North American Prints

Philip Tarlow, an American Postwar and Contemporary painter who was born in 1940. New York City lithograph of Grand Central Terminal (1984), p...

In this lithograph of a nude woman, the essence of feminine mysticism takes center stage. The work is numbered and signed but with a signature that makes it difficult to read the ide...

Edition of 175, signed and numbered Published in January 1984 by The Arion Press, San Francisco From the portfolio 'Self-portrait in a convex mirror' by John Ashbery. Immaculate cond...

1979 Summers Onslaught II' serigraph on paper print by artist Jon Carsman (1944–1987) American. Signed and titled in pencil lower margin. Unframed, image size 17"L 25"H, age toning.

Hawaiian artwork print Poster Silver 20th Anniversary East-West Center at the University of Hawaii International Conference. The poster features a paintin...

Gorgeous lithograph by famed Bay Area print maker David Lance Goines celebrating the 5th anniversary in 1976 of Alice Waters' restaurant Chez Panisse. Th...

Vintage Joan Miro "Ceramiques II" Lithograph Framed Circa 1970 Dimensions: Frame H 27” W 16” D 1” Lithograph H 21.5” W 10.5”

Two pairs of 20th century John Newton botanical prints of orchids matted under glass in contemporary gold frames with an undertone red rub. Print size 11 1/2” high by 9” wide. Pric...

Roy Lichtenstein Lithograph for the St. Louis Art Museum, 1981. Whitney Museum of American Art September 22 - Novemver 29, 1981 Organized b...

Amazing framed and signed print titled, Broken Hearted, by renowned Disney artist Don Aceto. Features a chrome frame with a white border. subject is a link Flamingo with lush eye las...

Add a touch of artistic intrigue to your space with the captivating "Lotus Fan" Postmodern Framed Print by William Gatewood. This stunning piece showc...

Brent Heighton has been painting for over 42 years full time. After college Brent began a brief career in the commercial art field. Not satisfied with t...

Original block artwork print titled "Amakua" on Paper by painter Dale Moore in a very small edition #2 of 15. Aumakua In Hawaiian mythology is a personal or family god that originate...

Amazing framed and signed serigraph titled “Rendezvous” by Del Valle. Exceptional Art Deco depiction of a dining couple.

1970 Cundo Bermúdez Cuban Serigraph La Virgen de la Caridad del Cobre, 62/150 Offered for sale is a rare original 1970 serigraph by Cun...

Exceptional frames print of cheetahs looking youthful. Three angles of the cheetah are displayed. Light brown border and chrome frame with glass protecting the subject.  

Richard Tuttle’s lithograph Mandevilla 4, dates to 1998. 7/40, signed bottom right. Printed by Crown Point Press of San Francisco. This work hails from the estate of esteemed interna...

Framed Group of Ten Mick Jagger Lithographs, after Andy Warhol, American, circa 1975. This group of ten offset color lithographs was published by Multiples, Inc./Castelli Graphics. S...

This numbered 9/10 artist-proof serigraph, presented in a plexiglass box frame, is titled "Triangle in a Box," signed, dated, and numbered by the artist Judy Granitz. Reflecting the ...

Excellent vintage postmodern framed and signed lithograph titles “Shell”. Displays a brilliant blue and light brown design centering a conch shell.

After Samuel A. Kilbourne (American, 1836-1881), "Game Fishes of the United States", uniformly matted and framed under glass. Clockwise from upper left, The Mackerel, The Spanish M...

This vintage wall print of a woman, "Blue Wind," is eligibly signed and dated 1970. It boasts a bohemian-inspired aesthetic in a sleek gold metal ...

After Samuel A. Kilbourne (American, 1836-1881), "Game Fishes of the United States", uniformly matted and framed under glass. Clockwise from upper left, The Kingfish and The Whitin...

Chant D'un Oiseau Sourd, Lithograph by Adja Yunkers in fine original condition, circa 1970's, signed and numbered 62/90. Adja Yunkers (1900–1983) was an American abstract painter and...

