356/1295, signed. Sheet size 69 x 54 cm. Mounted in acid free passepartout. Will be shipped rolled-up an...
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    Vintage 1960s Danish Scandinavian Modern Prints

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    Paper

  • Colorful Modernist Cobra Lithograph by Bengt Lindström, 1925-2008, No. 16/99
    By Bengt Lindström
    Located in Esbjerg, DK
    Signed lithograph by Swedish artist Bengt Lindström. This Piece is titled 'Personnage' and is number 16 out of a limited amount of 99. BL is frequently associated with the Cobra move...
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    Vintage 1960s Swedish Modern Prints

  • Apocalyptic Black and White Graphic Woodcut by Danish Artist Palle Nielsen, 1963
    By Palle Nielsen
    Located in Esbjerg, DK
    Characteristic woodcut by Danish Artist Palle Nielsen (1920-2000)e. Signed PN, 63 and ET for (eget tryk - trans.: Own Print). It is mounted passepartout in a wooden period frame behi...
    Category

    Vintage 1960s Danish Modern Prints

  • Jean Piaubert Abstract Lithograph, Paris Avantgarde Movement, 1950s, Signed
    Located in Esbjerg, DK
    Jean Piaubert (1900-2002), France. Color lithography. Abstract composition, 1950s. Paris Avantgarde Movement. Mounted in period frame with glass. Signed to its right corner Piaubert. Measurement: 65x49xx3 cm (in frame). "Piaubert was one of the leading European post-war artists, and enjoyed enormous international exposure. In Paris he was part of a group of avant-garde artists that was centred around Galerie Denise René the champion of post-war abstraction, and included Hartung, Schneider, Deyrolle, and Poliakoff. His work sought to reveal the primordial beauty of the underlying rhythms in the chaos of the universe, incorporating organic forms and natural raw materials, creating compositions which suggest erosion, oxidation, or sedimentation and a profound sense of the age and vastness of the universe. Piaubert’s early work derived from the rugged landscape of the Médoc region of his childhood, and having moved to Paris in 1922 and attended the Academie de la Grande Chaumière he held his first exhibition in 1932 at Galerie Zack. These thickly pigmented paintings became increasingly rigorous and abstracted and by 1945, encouraged by the post-war atmosphere, had developed into complete abstraction. In 1946 Piaubert held his first solo exhibition of abstract works at Galerie Creuze where the catalogue preface was written by Gaston Diehl, the president of the Salon de Mai, (where Piaubert would exhibit between 1946-1961, as well as the Salon des Réalités Nouvelles, 1946-1952). His status was fully endorced in 1947 with a high profile solo exhibition at Galerie Denise René, (catalogue preface by eminent critic Charles Estienne). Recognised as an important avant-garde artist he went on to participate in groundbreaking exhibitions such as “Tendences de l’Art Abstrait” organised by Denise René in 1948 and which travelled to several European museums; “Quelques aspects de la Peinture Présente” in 1950 with Lanskoy, Poliakoff, Soulages, de Stael. In 1949 the Musée National d’Art Moderne de Paris purchased a painting by the artist, and he was invited to represent France at the Sao Paulo Biennale, a privilege which would be repeated in 1951, 1955; and furthermore at the International Art Exhibition, Japan 1953; Tokyo Biennale, 1955, 1961; 1960 International Exhibition, Buenos-Aires, with Fautrier, Lapicque and Soulages. By 1960 Piaubert had established an international reputation, and participated in many major international group exhibitions, most notably: 1951 “École de Paris” Royal Academy, London; 1953 “Younger European Painters” Guggenheim Museum New York; 1960 “Peintres de l’École de Paris”, Tokyo; 1965 “Peintres Français Contemporains” Rio de Janeiro. During the course of his career Piaubert held over seventy-five solo exhibitions around the world, and received several awards including: Gold Medal, at the XI Milan Triennale, 1951; Prix de la Critique, Belgium, 1958; Prix Paul Cézanne, Brussels, 1959; Gold Medal SEAI Paris, 1964; Grand Prix International VI Menton Biennale, 1964. The artist is represented in numerous major museums of modern art including: Solomon R Guggenheim Museum, New York; Musée Nationale d’Art Moderne, Paris; Musée d’Art Moderne de Paris; Stedelijk Museum, Amsterdam; Musée Royale, Brussels; Cologne; Copenhagen; Le Havre; Luxembourg; National Museum of Modern Art, Rome; Santiago; Strasbourg; Turin; Wupperthal". (Web Source Hanina fine Arts).
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    Mid-20th Century French Modern Prints

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  • Limited Artist Glass Wall Plaque Theophany by Bjørn Wiinblad for Rosenthal
    By Bjørn Wiinblad
    Located in Esbjerg, DK
    A large decorative wall plaque or dish designed by Bjorn Wiinblad in 1978 and made by Rosenthal in Germany in a limited run. It is titled The Three Holy King/Wise Men/Theophany and w...
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    Vintage 1970s European Scandinavian Modern Prints

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    Glass

  • Jeanne D' Arc by Georges Rouault Lithographic Color Print, 1940s New York
    By Georges Rouault
    Located in Esbjerg, DK
    Jeanne D' Arc on horseback by Georges Rouault. Color Print number 4004 published by New York Graphic Society, Fine Art Publishers circa 1940. It is mounted in a gold-painted frame wi...
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    Vintage 1940s American Modern Prints

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