Original Antique Engraving of the Quangguamiau Pagoda in China, 1665

Antique print titled 'Ucienjen'. Old print depicting a view on the Chinese city of Ucienjen. Also depicted are many ships. This print originates from 'Het gezantschap der Nee^rlandts...

Antique print titled ‘Kryghs-Ordre in het Marseren. L’Ordre de la Cavallerie en Marchant’. Decorative print depicting the cavalry. This print originates from ‘Joan Nieuhof, Het G...

Antique print titled 'Teywanmiao'. Old print depicting the city of Koesuwen, China. This print originates from 'Het gezantschap der Nee^rlandtsche Oost-Indische Compagnie, aan den gr...

Antique print, titled: 'Kinnungam' View of the Chinese city of Kinnungam with its ramparts. Also depicted are ships and a pagoda can be seen as well. ...

Antique print titled 'Gebergte van Sang-Won-Hab'. Old print depicting the Sang-Won-Hab mountains (China) with many ships on the river between the mountains. This print originates fro...

Antique print titled 'Platte Grondt van s Keysers Hof in Pekin. Forme de la Cour Imperiale de Peking'. This print originates from 'Joan Nieuhof, Het Gezands...

Great map of China Drawn under the direction of Arrowsmith Copper-plate engraving Published by Longman, Hurst, Rees, Orme and Brown, 1820 Unfr...

Great map of China Copper-plate engraving Drawn and engraved by Thomas Clerk, Edinburgh. Published by Mackenzie And Dent, 1817 Unframed.

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

This 1865 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...