Pop Art Robert Indiana Yield Brother 1971 Screenprint Edition 230 Red Blue “Yield Brother”, from the “Decade” suite. Screenprint on heavy wove-paper, 1971. An impactful work where Indiana made use of military signage, stenciled letters and a palette of strong colours creating tension between it’s call for peace and the visual language of military posters. Signed and dated and numbered (46/200) in pencil by the artist. The print also bears the artist’s copyright ink stamp. Part of an edition of 230 total: 30 artist’s proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Professionally framed in a brushed aluminium frame. Museum-glass was used to minimize reflection. Ready to hang. About the artist Robert Indiana (pseudonym of Robert Clark) ( New Castle, USA 1928 – Vinalhaven, USA 2018) was an American painter, sculptor and poet. He was a leading representative of pop art and created the internationally famous LOVE symbol in 1964. A self-described American painter of signs”, Robert Indiana’s works explore visual culture, national identity and personal history through symbols and colours inspired by signage and graphic design. Indiana had his first solo exhibition in 1962 at Eleanor Ward’s Stable Gallery, which at that time also represented Cy Twombly and Robert Rauschenberg. In 1962 he participated with the work The Black American Dream #2 in the exhibition New Realists, organized in the gallery of Sidney Janis. It was here that pop art first announced itself as a new movement in visual art. In the following years, Indiana would participate in all the important group exhibitions of this movement. Although the Pop Art movement made Indiana famous, he was never fully comfortable with the consumerist nature of Pop Art as his work often was very politically outspoken. In 1978 Robert Indiana left New York City for good, moving to the remote island of Vinalhaven in Maine, close to where his hero, the painter Marsden Hartley had lived. Since then he rarely gave interviews or engaged in the art world, yet he continued to align himself with political causes, designing the official poster for Barack Obama’s Presidential campaign in 2008. During his lifetime Indiana had countless exhibitions all over the world, and his work is included in the collections of numerous international museums: among others Metropolitan Museum New York, Museum of Modern Art New York, Tate Modern London, Stedelijk Museum Amsterdam and Hara Museum of Contemporary Art, Tokyo. Signed Signed and numbered (46/200) by the artist in pencil. Condition Overall good condition. Full margins. Slight undulation on right side of the print. Slight moisture damage in upper left margin. Edition Part of an edition of 230 total: 30 artist's proof and a regular edition of 200. The edition was printed by Domberger, Stuttgart (Germany) and published by Multiples Inc. New York City. Literature Robert Indiana Prints...

Group of sixteen black-and-white prints after Sol LeWitt, from the limited edition folio "Black Gouaches," published by Stephan Natkin/Galerie Digital Arts, France, circa 1992. They ...

Mid Century Modern Blue Kimono Custom Framed Lithograph. Circa 1970s. Features an abstract light blue and silver kimono image over a geometric backgroun...

Woodblock Engraving “La Calle II" Signed, Numbered 10/75, 1987 Offered for sale is a graphic vintage woodblock engraving print titled La Calle. Th...

A mind-bending colored pencil drawing with gesso/photo on paper titled “Altered States: The Consequence of Imperialism” by American artist Don Eddy. Hand signed and dated 1988 in red...

