Etched Prints

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Part...

A beautiful and exceedingly engaging limited edition etching/print titled "Street Booth, Tokyo New Years Eve" by famed Australian/American painter/artist/master printmaker Martin Lewis (1881-1962). This image was created in 1927. Lewis was born in Castlemaine, Victoria, Australia in 1881 but migrated to the United States in 1900. After working in San Francisco and New York he then traveled to Japan to study Japanese art for two years. Lewis eventually returned to the US and settled back in New York in the early 1920s where he would experience his most artistically productive breakthrough period (between 1925-1935) in which he would create some of his most well-known works including this piece. Today, Lewis is universally considered to be one of the most important American printmakers of the twentieth century - a master of light and shadow. This work is a drypoint etching, printed in black ink on cream wove paper with full margins. A brilliant, luminous, and richly-inked impression. From a noted (McCarron, Paul. The Prints of Martin Lewis: A Catalogue Raisonne, p. 60) edition of 40 recorded impressions. According to McCarron, this is the most accomplished of Lewis' Japan prints: "New Year''s Day is an important holiday in Japan. The Japanese traditionally decorate their streets and homes with shimenawa, knotted straw ropes blessed and purified by Shinto priests...

Large mixed media etching with carborundum and collage with cords on heavy handmade paper. Papier à la forme du Moulin de Larroque Colombe (handmade heavy paper, produced in an anci...

Pair of hand colored engravings by Jacques Grasset de Sainte-Sauveur, 1797 Paris publication, 'Costumes de Different Pays', (Costumes of Different Countries). This pair depicting two...

Vintage Etching Titled "The Heart of Saturday Night", Signed by Artist Mimi Pond, a/p (artist proof), c 1977 and newly framed (nocturnal scene) 19" h x 15.5" w x 1.5" d (5 LBS + ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Beautiful and meticulously detailed etching with sober wooden frame; the paper work, "La Gloire de la France", was made by the famous French engraver Simon Thomassin (Troyes 1665-Paris 1733) in 1724, he made the drawing inspired by an elaborate and particular sculpture, made for the gardens of Versailles, between 1681 and 1683 by Pierre Mazeline (1632-1708) important French neoclassical artist; In the inventory of the Garden in 1706-1708, the statuary group is described as follows: "A figure representing Glory seated on a cloud placed on a celestial globe, surrounded by trophies of arms, with the right arm half raised, holding a laurel wreath, and, with the left, a pyramid. The names of the two artists are imprinted on the print itself. Pierre Mazeline was a very prolific and refined sculptor of recognized talent, he is also the author of other statues in the gardens of Versailles as the "Apollo of Belvedere and "Europe"; he also executed the equestrian statue of Louis XIV...

A complete series of six old aquatint etchings created by C. R. Stock after S. H. Alken, published around 1830 in London by W. C. Lee. C.R. Stock, a British artist from the 19th century, was known for creating aquatint engravings. He produced a series depicting cockfights, likely after the works of Henry Alken, a renowned British artist known for his sporting and animal-themed illustrations. Alken's work often captured the essence of sports, hunting, and rural life, making him a prominent figure in 19th-century British art...

One of two etching printed botanical print with gold leaf background hand-gilded and with a round golden gouache frame burnished wiyh stone. Each print is entirely printed in Italy...

A beautifully rendered etching with hand coloring depicting the skeleton of an elephant on a pedestal. A live elephant, foliage and huts in the background. French, 18th century by Georges Le Clerc...

One of two etching printed ancient profile print with gold leaf background hand-gilded and enhanced with a square frame made of mirrors and gilded with gouache and burnished with a s...

One of two etching printed Ancient Roman Vase print with gold leaf background hand-gilded and enhanced with a square frame made of mirrors and gilded with gouache and burnished with ...

One of two etching printed Ancient Roman Vase print with gold leaf background hand-gilded and enhanced with a square frame made of mirrors and gilded with gouache and burnished with ...

A fine hand-colored etching showing the Panthéon in Paris in 1860 : a picturesque and charming depiction of mid-19th century upper class life there, with a lot of characters, stores ...

One of two etching printed Ancient Roman Vase BIG print with gold leaf background hand-gilded and enhanced with a square frame made of mirrors and gilded with gouache and burnished w...

Funny and elegant hand-watercoloured jungle style print representing an elephant. The frame is black patinated and the print is engraved with a star press. This print is part of a se...

Lovely etching on paper in back ink by Giovanni Antonio Canal (Canaletto). Measurements: 22" x 15" Hand-numbered in pencil at the bottom ri...

Antique print entitled ‘the neophyte (first experience of the monastery)’ by Gustave Dore, 1832 -1883 A captivating, somewhat creepy and darkly humorous take on someone’s first day r...

