Signed and Numbered Minimalist Postmodern Serigraph by Ole Kortzau The Bench

A Classic, Minimalist bench or coffee table and matching side table by JG Furniture, NYC. Black steel with white Formica tops give it a simple and timeless look. The long table measu...

A Minimalist vintage bench or coffee table. Solid steel and rosewood, heavy and well made, circa 1960s. Rosewood top has a nice patina and bookmatched graining.

A large painting by Italian born artist Luigi Maria De Rubeis, circa 1970s. A note about the artist courtesy of Saatchiart: "Italian painter, had his start in 1970 by winning a conte...

A unique wall relief by Andrei Prolettski, (born 1963, Krasnoyarsk, Russia). Made of 5052 powder coated aluminium. Here is a note about the artist from an essay by Britta Schroder: ...

Max Beckmann (German, 1884-1950) German Expressionist Date: 1916 Medium: Drypoint etching Dimensions: Plate - 3 5/8” x 7 5/8” (~9.2 x 19.4 cm) Sheet - approx. 10” x 16.5” (~25...

A rare collection of ephemera designed by Frank Barr ca’ 1940’s. Advertising exhibitions by James Prestini etc…a total of 22 pieces.

Louise Nevelson (American, 1899-1988) Untitled, 1980 Original five screen serigraph collage Signed and numbered in pencil by the artist. 147 of an edition of 150. See details in...

Rare signed and numbered serigraph print by American artist Allan D'Arcangelo (1930-1998) Artist: Allan D'Arcangelo, American (1930-1998) Title: Untitled - Under Overpass Year:...

This beautiful silk screen litho is signed and numbered 209 of 250. Frame is original to period. Psychedelic patterns that emerge from early computational experiments parallel Optica...

A set of three prints by influential American artist Elaine Sturtevant, studying circular motion and riffing/ripping (depending on your views on copyright) off the works of Robert Rauschenberg, Marcel Duchamp and Alexander Calder. Labelled and Each signed 'Sturtevant' and from an edition of 60. Sturtevant was born in Lakewood, Ohio (USA) and spent the first years of her artistic life working in New York - where in 1956, she began to manually reproduce paintings and objects created by her contemporaries with results that cannot immediately be identified from an original. Sturtevant intentionally turns the concept of originality on its head... All of her works are copies of the works of other artists; none is an original. She initially focused on works by such American artists as Roy Lichtenstein, Claes Oldenburg, Jasper Johns, and Andy Warhol. In the late 1960s, she concentrated on replicating works by Joseph Beuys and Duchamp. Since the early 1980s, she has focused on the next generation of artists, including Robert Gober, Anselm Kiefer, Paul McCarthy, and Felix Gonzalez-Torres. She masters painting, sculpture, photography and film in order to produce a full range of copies of her chosen artist's work. In most cases, her decision to start copying an artist happened before those artists achieved broader recognition. Nearly all of the artists she chose to copy are today considered iconic for their time or style. This has given rise to discussions amongst art critics on how it has been possible for Sturtevant to identify these now famous artists at such an early stage. A notable incident in her career emphasizes just *how* technically talented she is at assimilation and reproduction of an artistic style: In 1965 a Jasper Johns flag...

This is a beautiful custom-framed lithograph by Hungarian-born French artist, Marcel Vertes, entitled "Circus Queens". The piece is signed, Vertes, in the lower right corner and numbered, "30/50" in the lower left corner. The image itself measures 23" high x 16" wide. The frame is a 2" thick 2 toned framed, black and a subtle cerused-like grey. It was originally sold through the Vincent Price...

Large Scale Muramasa Kudo, Watermelon, Printer Proof Screenprint, Signed and Numbered in Pencil by the Artist. Circa 1980s Framed with a brass pleated ...