This lithograph by Dave Fox from 1991 features the artist's signature, lithograph number (1/70), and title "Intermission". Dave Fox's intention in the artwork is evident. It employs a subtler form of satire. The composition depicts an ordinary society event, infused with a pervasive sense of tedium among its participants, where nothing extraordinary unfolds. In the backdrop, a bar and its bartender serve as the setting, while in the foreground, two women engage in conversation, accompanied by a man holding a glass. He appears either poised to interject by social conditioning or already teetering on the precipice of profound ennui, displaying visible disinterest in the superficiality of their dialogue. The artist's meticulous attention to detail is particularly evident in the precise rendering of clothing, but their true mastery lies in portraying the women's eyes and lips, establishing the prevailing mood of the composition: a boredom beyond reality. Adding to the artistic finesse, the lithograph employs a creative use of light, with a left window serving as the primary light source. This illumination skillfully highlights the three characters in the foreground, while the figures in the background subtly blend into a darker environment. The carefully chosen shades of soft pastel pink and gray lend an elegant touch to the ensemble, enhancing the overall impact of the artwork. The artwork sits in a simple black woodframe. Dave Fox was born in Vienna, Austria in 1920, where he lived until shortly after the annexation of Austria in late 1938. Dave escaped via the German-Belgium border, seeking refuge in Belgium. From there he came to the United States in December 1939 and settled in Los Angeles. Dave was inducted into and served with the U.S. Army in the Philippines and Japan. Returning to the US, Dave studied at some of the first art schools in Los Angeles. He studied with artists, such as Rico Lebrun, Frances de Erderly, and Emil Bistrim at the Bistrim School of Fine Art. At the Jepson Art Institute, Guy Maccoy, a noted pioneer in the art of serigraphy introduced Dave to printmaking. After completing his studies, Dave was employed by an electronics firm as an artist and graphic designer. Dave went on to earn his BFA, MA, and MFA in drawing and painting with a special emphasis in printmaking from California State University Fullerton. Dave’s work included printmaking, painting, drawing, ceramics, and computer graphics. Dave Fox was an observer of life and translated all that he saw, heard, or experienced into his artwork. Growing up in Austria, the countryside was his playground. From early on Dave belonged to hiking groups and honed his observation skills, which he transferred to his new life in Los Angeles. In Los Angeles, Dave found new playgrounds – the LA Farmers Market, Melrose Ave., and the streets of Los Angeles at a time of growth and change. It was through his association with Jewish Federation in Los Angeles that he met his wife, Senta. Shortly after their marriage, they moved to Orange County, where they raised their two children. Dave divided his artwork equally between landscapes and people. He perfected his skills at drawing the human form and giving it personality and life. Throughout his long career, he always returned to themes that reflected his Jewish upbringing. His sketchpad, always with him, became his vehicle for capturing the world he saw. His interest in Jewish subjects was reflected in the people walking on Melrose Avenue; in the people enjoying Farmer’s Market in LA; in the chestnut vendor and the fish seller; in the Shabbat series, and in the abstract series reflecting a return to Jerusalem. Finally, when Dave turned his attention to ceramics he created a series of Jewish ceremonial objects – seder plates, Kiddush cups, and Havdalah sets...

🎨 Dive into the timeless elegance of Patrick Nagel's iconic artwork with this excellent 1981 serigraph, published by Mirage Editions for Papillon Gallery in Los Angeles. Crafted wit...

A fantastic vintage Boho anatomy print. Made by the Denoyer-Geppert group. A classic school room diagram from the Midcentury. Beautiful all over patina from time. Acquired from a...

Set of 4 Striking Decorative Neoclassical Framed Panels from the 1980's. Triangular shaped frames under glass with Neoclassical prints encased. Wood frame...

Charming brown and white aviary print on linen having "The Aviary Bird Fancyers Recreation" prominently written in the lower center, and lovely birds wit...

Vintage 1980s Patrick Nagel posters in black frames. The larger vintage poster is actually mounted to foam core. The original poster is housed in a newer black poster frame with acry...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing finds the entire constellation shifting into its reverse.” Gerald Nordland, in his essay for the “White Embossings on Gray” catalogue For sale, one print from Albers’ late in life exploration of color and perception, the “White Embossings on Gray” Series. For this series, renowned California print...

An abstract surrealist triptych by California artist Neal Doty. Hand signed in pencil bottom right with an annotation of 93/99 bottom left. Published circa 1970s. Inspired by artists...

This is a wood print that is very vivid and colorful.

An expressive abstract screenprint on paper titled “Sticks #2” by Catherine Kernan. Hand signed in pencil on the bottom right and titled with an annotation 15/61 on the bottom left. ...

An entertaining, vibrant, and large Herman Miller screen print by artist Steve Frykholm. Screen printed with lacquer ink with a lacquer finish. Th...

An expressive graphic contemporary 7 color screenprint on paper titled “Head to Head” by Michigan based artist Norm Stewart. Hand signed in the pencil on the bottom right and titled with an annotation on the bottom left. Stewart & Stewart gallery...

This monoprint signed Eduard Franz, titled "Tumblers and White Horse," is a 1973 artist's proof. The print is signed and titled in pencil by the artist at the bottom. The artwork showcases a semi-abstract composition featuring a black-outlined horse and a red rider...

Ellen Lanyon (1926-2013) lithograph published by Landfall Press, Chicago 1971. An Artist's Proof (to Kathy), and with a pencil written poem 'Flames to Floral' . Landfalls' imprint ...