A fine hand-colored etching showing the Chateau de Vincennes in 1860, with la Sainte Chapelle on the right. It is set into a solid mahogany frame with a French varnish finish. Frame...

Beautiful signed lithograph by renowned Vietnamese artist Lebadang whose poetic style has power and grace. Lebadang often did works to express his fascination with the horse. By prin...

This is an original etching by Giovanni Benedetto Castiglione, circa 1640, of a Young Man Looking Down to the Right. It is the only known state and belongs to the series known as 'Studies of Heads in Oriental Headdress'. Signed (in monogram) in the plate in the upper right 'G Castiglione Genovese.' In a delicate gilt/black frame. Frame dimensions 12.75" by 8.75". Certificate of Authenticity. In this work, Castiglione offers us an exquisite portrait of a young man. This small etching shows all the hallmarks of Castiglione's style: incredibly detailed etching marks that result in a wonderful play of light and shadow. The angle of the head and the lively floating feather in the young man's hat show us a figure in movement, pausing to look at something the viewer can only guess at. That such a small collection lines and cross-hatchings can evoke so much is a testament to Castiglione's genius. Giovanni Benedetto Castiglione was an Italian Baroque painter, printmaker and draftsman of the Genoese school. He is best known now for his etchings, and as the inventor of the printmaking technique of monotyping. He was known as Il Grechetto in Italy and in France as Le Benédette. Castiglione was a brilliant draftsman and pioneered the development of the oil sketch (often using a mixture of mediums) as a finished work. He is credited with having invented the monotype in 1648, the only printmaking technique to be an Italian invention, making over twenty over the succeeding years. His most popular and influential prints were a series of exotic heads, mostly of vaguely Oriental males, but also of women. From Bartch/Bellini: Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621, Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal painting. Though he painted portraits, historical pieces and landscapes, Castiglione excelled in rural scenes with animals and influenced Italy's animal painting specialists. By 1634, Castiglione was in Rome, where he remained for about ten years. After returning to Genoa for a time, he worked for the Mantuan court in 1648, which had also employed Rubens. There Castiglione picked up the freedom of touch he saw in Domenico Fetti's paintings. One of the first Italians to appreciate Rembrandt van...

Marion Harvey Spaniel Etching Marion Rodger Hamilton Harvey (Scottish, 1886 – 1971)

Presenting a lovely pair of Venice etchings by N Erichsen 1904. This pair of etchings were drawn by N. Erichsen who we understand was a late 19th and early 20th Century English artist. Both feature scenes from Venice in 1904. The first one (on the left) is a sketch of the Piazza San MarCo...

Grande incisione nautica tratta dall’Enciclopedia di Diderot edita in Parigi, raffigurante una Galera vista di fianco con disegni delle ancore intitolata al centro Marine Dessein d’u...

A fine hand-colored etching showing place Vendôme in Paris in 1860 : a picturesque and charming depiction of mid-19th century upper class life there, with a lot of characters, stores...

Neoclassical Etching of three ancient Roman urn on pedestal, two oil lamps and a vase by Giovanni Battista Piranesi (1720-1778) originally publis...

One of two etching printed botanical print with gold leaf background hand-gilded and with a round golden gouache frame burnished wiyh stone. Each print is entirely printed in Italy...

A fine hand-colored etching showing Paris Town Hall (Hôtel de Ville de Paris) in 1860 : a picturesque and charming depiction of mid-19th century seen from quai de Corse, with a lot o...

A fine hand-colored etching showing Saint Jacques Tower (La Tour Saint Jacques in Paris) - Paris, in 1860 : a picturesque and charming depiction of mid-19th century with a lot of cha...

French Engraving Hand Colored Galerie des Modes Costumes Francais, 1779 Rare antique French fashion print hand colored published first i...

Dr. Lakra original print in Etching Technique in cotton paper. Edition of 30, signed by the artist. Jerónimo López Ramírez, also known as Dr. Lakra, is a tattoo artist who lives a...

MIchael Kidner "Untitled" Optical Art photo etching from The Elastic Membrane, 1979 Signed in pencil right bottom verso Michael Kidner '79 Left bottom v...

This sublime etching by the swedish graphic artist Bengt Böckman portrays human construction interacting with organic structures. This vintage etching from 1966 is made with dark blu...

A fine hand-colored etching showing St Paul Church in Paris (Le Marais, beginning rue de Rivoli, ending rue Saint Antoine) in 1860 : a picturesque and charming depiction of mid-19th ...

CHAS S BUCK - 'Autumn Etching' - Mid century still life monotype engraving on paper - titled in pencil lower left - signed in pencil lower right - vintage chrome frame and single gra...

A fine hand-colored etching showing church Notre Dame de Lorette inside in 1860 : a picturesque depiction of this church in the mid-19th century, with many characters. It also shows ...

