Richard Avedon Untitled from Self-Portrait in a Convex Mirror

Edition of 175, signed and numbered Published in January 1984 by The Arion Press, San Francisco From the portfolio 'Self-portrait in a convex mirror' by John Ashbery. Immaculate cond...

This picture was taken in 1977 by the young Dennis Morris at the age of 17, backstage after a gig in Penzance Cornwall (UK), during the infamous S.P.O.T.S. tour. Bromide fibre print,...

Lithograph, 2004, on wove paper, signed, dated and titled in pencil, numbered 70/100, the full sheet, in perfect condition, never framed. Measures: Sheet: 450 x 350 mm. Provenance:...

Richard Riemerschmid designed the original model of the ‘Musikzimmerstuhl’ in 1898/99. The so-called “Music room chair” was part of the interieur of a...

Very versatile pair of brushed chrome tubular sconces on a polished chrome rod base by the French designer Alain Richard. Works great as a wall light, but also perfectly on a ceiling...

Late 20th Century modern mirror made in Belgium. The edge of this spectacular mirror consists of 8 strokes of mirror glass. Very solid construction with plywood backside, can be used...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

Framed, signed and numbered on verso (#1 of 5 in a closed edition). Originally appeared as part of GarthIvan's first solo show at the Glasgow Art Club & Gallery in 2021. Archival pigments and bamboo rag linen paper. White timber box...

Framed, signed and numbered on verso (#1 of 5 in a closed edition). Originally appeared as part of GarthIvan's first solo show at the Glasgow Art Club & Gallery in 2021. Archival pig...

Framed, signed and numbered on verso (#1 of 5 in a closed edition). Originally appeared as part of GarthIvan's first solo show at the Glasgow Art Club & Gallery in 2021. Archival pigments and bamboo rag linen paper. White timber box...

Framed, signed and numbered on verso (#1 of 5 in a closed edition). Originally appeared as part of GarthIvan's first solo show at the Glasgow Art Club & Gallery in 2021. Archival pig...

Biker in a mirror black and white photograph Gravure print by Burk Uzzle 1980 Gravure print (1984, France). Burk Uzzle is an American photojournalist, previously member of Mag...