Pompeian Plate XXV, 1868

Antique print titled 'Villa Marguerite a Houlgate, Mr. E.M. Auburtin, Architecte'. This print depicts the design of a villa in France. Originates from 'La Brique et La Terre Cuite' b...

Plate XXV: 'Chirurgie'. (Surgery.) This plate shows surgical instruments relating to the eyes and teeth. This print originates from 'Encyclopédie (..)' by D. Diderot. Published circa...

The 1992 Summer Olympics, officially known as the games of the XXV Olympiad and commonly known as Barcelona '92, were an international multi-sport event held from 25 July to 9 August...

The 1992 Summer Olympics, officially known as the Games of the XXV Olympiad and commonly known as Barcelona '92, were an international multi-sport event held from 25 July to 9 August...

Antoni Clavé (5 April 1913 – 1 September 2005) was a Catalan master painter, printmaker, sculptor, stage designer and costume designer. He was nominated for two Academy Awards (Best Art Direction and Best Costume Design) for his work on the 1952 film Hans Christian Andersen. Clavé was one of Spain's best known and most celebrated artists. His work evolved from a baroque, ornamental style to a pure, minimal aesthetic. In his later years, his work is completely abstract, employing expressive lines and exploring the boundaries of collage, objet trove, shading, texture and color. He was trained at the School of Fine Arts, Barcelona, where he was taught by Angel Ferrant and Felix Mestres. With his works being influenced by artists such as Bonnard, Vuillard and Roualt. He is best known for his lyrical abstractions, works which combine paint with collage. Clavé fought in the Republican Army in the Spanish Civil War, and served as draughtsman for the Republican government. He arrived in France as a refugee in 1939 and went straight to Paris to work as an illustrator. His first one-man exhibition was held at the Au sans Pareil bookshop, 37 Avenue Kleber in Paris in 1940, where Max Ernst and other leading figures from the Dada movement had their first exhibitions in the 1920s. In 1944 Clavé met Picasso and began making figure compositions that were deeply influenced by Picasso's work, featuring kings, harlequins, children, and still lives. His theatrical designs have appeared on stages in New York, Munich, London and Paris, as well as in the 1952 film Hans Christian Andersen. His works include sets for opera, theatre, and ballet, most notably for Roland Petit's ballet company, Les Ballets des Champs Elysees (1945-1951) including Los Caprichos (1946) Carmen (1949) and a comic ballet choreographed by Roland Petit called Deuil en 24 Heures.In 1951 he designed La maison de Bernarda Alba (The House of Bernarda Alba) for director Marcel Achard at the Theatre de l'Oeuvre in Paris, and in 1962, a production of The Marriage of Figaro for Maurice Sarrazin at Théatre de la cour de l'Archeveché in Aix-en-Provence. In 1957 Clavé began to design carpets and from 1960 he began to work on sculptural bas reliefs...

Antique bird print titled 'Sagmatorrhina Lathami'. Old bird print depicting Latham's Guillemot. This print originates from 'The new and heretofore unfigured species of the birds of North America', published 1866-1869. This spectacular large folio lithograph is from Daniel Giraud Elliot's The New and Heretofore Unfigured Species of the Birds of North America. The work was published in New York for the author between 1866 and 1869. Each lithograph features original hand-coloring. The plates were predmoninantly executed by Bowen of Philadelphia after originals by Elliot and celebrated natural history artist, Joseph Wolf. It is believed only 200 copies of this work were ever printed. The work generally depicted life-size renderings of birds that were not previously illustrated by Alexander Wilson...