Etching with Aquatint, signed, titled and numbered in pencil by Guillermo Silva Santamaria "Golfredo" from 1971. Metal frame.

Etching with Aquatint, signed, titled and numbered in pencil by Guillermo Silva Santamaria "En Busca del Paraiso" from 1971. Metal frame.

Etching with Aquatint, signed, titled and numbered in pencil by Guillermo Silva Santamaria "El Sol De Media Noche" from 1971. Metal frame.

A beautiful, serene rural image by Dutch-born American/Californian painter, etcher, and artist Cornelis Botke (1887-1954) titled "Foothill Ranch". The work - an etching is on wove p...

beautiful etching aquatint by Georges Dussau France 1947. Title of this work L' Escallier D'Eurodace 1975 Epreuve D'artiste no 11/X. This work sold by well now renowned Art Dealer...

This rare & wonderfully preserved vintage etching by Kerr Eby is a depiction of the World War 1, September 13, 1918 battle of St. Mihiel. The powerful etching...

Funny and elegant hand-watercoloured jungle style print representing an elephant. The frame is black patinated and the print is engraved with a star press. This print is part of a se...

Funny and elegant hand-watercoloured jungle style print representing an elephant. The frame is black patinated and the print is engraved with a star press. This print is part of a se...

A beautiful, serene rural image by Dutch-born American/Californian painter, etcher, and artist Cornelis Botke (1887-1954) titled "Road to Bodega (sometimes referred to as On The Road...

Artwork titled "The Susquehanna" by Caroline Stone (American, b. 1936) is an etching with color on paper, created in 1983. The piece is signed and numbe...

A wonderful and strong print or image by Canadian born artist Marjorie Tomchuk of a Native American chief. The print is pencil signed, titled (Sac...

Product description: Both the beginning and the end of Charles Eyck's life (1897 - 1983) took place in the Dutch province of Limburg. In his life he produced paintings, sculptures, b...

A fine French 19th century etching and drypoint Titled "Soirée d'été" (Summer Evening) by Jacques Joseph Tissot (French, 1836-1902) depicting Mrs. Kathleen Newton resting on a lounge chair. Signed and dated (l/l): J.J. Tissot, 1881 in the plate. Under the mat, the front of the sheet inscribed in pencil with a '1' in a circle, the verso of the sheet with old price inscription "450-" in pencil. Circa: 1881-1882. Measures: Plate Height: 9 inches (22.9 cm) Plate Width: 15 1/2 inches (39.4 cm) Sheet Height: 14 1/2 inches (36.8 cm) Sheet Width: 20 5/8 inches (52.4 cm) Frame Height: 19 inches (48.3 cm) Frame Width: 24 1/2 inches (62.2 cm) Frame Depth: 1 1/8 inches (2.9 cm) Literature: Wentworth 56. Note: Tissot's from 1881 is said to depict his lover, the Irish divorcee Mrs. Kathleen Newton, resting on a lounge chair. Provenance: Private collection, Los Angeles, California Jacques Joseph Tissot (French, 15 October 1836 – 8 August 1902), Anglicized as James Tissot, was a French painter and illustrator. He was a successful painter of Paris society before moving to London in 1871. He became famous as a genre painter of fashionably dressed women shown in various scenes of everyday life. He also painted scenes and characters from the Bible. Jacques Tissot was born in the city of Nantes in France and spent his early childhood there. His father, Marcel Théodore Tissot, was a successful drapery merchant. His mother, Marie Durand, assisted her husband in the family business and designed hats. A devout Catholic, Tissot's mother instilled pious devotion in the future artist from a very young age. Tissot's youth spent in Nantes likely contributed to his frequent depiction of shipping vessels and boats in his later works. The involvement of his parents in the fashion industry is believed to have been an influence on his painting style, as he depicted women's clothing in fine detail. By the time Tissot was 17, he knew he wanted to pursue painting as a career. His father opposed this, preferring his son to follow a business profession, but the young Tissot gained his mother's support for his chosen vocation. Around this time, he began using the given name of James. By 1854 he was commonly known as James Tissot; he may have adopted it because of his increasing interest in everything English. In 1856 or 1857, Tissot travelled to Paris to pursue an education in art. While staying with a friend of his mother, painter Elie Delaunay, Tissot enrolled at the Ecole des Beaux-Arts to study in the studios of Hippolyte Flandrin and Louis Lamothe. Both were successful Lyonnaise painters who moved to Paris to study under Jean-Auguste-Dominique Ingres. Lamothe provided the majority of Tissot's studio education, and the young artist studied on his own by copying works at the Louvre, as did most other artists of the time in their early years. Around this time, Tissot also made the acquaintance of the American James McNeill Whistler, and French painters Edgar Degas (who had also been a student of Lamothe and a friend of Delaunay), and Édouard Manet. In 1859, Tissot exhibited in the Paris Salon for the first time. He showed five paintings of scenes from the Middle Ages, many depicting scenes from Goethe's Faust. These works show the influence in his work of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom Tissot had met in Antwerp earlier that same year. Other influences include the works of the German painters Peter Von Cornelius and Moritz Retzsch. After Tissot had first exhibited at the Salon and before he had been awarded a medal, the French government paid 5,000 francs for his depiction of The Meeting of Faust and Marguerite in 1860, with the painting being exhibited at the Salon the following year, together with a portrait and other paintings. Émile Péreire supplied Tissot's painting Walk in the Snow for the 1862 international exhibition in London; the next year three paintings by Tissot were displayed at the London gallery of Ernest Gambart. In about 1863, Tissot suddenly shifted his focus from the medieval style to the depiction of modern life through portraits. During this period, Tissot gained high critical acclaim, and quickly became a success as an artist. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored Japonisme, including Japanese objects and costumes in his pictures and expressing style influence. Degas painted a portrait of Tissot from these years (Metropolitan Museum of Art, New York), in which he is sitting below a Japanese screen hanging on the wall. Still on Top, 1873 Tissot fought in the Franco-Prussian War as part of the improvised defense of Paris, joining two companies of the Garde Nationale and later as part of the Paris Commune. His 1870 painting La Partie Carrée (The Foursome) evoked the period of the French revolution. Either because of the radical political associations related to the Paris Commune (which he was believed to have joined mostly to protect his own belongings rather than for shared ideology), or because of better opportunities, he left Paris for London in 1871. During this period, Seymour Haden helped him to learn etching techniques. Having already worked as a caricaturist for Thomas Gibson Bowles, the owner of the magazine Vanity Fair, as well as exhibited at the Royal Academy, Tissot arrived with established social and artistic connections in London. Tissot used...