“In order to use colour effectively it is necessary to recognise that colour deceives continually.” Josef Albers “We never really perceive what colour really is, as it physically is. This fact makes colour the most relative medium in art.” Josef Albers “The structures are irrational statements which illustrate the artist’s claim that the eye seeks, in endless exploration, to fathom and master the contradictions of reversed symmetry. One begins to study the structure at some point where isometric order is suggested. One finds evidence for the reading of the work, but when one tries to take in the whole structure as a unit, new evidence requires a drastic reorganization of the work’s implications. That which was above shifts to below, that which was negative becomes positive, that which was full becomes vacant, that which was in front has moved to the rear. Having found a balance, the eye’s testing...

Original signed abstract screenprint, entitled "Seclusion" by Josef Albers for the limited edition "Washburn College Bible", 1979. Albers created this work as a frontispiece for Volu...

Pedro Friedeberg original silkscreen "El vuelo de Mozart”. Signed by the artist. Edition of 30. Includes signature Pedro Friedeberg. The price does not include the frame for a cheape...

A fantastic and rivetting work by American/ California artist Ed Moses titled "Ikuru Speak-No". This work is on wove and Japanese paper (The print was made with two attached sheets...

Walt Disney, "Mickey's Trailer, 1938". Celluloid (xenographic line, ink-enhanced hand painted). Stamped The Walt Disney Company. Numbered 52/500. 29.5 x 49 cm. Movie "Mickey's Trailer," was the second short film, out of 100, that was produced 1938. An icon film. Published by Disney Art Editions in 1994. A certificate of authenticity executed by The Walt Disney Company accompanies the lot. Provenance: Animation Art Gallery/Amsterdam, acquired in 1995. An original production-used animation cel...

Original signed abstract screenprint, entitled "Introitus", by Josef Albers for the limited edition "Washburn College Bible", 1979. Albers created this work as a frontispiece for Vol...

Original signed abstract screenprint, entitled "Ascension", by Josef Albers for the limited edition "Washburn College Bible", 1979. Albers created this work as a frontispiece for Vol...

Vintage New Orleans 1989 Jazz Festival 20 Anniversary Fats Domino Original Poster by Richard Thomas Numbered and framed. Fifteenth in the series by Richard Thomas. As significant a poster in the series as the '76, '80 and '85, Richard Thomas' pop portrait of Fats Domino began a new direction in subject matter, editions and technique. The 20th anniversary of the Jazz Fest marked the first in a still-continuing series of portraits of the people who made New Orleans music...

Mixografia on Paper “Sol (The Sun)” by well-known Mexico artist Rufino Tamayo (1891-1991). Signed “R. Tamayo” lower right. Numbered lower left 96/140. Created 1976. In excellent co...

A 1998 signed lithograph on paper by American feminist writer, theorist, artist and academic, Kate Millett (1934 - 2017). This work uses a painterly style to depict an abstracted and...

A limited edition surrealist lithograph titled "Chicken Hearts (Ka Series)", printed on archival deckle edge paper, the bottom margin embossed with blind stamps, together with the artists hand written notations referencing the limited edition number VII / XIII (7 of 13), the title, followed by the artist's signature & date 1980. Bio: Robert A. Nelson (1930-2012) received both his B.F.A. & his M.F.A. in 1950 & 1951 respectively from the Art Institute of Chicago. He was alto the recipient of the illustrious 'Purchase Prize' in the 31st National Exhibition of Boston Printmakers, and was later awarded the Cezanne medal from the government of France in 1961. Robert Nelson is represented in the permanent collections of The De Cordova Museum, The Seattle Art Museum...

A signed and inscribed lithograph on paper by American feminist writer, theorist, artist and academic, Kate Millett (1934 - 2017). This work uses a minimal style to depict an abstrac...

A 1970s framed Victor Vasarely limited edition Op art serigraph titled “Torony III”, signed and numbered 35/250. Three-dimensional ovoid shape comprised of warped fluorescent red, green, and blue stepped blocks of varied brightness that call to mind the Classic early-‘80s arcade & home video game...

Massive Picasso Lithograph, A Retrospective exhibited at The Museum of Modern Art, New York, May 22 - September 16, 1980 Framed and ready to hang.

Abstract Expressionist Print, by Robert Motherwell, American, circa 1967. This work is from the limited edition portfolio "In Memory of My Feelings: A Selection of Poems by Frank O'Hara". Only 2500 were printed. This example has been professionally framed under UV resistant glass in a 19th Century gilt frame.