Set of four etchings by American artist William Goodrich Beal, circa 1880s. Scenic Massachusetts coastal towns and beaches. All signed in ...

Misia Sert, a musical prodigy who once played the piano on Franz List’s knee, grew up to be a beauty, and remained the apogee of chic until she died at seve...

Carborundum Etching with collage by James Coignard ( France 1925-2008). Signed and numbered 2/75. Framed . Dimension with out frame 29" x 23".

Large and beautiful etching, engraving by Nicolaes Lauwers after Jacob Jordaens. Flanders, 17th century. Representing Zeus and Hermes (Jupiter and Mercury) in the house of Philemon a...

Wonderful original signed and framed carborundum etching ‘Occupation’ by French artist James Coignard (1925-2008), pencil signed and numbered by Coignard: 17/75, image size: 43in x 3...

Giovanni Ottaviani (Italy, 1735-1808) Title: Scene from Cloister Vaults in the Raphael Loggias, Vatican. No. I Large, exquisitely hand-coloured etching from the series Loggie di Raf...

Antique Framed Religious Print A Swedish production after the original 1868 painting by Franz Ittenbach (1813-1879). Depicting Mary and Joseph tendin...

Original Joseph Demarais Artist Proof Etching. Signed. Artwork is framed in a nicely complimenting walnut frame and depicts what appears to be a cat in neutral tones. Brutalist vibes.

Richard Engelmann, 1868-1966 Etching: Reclining Woman, visable sheet dimensions 20 x 28 cm. Signed with a monogram and presented in a hand-painted gray Montparnasse frame. Germany, c...

Step into the past with this captivating aquatint print titled "New York in 1846 from Governors Island," a faithful copy of the original sketch by the renowned artist Frederick Caith...

Fine print by this important American printmaker and educator. Limited 50 impressions. Signed and dated in pencil. Unframed.

Jerome Myers (American, 1867–1940) "Virginia Modeling," ca. 1912–1920 Hand-colored etching on paper, pencil signed Jerome Myers imp. with pencil notation on the back left corner of VIRGINIA MODELING Possibly an artist’s proof outside the edition of 50 Description: An exceptional and intimate hand-colored etching by Jerome Myers, a foundational member of the Ashcan School and one of early 20th-century America’s most lyrical chroniclers of urban life. Virginia Modeling depicts Myers’s young daughter seated at a table forming a small clay figure beside a lush floral arrangement—a tender scene of childhood creativity rendered with the artist’s characteristic delicacy. This composition is based on a 1912 preparatory drawing now held in the Cooper Hewitt Smithsonian Design Museum. The etching was created around 1920 and is hand-colored in subtle tones, likely by the artist himself or in collaboration with his wife, artist Ethel Myers. The work is pencil signed and marked imp, indicating that the artist printed or supervised the printing of this impression himself—suggesting a personal connection to this particular work. Virginia Myers...